In this rough animation test, I'm exploring a grease pencil workflow where I map the motion with a curve. This allows me to select points along the curve to move the GP canvas so that its independent of the 3D camera moves.
In this rough animation test, I'm exploring a grease pencil workflow where I map the motion with a curve. This allows me to select points along the curve to move the GP canvas so that its independent of the 3D camera moves.
who touched her face to turn into gold
like illuminated pages of manuscript
but your kiss flushes my cheeks
with cracks of red
and so I wish that sheafs of gold may
turn to green, back to copper earth
I pray to the gods to curse me, once again,
to be a thing of blood
- Your Z
who touched her face to turn into gold
like illuminated pages of manuscript
but your kiss flushes my cheeks
with cracks of red
and so I wish that sheafs of gold may
turn to green, back to copper earth
I pray to the gods to curse me, once again,
to be a thing of blood
- Your Z
This time, working on a 360 head turnaround with a 3D block-in for base textures and shape! Excited to share the story that this character, Jazz is a part of! 🎷🎷🎷
This project is based on my back-face culling mesh RnD inspired by @giwono0708 on X!
This time, working on a 360 head turnaround with a 3D block-in for base textures and shape! Excited to share the story that this character, Jazz is a part of! 🎷🎷🎷
This project is based on my back-face culling mesh RnD inspired by @giwono0708 on X!
目ぱち exercise with some flapping animation (hair and sleeves). Need to clarify the hair-shapes and wind direction after reviewing the flag principle.
Thank you for everyone who gave input!
目ぱち exercise with some flapping animation (hair and sleeves). Need to clarify the hair-shapes and wind direction after reviewing the flag principle.
Thank you for everyone who gave input!