Dario Llinares
@darioll.bsky.social
Writer, podcaster, educator.
Contact: drdario22@gmail.com
Podcast: https://patreon.com/cinematologists
Substack: https://substack.com/@dariollinares
Contact: drdario22@gmail.com
Podcast: https://patreon.com/cinematologists
Substack: https://substack.com/@dariollinares
Pinned
Our Cinematologists Podcast round-up of the London Film Festival is now available. We reflect on many films but focus mainly on The Mastermind, Rose of Nevada, Kontinental '25, The Stranger, and It Was Just an Accident.
Listen for free:
dariollinares.substack.com/p/london-fil...
Listen for free:
dariollinares.substack.com/p/london-fil...
Reposted by Dario Llinares
The arts, performing arts & media studies section of the #UPWeek Gallery also features great publications from @weslpress.bsky.social, @benjaminbarson.bsky.social, @wlupress.bsky.social @darioll.bsky.social & Amherst College Press https://bit.ly/3WTl7XD
November 10, 2025 at 4:45 PM
The arts, performing arts & media studies section of the #UPWeek Gallery also features great publications from @weslpress.bsky.social, @benjaminbarson.bsky.social, @wlupress.bsky.social @darioll.bsky.social & Amherst College Press https://bit.ly/3WTl7XD
Reposted by Dario Llinares
Sorry, Baby explores the thorny entanglements of power, blame, and guilt without resorting to didacticism or moral signalling. Agnes’s experiences unfold through the grain of a lived reality of disorientation, post a trauma that inflects every element of experience
open.substack.com/pub/dariolli...
open.substack.com/pub/dariolli...
November 3, 2025 at 10:14 AM
Sorry, Baby explores the thorny entanglements of power, blame, and guilt without resorting to didacticism or moral signalling. Agnes’s experiences unfold through the grain of a lived reality of disorientation, post a trauma that inflects every element of experience
open.substack.com/pub/dariolli...
open.substack.com/pub/dariolli...
Thanks Rob. Hope you're keeping well.
New book arrived in the post today! Podcast Studies: Practice into Theory edited by Lori Beckstead and @darioll.bsky.social The amount of high quality writing in this area is happily increasing - fair play
November 6, 2025 at 9:53 PM
Thanks Rob. Hope you're keeping well.
Sorry, Baby explores the thorny entanglements of power, blame, and guilt without resorting to didacticism or moral signalling. Agnes’s experiences unfold through the grain of a lived reality of disorientation, post a trauma that inflects every element of experience
open.substack.com/pub/dariolli...
open.substack.com/pub/dariolli...
November 3, 2025 at 10:14 AM
Sorry, Baby explores the thorny entanglements of power, blame, and guilt without resorting to didacticism or moral signalling. Agnes’s experiences unfold through the grain of a lived reality of disorientation, post a trauma that inflects every element of experience
open.substack.com/pub/dariolli...
open.substack.com/pub/dariolli...
Reposted by Dario Llinares
This week, I found myself caught between two extraordinary films: Sorry, Baby - a razor-sharp campus comedy that quietly tears open the politics of trauma - and Souleymane’s Story, a haunting portrait of labour, migration, and survival in the shadows of Paris.
Encountering the Self and Other in Cinema
Using two recent films - Sorry, Baby and Souleymane's Story - I reflect on the ephemeral nature of the self and how we use cinema to glimpse ourselves in others, and others in ourselves.
open.substack.com
November 2, 2025 at 5:04 PM
This week, I found myself caught between two extraordinary films: Sorry, Baby - a razor-sharp campus comedy that quietly tears open the politics of trauma - and Souleymane’s Story, a haunting portrait of labour, migration, and survival in the shadows of Paris.
This week, I found myself caught between two extraordinary films: Sorry, Baby - a razor-sharp campus comedy that quietly tears open the politics of trauma - and Souleymane’s Story, a haunting portrait of labour, migration, and survival in the shadows of Paris.
