YOOki Chronicles
YOOki Chronicles
@yuki.youronly.one.web.brid.gy
The chronicles of Yohan Yukiya Sese-Cuneta.
Lisa's «Rockstar» is Thai-pop
Lisa, of BLACKPINK fame, recently released Rockstar, a J-hip-hop track produced and written by people from multiple nations. This raises the question: "Is BLACKPINK Lisa’s ‘Rockstar’ K-pop or T-pop?" (from The Korea Times by Dong Sun-hwa). Logically and ethically, the answer is simple: It is Thai-pop (T-pop). ## Understanding the X-pop Labels In my article, "What is the difference between P-pop and OPM?", I defined P-pop as: > P-pop, or _**P** inoy **Pop** ular music_, is all music composed _**or**_ performed by a Filipino. What is the difference between P-pop and OPM?, YourOnly.One This definition can be applied to other X-pop labels, such as J-pop, K-pop, M-pop, and T-pop. Therefore, > K-pop, or _**K** orean **Pop** ular music_, is all music composed _**or**_ performed by a Korean. and > Thai-pop / T-pop, or _**T** hai **Pop** ular music_, is all music composed _**or**_ performed by a Thai. By this standard, Lisa’s Rockstar is undeniably T-pop (Thai-pop). ## Addressing the comments > What a legend you are. A truly perfect K-pop idol. Is BLACKPINK Lisa’s ‘Rockstar’ K-pop or T-pop?, A YouTube user No one can argue that Lisa is a K-pop idol. > Lee Gyu-tag, a professor of cultural studies at George Mason University Korea, also believes that “Rockstar” is quite far from being T-pop. > > “Lisa is from Thailand, but she is predominantly recognized as a K-pop singer on the global stage,” Lee told The Korea Times, stressing that K-pop is not just about the nationalities of the singers. Is BLACKPINK Lisa’s ‘Rockstar’ K-pop or T-pop?, Lee Gyutag Lee Gyutag, a professor of cultural studies at George Mason University Korea, believes Rockstar is not T-pop because Lisa is predominantly recognized as a K-pop singer on the global stage. However, I disagree. Lisa’s work should not be disqualified as T-pop simply because she is recognized as a K-pop singer. > K-pop tunes also involve creators from different countries, but we still regard them as K-pop because it has other noteworthy characteristics such as business models, emphasis on music videos and the singers’ close interactions with their followers. In Lisa’s case, she neither announced she would give up her identity as a K-pop star nor changed the way of promoting her new offering. Is BLACKPINK Lisa’s ‘Rockstar’ K-pop or T-pop?, Lee Gyutag Again, I respectfully disagree with the esteemed professor. K-pop itself, or more accurately, the idol industry of K-pop, originated from the idol industry of J-pop. If we follow this logic, we could argue that the K-pop industry is simply an extension of J-pop. In addition, Lisa has not announced she would give up her K-pop identity, but that doesn’t mean her new song isn’t T-pop. Expecting artists to announce their transition between industries is unreasonable. Moreover, promotional methods do not define the genre. Using Lee Sooman’s method does not define an artist as automatically K-pop [only]. > “Rockstar” does not seem to contain the elements of Thai music, he added. Is BLACKPINK Lisa’s ‘Rockstar’ K-pop or T-pop?, Lee Gyutag This is subjective. What is Thai music? What defines a Thai music? Who should define what is Thai music and what Thai musical elements are? > “It is a hip-hop track, so musically speaking, it does not appear to be Thai style,” he explained. “Its lyrics are mostly written in English as well … If Lisa, who already has an identity as a K-pop singer, craves a change in her career, I think she should come up with completely different music with more Thai elements, such as Thai lyrics.” Is BLACKPINK Lisa’s ‘Rockstar’ K-pop or T-pop?, Lee Gyutag Hip-hop is not exclusive to K-pop. Thai hip-hop has existed since 1985, predating the K-pop idol formula and industry. Meanwhile, the Philippines is well-established as the first (1980) hip-hop music scene in Asia, 1 a decade before hip-hop entered the K-pop scene, and two decades before the K-pop idol industry was born. Language should also not be used to determine a song’s identity. There were and will be K-pop songs predominantly written in English, yet they remain K-pop. Similarly, there are countless of Filipino music written in English yet are still officially considered OPM (Original Pilipino Music). > “SB19 defines itself as a Philippine pop (P-pop) group and sings a lot in its language,” he said. “But on a global scale, even a group like this often falls into the category of K-pop. This shows that it is not a walk in the park to build a new identity.” Is BLACKPINK Lisa’s ‘Rockstar’ K-pop or T-pop?, Lee Gyutag Categorizing SB19 as K-pop despite their Filipino lyrics only proves that language isn’t a definitive factor. What about Bini? Is Bini K-pop or P-pop? > However, Kim Jin-woo, head researcher at Circle Chart, which collates data