Ana Lucia Araujo
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araujohistorian.bsky.social
Ana Lucia Araujo
@araujohistorian.bsky.social

Historian of slavery, the Atlantic slave trade, and global Africa. Curates #slaveryarchive. Visit my website analuciaaraujo.org

Ana Lucia Araujo is an American historian, art historian, author, and professor of history at Howard University. She is a member of the International Scientific Committee of the UNESCO Slave Route Project. Her scholarship focuses on the transnational history, public memory, visual culture, and heritage of slavery and the Atlantic slave trade. .. more

Political science 23%
History 21%

🧵 3/3 To know + and how Na Agontimé was possibly sent to Brazil, check below "History, Memory, and Imagination: Na Agontimé, a Dahomean Queen in Brazil, In Beyond Tradition: African Women and their Cultural Spaces, ed. Toyin Falola and Sati U. Fwatshak analuciaaraujo.org/wp-content/u...
analuciaaraujo.org

🧵2/3 The Candomblé house Casa das Minas in Maranhão, Brazil is dedicated to Zomadonu. We believe Zomadonu was brought to Brazil by Na Agontimé, the putative mother of King Gezo, sold into slavery when Adandozan came to power after the assassination of his father, Agonglo.

🧵1/3 Amazing! Zomadonou cult in Abomey, then Dahomey (now Bénin) on Feb 22, 1930. Zomadonou is the 1st of the 9 Tohossou (divinized “abnormal” children) of the royal family of Abomey. Filmed (11 mins here just 2 mins by Frédéric Gadmer, today at Musée Albert Kahn (France)

Africanist historian Paulo Farias (1935-2026) joined the ancestors. His legacy remain alive through his magisterial book Arabic Medieval Inscriptions from The Republic of Mali by Fontes Historiae Africanae (edited by Toby Green), available OPEN ACCESS ▶️ fonteshistoriaeafricanae.co.uk/books-availa...

Happy to see a review of our co-edited book Esclavages: Représentations visuelles et cultures matérielles (@cnrseditions.bsky.social) in @laviedesidees.bsky.social. The book is part of the 30-year anniversary of the UNESCO Routes of Enslaved Peoples Project laviedesidees.fr/L-esclavage-...

It's Black History Month in the United States, and today I would like to feature the work of Edmonia Lewis "an American girl of African and Indian blood" who created stunning sculptures like this marble Cleopatra. #BlackHistoryMonth #BHM2026

Last week at the Université Libre de Bruxelles: Dr. Liliane Umubyeyi commenting my lecture "The Past that Won't Go Away" based on my book Reparations for Slavery (Réparations, combats pour la mémoire et l’esclavage) at the conference "Colonial Legacies in Belgium" #slaveryarchive #booksky

Thank you historian @brookenewman.bsky.social for this important, needed, and beautiful book, which I am already citing in my current book manuscript. #slaveryarchive

It's Black History Month in the USA. Today we remember the late Nona Faustine, whose birthday is today. As an artist, she used her body as a monument to reckon with the slavery past of this country, and NYC, in particular. Happy birthday Nona. #BlackHistoryMonth #slaveryarchive

Yes, and now that the bully is unleashed in public, we can also respond.

And worse: behind the scenes she has been suing and bullying younger historians for years, always with the excuse that they are allegedly taking her meager and extremely boring work.

US white female historian using Black Caribbean historians (with whom she develops zero collaboration) to spread defamation via social media about the work of a woman historian who is younger than her and shining, just because she is jealous.