Encountering the Self and Other in Cinema
Using two recent films - Sorry, Baby and Souleymane's Story - I reflect on the ephemeral nature of the self and how we use cinema to glimpse ourselves in others, and others in ourselves.
open.substack.com
November 2, 2025 at 5:04 PM
This week, I found myself caught between two extraordinary films: Sorry, Baby - a razor-sharp campus comedy that quietly tears open the politics of trauma - and Souleymane’s Story, a haunting portrait of labour, migration, and survival in the shadows of Paris.
My step-nephew (it's complicated) got his 1st pay cheque
I watched in real time as he endured that painful rite of passage: discovering how much tax and national insurance is extracted from your pay.
Cue a conversation on the realities of adulthood. Tears were shed.
Welcome to the big league son.
I watched in real time as he endured that painful rite of passage: discovering how much tax and national insurance is extracted from your pay.
Cue a conversation on the realities of adulthood. Tears were shed.
Welcome to the big league son.
October 29, 2025 at 9:16 AM
My step-nephew (it's complicated) got his 1st pay cheque
I watched in real time as he endured that painful rite of passage: discovering how much tax and national insurance is extracted from your pay.
Cue a conversation on the realities of adulthood. Tears were shed.
Welcome to the big league son.
I watched in real time as he endured that painful rite of passage: discovering how much tax and national insurance is extracted from your pay.
Cue a conversation on the realities of adulthood. Tears were shed.
Welcome to the big league son.
Reposted by Dario Llinares
It is hard to overstate the stress produced by the incoherence of academic institutions pumping generative AI when they want to play business and then leaving instructors to deal with the results when they want to play school
Cheating with an LLM is the easiest thing in the world for a student to do, but it creates a massive, laborious headache for a prof, if you intend to take it seriously. There’s meetings, emails, discussions, moral dilemmas. It’s just incredibly burdensome, on top of everything else right now.
I had 9 meetings about students using Chat GPT/LLMs on their papers today.
If you want to know why professors burn out, ask anyone trying to teach critical thinking and writing skills to Freshmen....
If you want to know why professors burn out, ask anyone trying to teach critical thinking and writing skills to Freshmen....
October 28, 2025 at 1:45 PM
It is hard to overstate the stress produced by the incoherence of academic institutions pumping generative AI when they want to play business and then leaving instructors to deal with the results when they want to play school
From Refusal to Blueprint: Manifesto Thinking in Cinema (Part 1)
open.substack.com/pub/dariolli...
open.substack.com/pub/dariolli...
From Refusal to Blueprint: Manifesto Thinking in Cinema (Part 1)
Manifestos, then and now - the grammar of artistic revolt
open.substack.com
October 28, 2025 at 2:14 PM
From Refusal to Blueprint: Manifesto Thinking in Cinema (Part 1)
open.substack.com/pub/dariolli...
open.substack.com/pub/dariolli...
Our Cinematologists Podcast round-up of the London Film Festival is now available. We reflect on many films but focus mainly on The Mastermind, Rose of Nevada, Kontinental '25, The Stranger, and It Was Just an Accident.
Listen for free:
dariollinares.substack.com/p/london-fil...
Listen for free:
dariollinares.substack.com/p/london-fil...
October 21, 2025 at 12:13 PM
Reposted by Dario Llinares
Our Cinematologists Podcast round-up of the London Film Festival is now available. We reflect on many films but focus mainly on The Mastermind, Rose of Nevada, Kontinental '25, The Stranger, and It Was Just an Accident.
Listen for free:
dariollinares.substack.com/p/london-fil...
Listen for free:
dariollinares.substack.com/p/london-fil...
October 20, 2025 at 1:02 PM
Our Cinematologists Podcast round-up of the London Film Festival is now available. We reflect on many films but focus mainly on The Mastermind, Rose of Nevada, Kontinental '25, The Stranger, and It Was Just an Accident.
Listen for free:
dariollinares.substack.com/p/london-fil...
Listen for free:
dariollinares.substack.com/p/london-fil...
Our Cinematologists Podcast round-up of the London Film Festival is now available. We reflect on many films but focus mainly on The Mastermind, Rose of Nevada, Kontinental '25, The Stranger, and It Was Just an Accident.
Listen for free:
dariollinares.substack.com/p/london-fil...
Listen for free:
dariollinares.substack.com/p/london-fil...