to rank music releases, believes that “Rockstar” is more closely associated with T-pop. Is BLACKPINK Lisa’s ‘Rockstar’ K-pop or T-pop?, Kim Jin-woo I totally agree. > “At the crux of K-pop is its own system of training idols, creating music videos and making songs through ‘songwriting camps’ that bring together composers from around the world,” Kim said. “If we use this system as a yardstick to define K-pop, we can get a much clearer picture. In Lisa’s case, although she did receive K-pop training at YG Entertainment as a member of BLACKPINK, that’s about it. That is why I think her new solo release is not K-pop.” Is BLACKPINK Lisa’s ‘Rockstar’ K-pop or T-pop?, Kim Jin-woo Absolutely. ## Conclusion Here’s what we learned: 1. People naturally identify with their origins first. 2. It is unusual for artists to announce their transition between industries. 3. The language of a song does not determine its category. 4. Music genres are not exclusive to one country. 5. Music is a universal language. It transcends labels like K-pop, Thai-Pop, J-pop, M-pop, P-pop. Here are the key takeaways: > P-pop, or _**P** inoy **Pop** ular music_, is all music composed _**or**_ performed by a Filipino. What is the difference between P-pop and OPM?, YourOnly.One > Thai-pop / T-pop, or _**T** hai **Pop** ular music_, is all music composed _**or**_ performed by a Thai. > K-pop, or _**K** orean **Pop** ular music_, is all music composed _**or**_ performed by a Korean. Lisa’s Rockstar is undeniably Thai-pop (T-pop). * * * * Note: "T-pop" can mean "Taiwanese-pop" or "Thai-pop"; just as "M-pop" can mean "Malaysian-pop" or "Mandarin-pop" ("Mando-pop"). * * * ・ Cover image: The cover image used in this article is Copyrighted to Lloud. * * * 1. Global Oneness: Music of the Philippines ↩︎
im.youronly.one
January 25, 2025 at 4:34 AM
Reach a wider audience with Fediverse Threads!
Earlier today, Meta’s Threads.net microblogging social network rolled out its much-anticipated Fediverse feature to over 100 countries (except for European Union members), including many in the Asia-Pacific region. If you’re keen on expanding your audience as a content creator, or as a content consumer you want to follow content creators without creating yet another account, activating this feature is highly recommended. But what exactly is the Fediverse? ## What is the Fediverse? In simple terms, the Fediverse is a _mycelium network_ powered by the ActivityPub protocol. ActivityPub is a web standard endorsed by the World Wide Web Consortium (W3C), the authoritative body for web standards ensuring seamless interoperability across platforms. Some examples are SMTP for emails, HTTP/S for browsing, and HTML and CSS for websites. This makes the Fediverse essentially the web standard for social networking services (SNS), commonly referred to as social media in English-speaking countries. ## What’s in it for me as a content creator/consumer? Activating the Fediverse feature on your Threads.net account allows you to reach a broader audience. As a content creator, your fans more likely urged you before to join yet another network where they already are. Or, as a content consumer, you had no choice but to create a new account on yet another platform just to follow a content creator. With the Fediverse, content creators and content consumers can interact across different platforms, as long as **both sides are connected to the Fediverse**. This means fewer accounts to manage for both content creators and content consumers. ## How to activate the Fediverse feature in Threads.net? It’s straightforward. Follow these steps: 1. Go to `Settings` > `Account` > `Fediverse sharing`. **How to activate Fediverse Threads: Step 1** How to activate Fediverse Threads: Step 1 by I’M YourOnly.One is licensed under Creative Commons Attribution-ShareAlike (CC By-SA) 4.0 International License. Date: 2024-06-26T05:11:42+08:00 2. Read their version of “What is the Fediverse?” and tap `Next`. **How to activate Fediverse Threads: Step 2** To the extent possible under law, I'M YourOnly.One has waived all copyright and related or neighbouring rights to How to activate Fediverse Threads: Step 2. This work is published from Philippines. 3. Read the additional information provided and tap `Turn on sharing`. **How to activate Fediverse Threads: Step 3** To the extent possible under law, I'M YourOnly.One has waived all copyright and related or neighbouring rights to How to activate Fediverse Threads: Step 3. This work is published from Philippines. 