oh Christ. Those are horrendous. It's the absolute worst when you share a fine old photo and some twat drops an unsolicited Ai colourisation and 'restoration' into your replies and wants to be congratulated for it. It's not even as if they did any of the work in fucking it up.
November 26, 2025 at 10:37 PM
oh Christ. Those are horrendous. It's the absolute worst when you share a fine old photo and some twat drops an unsolicited Ai colourisation and 'restoration' into your replies and wants to be congratulated for it. It's not even as if they did any of the work in fucking it up.
I haven’t been to Hamble for yonks but I bet that this view hasn’t altered all that much. As you say, The Bugle is still there!
It‘s a really, really nice old postcard image with such attractive colourisation going on.
It‘s a really, really nice old postcard image with such attractive colourisation going on.
November 26, 2025 at 4:20 PM
I haven’t been to Hamble for yonks but I bet that this view hasn’t altered all that much. As you say, The Bugle is still there!
It‘s a really, really nice old postcard image with such attractive colourisation going on.
It‘s a really, really nice old postcard image with such attractive colourisation going on.
Every project begins with a question: how can we bring this story to life authentically?
Colour is our way of connecting audiences with the humanity behind the history.
Follow us for more
#vfx #colourisation #visualeffects #animation
Colour is our way of connecting audiences with the humanity behind the history.
Follow us for more
#vfx #colourisation #visualeffects #animation
November 25, 2025 at 10:30 AM
Every project begins with a question: how can we bring this story to life authentically?
Colour is our way of connecting audiences with the humanity behind the history.
Follow us for more
#vfx #colourisation #visualeffects #animation
Colour is our way of connecting audiences with the humanity behind the history.
Follow us for more
#vfx #colourisation #visualeffects #animation
Kilsheelan #Tipperary in 1930 B&W📸Capuchin Archives www.irishfamilydetective.ie/colourisation
November 25, 2025 at 8:01 AM
Kilsheelan #Tipperary in 1930 B&W📸Capuchin Archives www.irishfamilydetective.ie/colourisation
I think it would be marvelous if The Tenth Planet was announced to be the next 1960s Doctor Who story to get the colourisation re-edit treatment
November 23, 2025 at 1:06 AM
I think it would be marvelous if The Tenth Planet was announced to be the next 1960s Doctor Who story to get the colourisation re-edit treatment
I'm expecting for a possible announcement of some missing Doctor Who episodes being rediscovered after 12 years and what is the next 1960s Doctor Who story to get the colourisation re-edit treatmant on #DoctorWhoDay
November 22, 2025 at 10:43 PM
I'm expecting for a possible announcement of some missing Doctor Who episodes being rediscovered after 12 years and what is the next 1960s Doctor Who story to get the colourisation re-edit treatmant on #DoctorWhoDay
Every colourised frame is a collaboration between history and creativity.
Our role is to make the past resonate with today’s audiences. Faithfully, vividly, and beautifully.
Follow for more
#vfx #colourisation #visualeffects #animation
Our role is to make the past resonate with today’s audiences. Faithfully, vividly, and beautifully.
Follow for more
#vfx #colourisation #visualeffects #animation
November 20, 2025 at 10:30 AM
Every colourised frame is a collaboration between history and creativity.
Our role is to make the past resonate with today’s audiences. Faithfully, vividly, and beautifully.
Follow for more
#vfx #colourisation #visualeffects #animation
Our role is to make the past resonate with today’s audiences. Faithfully, vividly, and beautifully.
Follow for more
#vfx #colourisation #visualeffects #animation
Really interesting read on the challenges AI poses to documentaries, truth, and the archive. All of this of course extends to static as well as moving images — and the full spectrum of colourisation to fabrication.
Can You Believe the Documentary You’re Watching? www.nytimes.com/2025/11/18/m...
Can You Believe the Documentary You’re Watching? www.nytimes.com/2025/11/18/m...