Reposted by Ana Lucia Araújo

'One autumn day in 1786, an unexpected parcel arrived at Carlton House, the London residence of George, Prince of Wales. The sender was Quobna Ottobah Cugoano, a free Black man living in London, one of roughly 4,000 people of African descent in the city at the time.'
‘Unjust and inhuman’: how royal family ignored a Black abolitionist’s plea to end the slave trade
In this adapted extract from The Crown’s Silence, which examines the royal family’s links with slavery from Elizabeth I to the present, Ottobah Cugoano directly appeals to the monarchy – but is met wi...
www.theguardian.com

Reposted by Ana Lucia Araújo

'The Crown’s Silence, a book published this week, details how monarchs from Queen Elizabeth I to George IV used the trade in enslaved people to boost crown revenues and defend the British empire.'
Calls for King Charles to formally apologise for slavery after research shows crown’s role
Book The Crown’s Silence details how crown profited from and protected trade in enslaved African people for centuries
www.theguardian.com

For my Beninese friends. Cotton spinners. Pour mes ami(e)s béninois(es). Fileuses de coton. Abomey, Dahomey, today's Republic of Benin. March 6, 1930. 6 mars 1930. Musée Départemental Albert Kahn #Africa #WestAfricanart #Africanart

Check Toby Green's beautiful essay on @aeon.co, edited by dear Sam Haselby, essay draws on Toby's new magnificent book The Heretic of Cacheu. For reading and listening, and to be shared widely in these difficult times we live in #slaveryarchive #Africanhistory #Africa aeon.co/essays/lesso...
Lessons in pluralism from a 17th-century African town | Aeon Essays
The 17th-century town Cacheu was a hub of West African and European cultures, languages and beliefs (and run by women)
aeon.co
Out today: THE CROWN'S SILENCE

I'm delighted to share that my new book is officially out! It traces the British monarchy's involvement in the transatlantic slave trade and colonial slavery over hundreds of years. Please buy a copy, tell your library, & spread the word. bookshop.org/p/books/the-...
Here's a sneak peek at a tiny slice of the research included in my new book, THE CROWN'S SILENCE (available for pre-order now and out tomorrow, 1/27)!!! @marinerbooks.bsky.social #booksky #slaveryarchive
www.smithsonianmag.com/history/the-...
The British Crown Enslaved Thousands at the Height of the Trans-Atlantic Slave Trade. New Research Reveals Their Stories
A leading historian examines how the monarchy not only tolerated slavery but also administered it, profited from it and sanctioned its cruelties
www.smithsonianmag.com

Bénin Aller-Retour: Regards sur le Dahomey de 1930. Beautiful exhibition at the Musée Départementale Albert-Kahn. Performing below, a magnificent Heviosso. #WestAfrica #RepublicofBenin #Vodun #film #exhibition

Next Thursday, January 28, I will be giving the keynote A Past that Won't Go Away" at the 3-day conference Héritages coloniaux en Belgique, in Brussels. My lecture will be in English. Full program here. QR code for registration below. actus.ulb.be/fr/actus/int... #slaveryarchive

Ce vendredi joignez-nous au Séminaire du CIRESC pour discuter mon livre Réparations. Combats pour la mémoire de l’esclavage (XVIIIe-XXIe siècle) @editionsduseuil.bsky.social 14h30 à l’EHESS, Campus Condorcet, salle 427 en personne et en visio sur Zoom cnrs.zoom.us/j/9311620051... #slaveryarchive

This salt-glazed technique ceramic jar was created by Thomas Commeraw, a formerly enslaved man who championed pottery in New York City. Born in 1772, he is one of the several artists featured in my current book project. This jar is on view at the Smithsonian NMAAHC in Washington DC #slaveryarchive

Are you a historian of the Atlantic world with a manuscript of monograph or edited volume? Consider submitting to Race in the Atlantic World (UGA Press), edited by Araujo, Green & Newman, an award-winning series with a transnational/comparative focus. More here t.co/s3qp5NLQx7

Nossa senhora das dores. Aleijadinho. ❤️

OPEN ACCESS BOOK: African Masks and Emotions (Getty Publications, 2025) by Zoë S. Strother www.getty.edu/publications...

Will be there in spirit cheering for @sethrockman.bsky.social !

je crois pas.

Reposted by Camille Lefebvre

Je serai à Paris le 23 janvier au séminaire du CIRESC « Réparations, restitutions et post-esclavage (1791-XXIème siècle) » pour présenter mon livre Réparations: Combats pour la mémoire de l'esclavage (@editionsduseuil.bsky.social), plus de détails ci-dessous esclavages.cnrs.fr/vie-scientif...