4. Copy your Threads.net Fediverse username and share it with everyone! **Welcome to the standards-based Fediverse mycelium network** _Copy and share your Fediverse Threads username_ Welcome to the standards-based Fediverse mycelium network by I’M YourOnly.One is licensed under Creative Commons Attribution-ShareAlike (CC By-SA) 4.0 International License. Date: 2024-06-26T05:13:47+08:00 Congratulations! You’re now part of the Fediverse _mycelium network_! Your posts will be visible to any account connected to the Fediverse, no matter the platform they’re using. You don’t have to think about it. Just do your regular social network routine. It all happens in the background. **Threads.net post as seen on Mastodon-powered C.IM server** Threads.net post as seen on Mastodon-powered C.IM server by I’M YourOnly.One is licensed under Creative Commons Attribution-ShareAlike (CC By-SA) 4.0 International License. Date: 2024-06-26T05:27:12+08:00 **Threads.net post as seen on Rebased-powered C.WTF server** Threads.net post as seen on Rebased-powered C.WTF server by I’M YourOnly.One is licensed under Creative Commons Attribution-ShareAlike (CC By-SA) 4.0 International License. Date: 2024-06-26T09:21:16+08:00 ## A friendly note: It’s still being tested As of 2024-06-26, interoperability with the Fediverse via the ActivityPub protocol is still undergoing thorough testing. Expect some limitations in interaction for now, such as: * Not all replies from the wider Fediverse may appear on Threads.net. * Only the original post creator will see replies from the Fediverse. * Threads.net users currently cannot reply to replies from Fediverse users. * Posts may take at least five minutes to appear in both directions. * Threads.net accounts cannot yet follow or search for Fediverse accounts. **Notification of a Fediverse reply** Notification of a Fediverse reply by I’M YourOnly.One is licensed under Creative Commons Attribution-ShareAlike (CC By-SA) 4.0 International License. Date: 2024-06-26T05:27:17+08:00 **Fediverse reply on Threads.net** Fediverse reply on Threads.net by I’M YourOnly.One is licensed under Creative Commons Attribution-ShareAlike (CC By-SA) 4.0 International License. Date: 2024-06-26T05:27:24+08:00 Once again, welcome to the Fediverse _mycelium network_ , powered by the standards-based ActivityPub protocol! Embrace this new way of connecting and enjoy the expanded reach of your online account! * * * ・ Cover image: To the extent possible under law, I'M YourOnly.One has waived all copyright and related or neighbouring rights to Fediverse Threads. This work is published from Philippines.
im.youronly.one
January 28, 2025 at 4:40 AM
A Tragic Love Story Revealed in Surprising K-Drama
Uncover the hidden gem in a K-drama disguised by its title the Missing Crown Prince. Follow the poignant romance between the Queen Dowager and her secret lover, and see why this series stands out for its unique narrative and captivating acting. ## Story ### A mistitled drama Despite its title, the story isn’t about the Missing Crown Prince (Kim Junmyeon). He was missing for just about five episodes. ### Main or support characters? Officially, three young actors are billed as the main characters, but they are actually supporting characters. The true leads are the two actors listed as supporting roles, namely: Myeong Sebin as Taebi Minssi; and Kim Joheon as Choe Sangrok. ### A tragic love story The narrative centres on the tragic romance between the Taebi Minssi and her ex-betrothed turned secret lover, Choe Sangrok. Their relationship drives the emotional core of the series. The love story of I Geon and Choe Myeongyun was straightforward and clearly secondary from the start. ## Performance The acting is impressive, particularly from the actual main actors—Myeong Sebin and Kim Joheon—showcasing their veteran skills. The younger actors—Hong Yeji and Kim Junmyeon—also performed well, learning from their senior counterparts and creating great on-screen synergy. ## Verdict If you catch the early hints that the show isn’t about the Missing Crown Prince, it deserves a perfect 10 stars. This series demands the right mindset to be truly appreciated and rated accurately. ## Official trailer **[1차 티저] MBN 주말 미니시리즈 <세자가 사라졌다> l 흔적도 없이 사라진 세자.. 과연 어디로..? MBN 240413 방송** _왕세자가 세자빈이 될 여인에게 보쌈을 당하며 벌어지는, 두 청춘 남녀의 파란만장 대환장 끝장 도주기를 다룬 조선판 로맨틱 코미디! MBN 주말 미니시리즈 <세자가 사라졌다> 4월 13일 토요일 밤 9시 40분 첫 방송_ The work shown above is Copyrighted to MBN Entertainment. **[2차 티저] MBN 주말 미니시리즈 <세자가 사라졌다> l 세자가 실종되는 전대미문의 사건! MBN 240413 방송** _세자가 실종되는 전대미문의 사건!? 위기에 빠진 세자와 왕실의 운명. 과연 그는 살아서 돌아올 수 있을 것인가..! MBN 주말 미니시리즈 <세자가 사라졌다> 4월 13일 토요일 밤 9시 40분 첫 방송_ The work shown above is Copyrighted to MBN Entertainment. **[3차 티저] MBN 주말 미니시리즈 <세자가 사라졌다> l 실종된 세자, 엇갈린 세 사람의 운명! MBN 240413 방송** _실종된 세자, 엇갈린 세 사람의 운명! 돌아온 세자가 마주한 진실은 과연..? MBN 주말 미니시리즈 <세자가 사라졌다> 4월 13일 토요일 밤 9시 40분 첫 방송_ The work shown above is Copyrighted to MBN Entertainment. **세자빈에게 보쌈 당한 왕세자의 운명은..? MBN 주말 미니시리즈 <세자가 사라졌다> 5분 하이라이트 MBN 240413 방송** _숨겨진 비밀, 사라진 세자! 휘몰아치는 운명의 소용돌이, 그 결말은? MBN 주말 미니시리즈 <세자가 사라졌다> 4월 13일 토요일 밤 9시 40분 첫 방송_ The work shown above is Copyrighted to MBN Entertainment. * * * ・ Cover image: The cover image used in this article is Copyrighted to MBN Entertainment.