Can You Believe the Documentary You’re Watching?
www.nytimes.com
November 19, 2025 at 7:11 AM
Really interesting read on the challenges AI poses to documentaries, truth, and the archive. All of this of course extends to static as well as moving images — and the full spectrum of colourisation to fabrication.
Can You Believe the Documentary You’re Watching? www.nytimes.com/2025/11/18/m...
Can You Believe the Documentary You’re Watching? www.nytimes.com/2025/11/18/m...
When done with care, colourisation doesn’t replace history; it enhances it.
It adds depth, emotion, and accessibility to the stories we all share.
Follow us for more
#vfx #colourisation #visualeffects #animation
It adds depth, emotion, and accessibility to the stories we all share.
Follow us for more
#vfx #colourisation #visualeffects #animation
November 18, 2025 at 10:30 AM
When done with care, colourisation doesn’t replace history; it enhances it.
It adds depth, emotion, and accessibility to the stories we all share.
Follow us for more
#vfx #colourisation #visualeffects #animation
It adds depth, emotion, and accessibility to the stories we all share.
Follow us for more
#vfx #colourisation #visualeffects #animation
I'm not keen on colourisation, but then I don't have to watch if I don't want to. I've never felt black and white to be a barrier, but then there was quite a lot of black and white telly when I was growing up (slapstick films, Champion the wonder horse etc) so perhaps that's why
November 16, 2025 at 6:09 PM
I'm not keen on colourisation, but then I don't have to watch if I don't want to. I've never felt black and white to be a barrier, but then there was quite a lot of black and white telly when I was growing up (slapstick films, Champion the wonder horse etc) so perhaps that's why
If you want to bear witness to a perverse experiment, here's the de-silentised 2005 German dub of The Lost World, which removes all intertitles and hastily dubs in all the dialogue. Thought colourisation was offensive? Try this on for size!
November 15, 2025 at 8:55 AM
If you want to bear witness to a perverse experiment, here's the de-silentised 2005 German dub of The Lost World, which removes all intertitles and hastily dubs in all the dialogue. Thought colourisation was offensive? Try this on for size!
St Finbarr's Cathedral #Cork & Sullivan's Quay c1905 #LoveCork #PureCork #CorkLike B&W📸NLI www.irishfamilydetective.ie/colourisation
November 15, 2025 at 8:01 AM
St Finbarr's Cathedral #Cork & Sullivan's Quay c1905 #LoveCork #PureCork #CorkLike B&W📸NLI www.irishfamilydetective.ie/colourisation
The #Cork Brigade outside the office of the Freeman’s Journal in Dublin; back row: Daithí Cotter, Seán Murphy, Donal Barrett, Terence MacSwiney, Pat Trahey; front row: Tadgh Barry (Died #Onthisday 1921) Tomás MacCurtain & Pat Higgins B&W📸RTE Archives www.irishfamilydetective.ie/colourisation
November 15, 2025 at 8:00 AM
The #Cork Brigade outside the office of the Freeman’s Journal in Dublin; back row: Daithí Cotter, Seán Murphy, Donal Barrett, Terence MacSwiney, Pat Trahey; front row: Tadgh Barry (Died #Onthisday 1921) Tomás MacCurtain & Pat Higgins B&W📸RTE Archives www.irishfamilydetective.ie/colourisation
I loathe colourisation, and don't really understand the point of it, but that's not actually actively awful. Believe me that's a win, coming from me...😉🤣
November 14, 2025 at 2:16 PM
I loathe colourisation, and don't really understand the point of it, but that's not actually actively awful. Believe me that's a win, coming from me...😉🤣
Can't say I'm convinced by the whole colourisation thing, but the routine itself… Wow. I'm exhausted just from watching it.
https://youtu.be/qzc7vY9VTnk
#movies #dance
https://youtu.be/qzc7vY9VTnk
#movies #dance
November 14, 2025 at 12:46 PM
Can't say I'm convinced by the whole colourisation thing, but the routine itself… Wow. I'm exhausted just from watching it.
https://youtu.be/qzc7vY9VTnk
#movies #dance
https://youtu.be/qzc7vY9VTnk
#movies #dance
also managed to get dmg colourisation working, plus the hardware-defined palettes for classics like dmg pokemon red/blue.
learning a ton along the way - timing quirks, palette behaviour, vram rules… gbc graphics are deeper than they look.
learning a ton along the way - timing quirks, palette behaviour, vram rules… gbc graphics are deeper than they look.
