I. The Wall and the Infinite It is possible that the history of the modern West hinges on a single, melancholic misreading of Voltaire. When Candide, exhausted by the Lisbon earthquake and the brutalities of the Seven Years’ War, finally withdraws to the banks of the Propontis to utter his famous dictum—“Il faut cultiver notre jardin”—he is not proposing a program of agricultural management.

This is the third and final part of the Thicket Series:Part 1: Logic of the Thicket and the Unsearchable WebPart 2: The Architecture of Resistance The history of the working subject might be best understood not as a ledger of wages or a sequence of industrial breakthroughs, but as a study in the migration of the Master. In the eighteenth century, the Master was a concrete presence, a figure residing in the castle or the cathedral, distinct from the worker by a physical and social chasm.

This is the third and final part of the Thicket Series:Part 1: Logic of the Thicket and the Unsearchable WebPart 2: The Architecture of Resistance The history of the working subject might be best understood not as a ledger of wages or a sequence of industrial breakthroughs, but as a study in the migration of the Master. In the eighteenth century, the Master was a concrete presence, a figure residing in the castle or the cathedral, distinct from the worker by a physical and social chasm.

The seventeenth-century Hague, the mid-twentieth-century Levant, and the digital terraforming of 2025 have a shared preoccupation with the "Average." Whether it is the theologian’s way or predictive stats, control begins by smoothing out the landscape. The project of power is a project of cartography and illumination—an attempt to banish the dark corners where the unmapped might grow. Thus, the history of resistance, of being "against the world”, is less a history of rebellion than a history of seeking cover.

The seventeenth-century Hague, the mid-twentieth-century Levant, and the digital terraforming of 2025 have a shared preoccupation with the "Average." Whether it is the theologian’s way or predictive stats, control begins by smoothing out the landscape. The project of power is a project of cartography and illumination—an attempt to banish the dark corners where the unmapped might grow. Thus, the history of resistance, of being "against the world”, is less a history of rebellion than a history of seeking cover.

There is a particular kind of stillness found in the villa overlooking the Giardino all'italiana, a silence that is less about the absence of noise and more about the absolute presence of a plan. Standing upon a belvedere in the sixteenth century, one did not merely look at nature; one looked through a specific geometry that had already decided what nature was allowed to be.

There is a particular kind of stillness found in the villa overlooking the Giardino all'italiana, a silence that is less about the absence of noise and more about the absolute presence of a plan. Standing upon a belvedere in the sixteenth century, one did not merely look at nature; one looked through a specific geometry that had already decided what nature was allowed to be.

This is a continuation of my ongoing exploration of places and spaces. Previously: We need homes in the delta quadrant, Thinking with places, Problems are places questions are spaces. Introduction: The Terror of the Open Field We tend to think of "Space" as a vacuum—an emptiness waiting to be filled. But geographically and philosophically, Space is actually a condition of high-entropy potential.

41 years ago, Samuel Lipman wrote that an artist’s life is a “constant—and constantly losing—battle” against one’s own limits. That image has lasted because print culture taught us to imagine the artist as a solitary figure whose worth is measured by the perfection of a single, final work. Print fixed texts in place, elevated the individual author, and made loneliness part of the creative job description.

This is a partial synthesis of the books read through 2025 in the Contraptions Book Club. We live in a moment when the whole of human culture has become strangely available, no longer just an archive but something that behaves like a responding presence. A sentence typed into a search bar or messaging window returns citations and, more strikingly, continuations: pastiche, commentary, new variations of ideas that never existed until the instant we requested them.

xkcd published this wonderful piece: want to feel old?

Friend asked if Constantine was my favourite movie… I mean Neo and the librarian in one movie?? Yes please! but… Not my favorite though… that would be between Notting Hill, The Mummy, and The Matrix. None of them are good movies — in the way that Perfect Days and sooo many others are — but they are my movies.

RhymeManaged memory leaks.EverythingNeatly tucked away. The poets freedBy print. Hackers Tamed themselves.Linting,Hinting, diff-printing Bolt cutters:vibe- image: Rain, Steam and Speed

A heartbreaking scene from history.

No. 4