im.youronly.one
January 25, 2025 at 4:34 AM
SNS, social media terminologies explained
Have you come across terms like “Social Web”, “Mycelial Web”, “Fediverse”, “Threadiverse”, “Mycelium network”, “Nostr”, “ATproto”, “ActivityPub”, and “DDFON”? They can sound quite techie and confusing. Today, let’s demystify them! (_in alphabetical order_) ActivityPub (AP) The protocol behind the fediverse mycelium network, recommended by the World Wide Web Consortium (W3C) since 2018–01–13 ATmosphere A friendly name for the whole mycelium network built on top of ATproto. 1 2 ATproto The protocol that powers the ATmosphere mycelium network, often incorrectly referred to as Bluesky. Blockchain A cryptographic ledger, popularized by cryptocurrencies, and also used in DDFON SNS like Audius (music), Hive (content), and Verasity (video). Bluesky The first public server powered by the ATproto protocol, commonly but inaccurately used to refer to the entire ATproto mycelium network. Bluesky is only one of many ATproto servers. (also see ATmosphere) DDFON Stands for “Decentralized, Distributed, Federated, Open Network” ﹘ a term I coined in 2011, 34 also known as mycelial web. diaspora* The name of the protocol that powers The Federation mycelium network. Fediverse The friendly name for the mycelium network using the ActivityPub protocol and its predecessors (OStatus (2010–2020), OpenMicroBlogging (2008–2010)). Coined by Mark Eckenwiler in 2012-05-25 and by Marjolein Katsma in 2013-01-24. 567 Identiverse The original name for the fediverse mycelium network, coined by Luke Slater in 2010-03-14. 89 Jabber A federated instant messaging mycelium network, the first DDFON. The name was dropped in favour of the term XMPP. Mastodon® A fediverse software using the ActivityPub protocol, incorrectly used to refer to the entire fediverse mycelium network. It is a registered trademark that should only be used within the context of the Mastodon® software. Matrix An IRC-like federated messaging platform similar to XMPP, serving as both the protocol and the mycelium network name. Mycelium [Network] A network of fungal threads in nature, applied to tech networks like the fediverse, ATmosphere, and Nostr mycelium networks. Originally suggested to replace the term fediverse but redefined in 2022. Mycelial Web Multiple networks of fungal threads (mycelium) is called mycelia or mycelial. In tech, mycelial is the umbrella term for mycelium networks like XMPP, fediverse, Matrix, Nostr, and ATmosphere; a friendly name for DDFON. Nostr It is a protocol that powers the NOSTRich mycelium network. The name stands for "Notes and Other Stuff Transmitted by Relays". NOSTRich The friendly name of the mycelium network powered by the Nostr protocol. OpenMicroBlogging The first protocol of the fediverse from 2008–2010. OStatus The fediverse protocol, active from 2010–2020. 10 Secure Scuttlebutt (SSB) A cryptographic mycelium network where content is shared only with followers. Semantic Web One of the original meanings of Web3.0, where the web becomes "capable of analyzing all the data on the Web—the content, links, and transactions between people and computers" through W3C standards. SNS (Social Networking Service) The original term for social media, still commonly used in Korea and the Asia-Pacific region. Social Media The term for SNS in English-speaking countries. Social Web Also known as Web3 or Web3.0, it promotes an open, interoperable web instead of closed silos. It is about building platforms that interoperate through federation and bridges, while ensuring resiliency through distribution and decentralization. 11121314 It is the same as “Open Social Web” and “Open Social”, and is a very broad term that goes beyond DDFON / Mycelial Web. 15 16 17 18 The Federation The name of the network running on the diaspora* protocol. Threadiverse Refers to threaded fediverse platforms like Lemmy, Kbin, and Mbin. In Korea, it refers specifically to Meta’s Threads platform with fediverse integration. 