October 20, 2025 at 1:02 PM
Our Cinematologists Podcast round-up of the London Film Festival is now available. We reflect on many films but focus mainly on The Mastermind, Rose of Nevada, Kontinental '25, The Stranger, and It Was Just an Accident.
Listen for free:
dariollinares.substack.com/p/london-fil...
Listen for free:
dariollinares.substack.com/p/london-fil...
Reposted by Dario Llinares
At the film’s outset, Teyana Taylor’s devastatingly uncompromising Perfidia Beverly Hills is the spark: a revolutionary diva, an elemental force of nature, an anti-heroine pushed to such extremes that she becomes almost impossible to classify.
open.substack.com/pub/dariolli...
open.substack.com/pub/dariolli...
One Critical Battle After Another: Ideology v Aesthetics
Reflections on Paul Thomas Anderson's new film across the fault lines of critical and political discourse. SPOILERS!
open.substack.com
October 16, 2025 at 2:21 PM
At the film’s outset, Teyana Taylor’s devastatingly uncompromising Perfidia Beverly Hills is the spark: a revolutionary diva, an elemental force of nature, an anti-heroine pushed to such extremes that she becomes almost impossible to classify.
open.substack.com/pub/dariolli...
open.substack.com/pub/dariolli...
Reposted by Dario Llinares
A new piece out at dariollinares.substack.com
October 7, 2025 at 3:06 PM
A new piece out at dariollinares.substack.com
A new piece out at dariollinares.substack.com
October 7, 2025 at 3:06 PM
A new piece out at dariollinares.substack.com
"Baldwin made many appearances on talk shows throughout the ’60s & ’70s, a time when the public intellectual still had space on mainstream television. He’s articulate, charismatic, and unflinching. The contrast with today’s soundbite-driven media is stark."
open.substack.com/pub/dariolli...
open.substack.com/pub/dariolli...
October 1, 2025 at 10:59 AM
"Baldwin made many appearances on talk shows throughout the ’60s & ’70s, a time when the public intellectual still had space on mainstream television. He’s articulate, charismatic, and unflinching. The contrast with today’s soundbite-driven media is stark."
open.substack.com/pub/dariolli...
open.substack.com/pub/dariolli...
Reposted by Dario Llinares
Forthcoming November 2025, the new paperback edition of Podcast Studies: Practice into Theory, providing substantive evidence of podcasting's transformative effect on academia
mngbookshop.co.uk/978177112676...
@wlupress.bsky.social #InternationalPodcastDay @darioll.bsky.social
mngbookshop.co.uk/978177112676...
@wlupress.bsky.social #InternationalPodcastDay @darioll.bsky.social
September 30, 2025 at 8:45 AM
Forthcoming November 2025, the new paperback edition of Podcast Studies: Practice into Theory, providing substantive evidence of podcasting's transformative effect on academia
mngbookshop.co.uk/978177112676...
@wlupress.bsky.social #InternationalPodcastDay @darioll.bsky.social
mngbookshop.co.uk/978177112676...
@wlupress.bsky.social #InternationalPodcastDay @darioll.bsky.social
Some serious strawman takes on One Battle After Another.
Like: “It's not at the level of The Battle of Algiers in its ideological sincerity”.
No shit.
It's a product of mainstream film industry in 2025.
Pontecorvo was an actual fucking political Marxist.
PTA is from the San Fernando Valley FFS.
Like: “It's not at the level of The Battle of Algiers in its ideological sincerity”.
No shit.
It's a product of mainstream film industry in 2025.
Pontecorvo was an actual fucking political Marxist.
PTA is from the San Fernando Valley FFS.
September 28, 2025 at 7:11 PM
Some serious strawman takes on One Battle After Another.
Like: “It's not at the level of The Battle of Algiers in its ideological sincerity”.
No shit.
It's a product of mainstream film industry in 2025.
Pontecorvo was an actual fucking political Marxist.
PTA is from the San Fernando Valley FFS.
Like: “It's not at the level of The Battle of Algiers in its ideological sincerity”.
No shit.
It's a product of mainstream film industry in 2025.
Pontecorvo was an actual fucking political Marxist.
PTA is from the San Fernando Valley FFS.