November 13, 2025 at 4:44 PM
also managed to get dmg colourisation working, plus the hardware-defined palettes for classics like dmg pokemon red/blue.
learning a ton along the way - timing quirks, palette behaviour, vram rules… gbc graphics are deeper than they look.
learning a ton along the way - timing quirks, palette behaviour, vram rules… gbc graphics are deeper than they look.
a colourisation from part 2 of the doctor who story "the dominators"(1968).
November 13, 2025 at 4:28 PM
a colourisation from part 2 of the doctor who story "the dominators"(1968).
Colour doesn’t alter history, it amplifies it.
It gives the stories, emotions, and people behind the footage a chance to be seen as they truly were.
Follow us for more
#vfx #colourisation #visualeffects #animation
It gives the stories, emotions, and people behind the footage a chance to be seen as they truly were.
Follow us for more
#vfx #colourisation #visualeffects #animation
November 13, 2025 at 10:30 AM
Colour doesn’t alter history, it amplifies it.
It gives the stories, emotions, and people behind the footage a chance to be seen as they truly were.
Follow us for more
#vfx #colourisation #visualeffects #animation
It gives the stories, emotions, and people behind the footage a chance to be seen as they truly were.
Follow us for more
#vfx #colourisation #visualeffects #animation
The moment colour touches an old frame, something powerful happens.
You stop watching history and start experiencing it.
Follow for more!
#vfx #colourisation #visualeffects #animation
You stop watching history and start experiencing it.
Follow for more!
#vfx #colourisation #visualeffects #animation
November 11, 2025 at 10:30 AM
The moment colour touches an old frame, something powerful happens.
You stop watching history and start experiencing it.
Follow for more!
#vfx #colourisation #visualeffects #animation
You stop watching history and start experiencing it.
Follow for more!
#vfx #colourisation #visualeffects #animation
Patrick's Bridge c1920 #LoveCork #PureCork #CorkLike B&W📸#Cork Public Museum www.irishfamilydetective.ie/colourisation
November 8, 2025 at 8:01 AM
Patrick's Bridge c1920 #LoveCork #PureCork #CorkLike B&W📸#Cork Public Museum www.irishfamilydetective.ie/colourisation
Lovely picture (even if I'm not totally convinced by the colourisation). The - it turns out - 1932 registered Mercedes lorry is easily as surprising as the giraffe...
PHOTO OF THE DAY. A policeman stops traffic to let a man carrying an inflatable rubber giraffe cross the road on his way to the British Industries Fair in London (1935)
📷 google images
📷 google images
November 7, 2025 at 10:29 AM
Lovely picture (even if I'm not totally convinced by the colourisation). The - it turns out - 1932 registered Mercedes lorry is easily as surprising as the giraffe...
Our work bridges the gap between yesterday and today.
By adding colour, we give audiences a fresh way to experience history.
Follow us for more
#vfx #colourisation #visualeffects #animation
By adding colour, we give audiences a fresh way to experience history.
Follow us for more
#vfx #colourisation #visualeffects #animation
November 6, 2025 at 10:30 AM
Our work bridges the gap between yesterday and today.
By adding colour, we give audiences a fresh way to experience history.
Follow us for more
#vfx #colourisation #visualeffects #animation
By adding colour, we give audiences a fresh way to experience history.
Follow us for more
#vfx #colourisation #visualeffects #animation