19 Web3.0 Refers to Semantic Web as coined by Sir Timothy John Berners-Lee in 2006. 20 Also refers to the social web “Le Web3” conference in France in 2007 and earlier. 121314 Unfortunately also used to refer to blockchain technology 21 as defined by Gavin Wood in 2014. 22 Web3 Initially coined for the social web conference in 2007 by Loic Le Meur. 121314 It is also unfortunately being used for blockchain technology 21 as defined by Gavin Wood in 2014. 22 XMPP (eXtensible Messaging and Presence Protocol) The first federated instant messaging platform, originally named Jabber. * * * ・ Cover image: To the extent possible under law, I'M YourOnly.One has waived all copyright and related or neighbouring rights to Mycelial Web in action. This work is published from Philippines. * * * 1. Kuba Suder: There’s also the unofficial name “Atmosphere” or “ATmosphere” that some people use for the whole network built on top of ATProto (published: 2024-06-10) (archived 2024-06-10: 1 2) ↩︎ 2. Paul “Frazee”: from:pfrazee.com atmosphere (archived 2024-06-10: 1 2) ↩︎ 3. Yahuhanan Yukiya Sese Cuneta: Maybe this map can be useful to the #DDFON community? Initial target market perhaps? (published: 2011–10–15) (archived 2024–06–09: 1 2) ↩︎ 4. Yahuhanan Yukiya Sese Cuneta: And good night Decentralized, Distributed, Federated, Open, Network! (published: 2011–11–10) (archived 2024–06–09: 1 2) ↩︎ 5. Mark Eckenwiler: Fully accessible from my part of the fediverse (published: 2012–05–25) (archived: 1 2) ↩︎ 6. Marjolein Katsma: good morning / #tzag #identiverse / fediverse :) (published: 2013–01–24) (archived: 1) ↩︎ 7. Twitter search: (fediverse) until:2013–01–31 since:2006–01–01 (archived: 1 2) ↩︎ 8. Luke Slater: Time for bed. Goodnight Identiverse. Thank you for existing! (published: 2010–03–14) (archived: 1) ↩︎ 9. identi.ca: Notices tagged with identiverse (archived: 1) ↩︎ 10. Pleroma: Releasing Pleroma 2.0.0 (published: 2020-03-08) (archived: 1 2) ↩︎ 11. Jesse Stay: Just finished blogging about “the Social Web” (aka Web 3.0): http://tinyurl.com/yv7qs5 (published: 2007–05–31) (archived 2024–06–07: 1 2) ↩︎ 12. Loic Le Meur: merci pour le post sur les tarifs du Web3… faudra que je fasse un podcast la dessus un de ces 4 (published: 2007–09–20) (archived 2024–06–07: 1 2) ↩︎ ↩︎ ↩︎ 13. Loic Le Meur: going to bed with my 400 000 euros budget proposal for Le Web3 wifi proposal from one of a top wifi netwoks… can’t believe it (published: 2007–10–26) (archived 2024–06–07: 1 2) ↩︎ ↩︎ ↩︎ 14. Loic Le Meur: made Le Web3 wiki up at http://leweb3events.pbwiki.com/ (published: 2007–12–10) (archived 2024–06–07: 1 2) ↩︎ ↩︎ ↩︎ 15. Wikipedia: OpenSocial ↩︎ 16. W3C: OpenSocial Foundation Moves Standards Work to W3C Social Web Activity ↩︎ 17. W3C: W3C Launches Push for Social Web Application Interoperability ↩︎ 18. W3C: Social Web Working Group ↩︎ 19. 앱타쿠: The word ‘Threadiverse’ I think korean users in fediverse use this word very popular. What you talked to me like Kbin, lemmy, mbin etc are very unpopular in korea( cause we already have too many major bulletin board websites) and that’s why ‘Threads + Fediverse = Threadiverse’ is popular in korea (published: 2024–06–05) (archived 2024–06–07: 1 2) ↩︎ 20. New York Times: A ‘more revolutionary’ Web (published: 2006–05–23) (archived 2024–06–07: 1 2) ↩︎ 21. W3C: Design Issues (published: 2017-10-31) (archived 2024-09-27: 1) ↩︎ ↩︎ 22. Wikipedia: Web3 (published: 2024–05–25) (archived 2024–06–07: 1 2) ↩︎ ↩︎ *[IRC]: Internet Relay Chat
im.youronly.one
January 28, 2025 at 4:40 AM
Advice for Foreign Visitors to the Philippines: Understanding Context
I’m planning to create a guide for foreigners visiting the Philippines, and I believe it’s the perfect time to start. Let’s begin with our first piece of advice: **Context is king!** If you’re a foreigner in the Philippines, remember that context is key. What you hear, read, or see might have a specific cultural or historical background, and it’s essential to pause and understand it before forming conclusions. As a visitor, it’s likely that some cultural nuances might escape you, so don’t hesitate to ask for clarification. Jumping to conclusions based on your cultural perspective could lead to an awkward or embarrassing situations. And this doesn’t only apply to in-person interactions; it’s just as relevant in the online world, including SNS or social media. Here are three examples why context is important: ## Examples of Misunderstanding Context ### The “KKK” Misunderstanding An African American vlogger visiting the Philippines once posted a video expressing outrage at a restaurant named KKK in SM Mall of Asia. He assumed the name was related to the Ku Klux Klan and accused Filipinos of racism, promising never to return to the Philippines, and urged others to avoid the country. However, he faced severe criticism in the comments section from both Filipinos and his fellow African Americans. Why? Because in the Philippines, KKK stands for Kataastaasan Kagalang-galang na Katipunan ng mga Anak ng Bayan, which translates in English as the Supreme and Honorable Association of the Children of the Nation, a revolutionary group that fought against the Spanish invaders. While the video has since been removed, it’s unclear whether the vlogger apologized or acknowledged his misunderstanding. This situation clearly demonstrated the need to grasp the context before drawing conclusions. ### Misinterpretation of the Word “Black” A recent incident in the Philippines involved a half-Nigerian, half-Filipino individual who felt offended by how he was described in a receipt: > SA NAKABLACK NA NAKAUPO SA 14 KULOT ANG BUHOK KAMUKHA NI BLACK JACK. interaksyon The English translation is: "To the one in black, sitting at table 14, with curly hair, and resembling Black Jack." The customer perceived this as a racial reference and took offense. However, in Filipino, "nakablack" simply means "the one wearing black", with no racial connotations whatsoever. Meanwhile, the comparison to Black Jack referred to a well-known Filipino actor, comedian, and reggae singer, named Blakdyak, not a derogatory racial reference. Despite this, the customer felt discriminated against due to a lack of understanding of Filipino language and culture. There was absolutely nothing racist in the said note pertaining to his skin color and/or racial background. In the Philippines, such descriptions are often used to identify someone based on their appearance **without implying anything offensive**. ### Misinterpretation of “Negros” In 2019, the popular P-pop group SB19 tweeted, > Hello, Negros! > > We are now in your zone! > > Excited na kami sa mga mangyayari sa aming first stop for our nationwide tour 😊 SB19 They were referring to Negros, an island in the Philippines with two provinces: Negros Occidental and Negros Oriental. However, some foreigners misinterpreted Negros as a racial slur and even had the audacity to suggest renaming the island and its provinces. This reaction stemmed from a complete misunderstanding of the local context and geography. These examples demonstrate that context is crucial when visiting or interacting with another culture. Without understanding the context, you might misinterpret harmless remarks and create unnecessary tension. ## Conclusion As a foreigner in the Philippines, or in any unfamiliar culture, it’s important to recognize that you might not fully grasp the context. If you’re unsure about something, take a moment to pause and ask for clarification. This can prevent misunderstandings and ensure a smoother experience during your visit. Moreover, the Philippines has a diverse range of regional cultures, and even Filipinos can sometimes misunderstand one another. So, don’t be discouraged if things seem confusing at first—it’s all part of the learning process. Enjoy your stay, and remember to keep a broad mind, for yourself and for others. **Context is king!** * * * ・ Cover image: Chronological dispersal of Austronesian people across the Pacific by Pavljenko is licensed under CC-BY-SA 4.0 International.
im.youronly.one
January 28, 2025 at 4:35 AM
Three days and three nights in the belly of the beast
In a previous article we explored how to account for the "Three days and three nights in the heart of the earth" passage in Mattithyahu (Matthew) 12:40. However, as we continue to deepen our faith and seek truth, new revelations come to light. Today, I’d like to share my belief that 𐤉𐤄𐤅𐤔𐤅𐤏 (Yahushua) haMashiah (or Jesus the Messiah) was indeed in the grave for three literal days and nights. > For as Jonas was three days and three nights in the whale’s belly; so shall the Son of man be three days and three nights in the heart of the earth. Mattithyahu (Matthew) 12:40, King James Version Mattithyahu (Matthew) 12:40 is a verse often cited regarding the duration the Messiah was to spend "in the heart of the earth". Traditionally, it’s been interpreted as spanning from Friday afternoon to Sunday morning. However, this timeframe only encompasses two nights and one day, falling short of the "three days and three nights" requirement, as written. ## Establishing an Agreement So, let’s approach this with reverence for the Bible as our guiding authority. If it explicitly states "three days and three nights", then that’s the timeframe we must consider. This is significant because it serves as a sign of the Messiah’s authenticity. > Then some of the scribes and Pharisees told 𐤉𐤄𐤅𐤔𐤅𐤏 (Yahushua), “Teacher, we want to see a sign from you.” Mattithyahu (Matthew) 12:38, International Standard Version This understanding is crucial because it serves as a key indication that 𐤉𐤄𐤅𐤔𐤅𐤏 (Yahushua) (Jesus) was indeed the Messiah. His fulfillment of this prophecy is essential and should not be one day and two nights, not one day and half a night, nor three days and three and a half nights. ## A Literal Interpretation Using the Zadok calendar (also known as the Dead Sea Scrolls calendar), which ensures that Abib 18 always coincides with a weekly Sabbath, we can track things as follows: (aside: remember, a day begins at dawn/sunrise, which is approximately 06:00 in the morning): * Abib 15 evening = First night * A High Sabbath. * The beginning of the Feast of Unleavened Bread. * Abib 16 morning = First day. * Abib 16 evening = Second night. * Abib 17 morning = Second day. * Abib 17 evening = Third night. * Abib 18 morning = Third day. * A weekly Sabbath. * The fourth day of the Feast of Unleavened Bread. ### Three Interpretations of the Resurrection Timing Regarding the timing of the resurrection, there are three interpretations: 1. The exact moment 𐤉𐤄𐤅𐤔𐤅𐤏 (Yahushua) gave up his spirit on Abib 15. 2. When he was buried or the tomb was closed, around the start of the evening of Abib 15. 3. Any time after dawn/sunrise (approximately 06:00 in the morning). Yet, they all converge on the same conclusion: 𐤉𐤄𐤅𐤔𐤅𐤏 (Yahushua) haMashia (Jesus the Messiah) spent "three days and three nights" in the grave, from the evening of Abib 15 to the morning of Abib 18, thus fulfilling the prophecy and serving as the sign He was indeed the One. That’s it. Simple, right? Praise YAH, the Most High! **Shout for Joy** The work shown above is Copyrighted to Gary Valenciano. * * * ・ Cover image: Gethsemane by Seetheholyland.net is licensed under CC-BY 2.0.
im.youronly.one
January 28, 2025 at 4:35 AM
Revolutionizing Justice: Participatory Verdicts in K-Dramas
Imagine a world where the power to decide a person’s guilt or innocence is no longer solely in the hands of the legal system but is instead placed directly into the hands of the public. This intriguing concept has been brought to life in two captivating K-drama TV series: The Devil Judge (악마판사) and The Killing Vote (국민사형투표). In a unique twist, both shows invite the public to cast their votes on the fate of the accused, evoking a sense of agency and empowerment that resonates deeply with the frustrations of the ordinary citizens. The first of these excellent dramas, The Devil Judge (악마판사), aired in 2021. It follows a brilliant judge who masterfully exploits every nuance of the law, including its intricate loopholes, to ensure that the public comprehends the intricacies of each case. In a society where legal jargon often feels foreign and inaccessible, this approach resonates. By meticulously building cases using applicable laws and cunningly exploiting loopholes, the judge presents the facts to the public. Empowered by an innovative app, the public then exercises their collective judgment to determine the accused’s guilt or innocence. Enter The Killing Vote (국민사형투표), the second series exploring this concept, which is currently captivating audiences. In this narrative, an anonymous individual takes matters into their own hands by spotlighting individuals released from prison or acquitted of their crimes. Constructing a compelling case against them, they present the details to the public. As viewers, we are transported into a world where we can cast our digital ballots through an app, deciding whether the accused should face the ultimate punishment: execution. **The Devil Judge (악마판사)** The work shown above is Copyrighted to tvN. Both dramas delve into the pent-up frustrations of the majority, often marginalized and disempowered, yearning for a role in the pursuit of justice. The desire to witness fairness prevail, albeit suppressed by the complex legal system, finds an outlet in these shows. Furthermore, they tap into our society’s contemporary tech-driven landscape, showcasing the potential for direct public involvement in the decision-making process. This brings us to a thought-provoking question: Could this seemingly far-fetched scenario become a reality? Is there a genuine chance for ordinary individuals, like you and me, to have a meaningful voice in matters of justice? As we watch these dramas unfold, we’re compelled to contemplate the prospect of a world where justice is not a distant concept but a tangible right we can collectively shape. **The Killing Vote (국민사형투표)** The work shown above is Copyrighted to SBS. The allure of participating in such participatory verdicts can’t be ignored. The act of casting a vote through an app feels more immediate and impactful than traditional elections and the justice system, often lengthy and corrupt, allowing us to directly influence outcomes we care about deeply. The dramas also ignite a conversation about the potential consequences of such a system. Would it empower citizens and restore faith in justice, or would it blur the lines between justice and vengeance? As we absorb the compelling narratives of The Devil Judge (악마판사) and The Killing Vote (국민사형투표), the dialogue they spark is vital. It encourages us to ponder the direction society might take, the roles we might play, and the responsibilities we might shoulder if such a revolutionary justice system were to emerge. What are your thoughts on this intriguing concept? Could this be a glimpse into the future, or is it a captivating yet distant idea? Share your insights below or join the conversation on the social media threads where this post is shared. Your voice matters, just as it does in these compelling K-dramas. **Trailer | The Devil Judge** _Within the world where the old justice system faces collapse and gets hit with an unknown epidemic, Head Trial Judge Kang Yo Han, nicknamed ‘The Devil Judge’ due to his merciless rulings but considered a hero among the people, emerges with a vision of change._ The work shown above is Copyrighted to Viu Philippines. **The Killing Vote – Full Trailer | Park Hae-Jin, Lim Ji-Yeon** The work shown above is Copyrighted to Playlist Korea. * * * ・ Cover image: The cover image used in this article is Copyrighted to SBS.
im.youronly.one
January 25, 2025 at 4:50 AM
Reaction: Exploring the Emotional Depths of «Do You Like Brahms?»
I recently began watching the Tagalog-dubbed version of Do You Like Brahms? (브람스를 좋아하세요?) on Viu OTT after missing its original 2020 airing due to the deep pain caused by the end of my 15-year relationship. As I watch the series now, I find it surprisingly painful. Apart from the intricate relationships depicted in the show, I’m captivated by the exceptional performances of Park Eun Bin (박은빈) and Kim Min Jae (김민재). In my opinion, this is the first time Kim Min Jae (김민재) seems perfectly matched with his on-screen partner, and in this case it’s Park Eun Bin (박은빈), to the point where I envision them being a perfect couple in real life. While the show’s storyline reminds me of my recent breakup, it’s not just the narrative that stirs my emotions; it’s the underlying pain within it. Even though I’ve moved on, memories can still be haunting when there’s nothing to replace them. Moreover, the pain experienced by the main male character, portrayed by Kim Min Jae (김민재), in his relationship with his mother resonates deeply with me. My own mother is currently ill, and the financial struggle to afford her necessary medical treatment leaves me feeling helpless and despondent. She has sacrificed so much to raise us and overcome various family challenges. Balancing my personal happiness and responsibilities towards her well-being becomes a profound dilemma. Regardless of the challenges, disagreements, and ups and downs one may have with their parents, especially their mother, witnessing them endure hardships and illness is an unbearable burden. Though difficult to express, this sentiment runs deep within us. I find a connection with Kim Min Jae (김민재)’s character, not one-to-one, but in the underlying essence of his struggle. While Do You Like Brahms? (브람스를 좋아하세요?) primarily focuses on romantic relationships, it also touches on the love within families—how we navigate our connections with our parents and the impact it has on our personal lives. It compels us to contemplate whether our lives should solely revolve around our individual aspirations or also extend to supporting the parents who raised us. In summary, Do You Like Brahms? (브람스를 좋아하세요?) is a compelling drama that delves into the complexities of human relationships, both romantic and familial, resonating with viewers on profound emotional levels. **DO YOU LIKE BRAHMS? Trailer | Kim Min Jae, Park Eun Bin | Now on Viu** _Watch Kim Min Jae and Park Eun Bin in Do You Like Brahms? with with english subs on Viu._ The work shown above is Copyrighted to Viu Singapore. * * * ・ Cover image: The cover image used in this article is Copyrighted to SBS.
im.youronly.one
January 28, 2025 at 4:35 AM
Pandora: Beneath the Paradise explained
If you’re feeling confused about the ending of Pandora: Beneath the Paradise (판도라: 조작된 낙원), don’t worry, you’re not alone. Let’s delve deeper into the story and see if we can make sense of it together. _**From this point: SPOILER warning**_ ## Recap of the ending scenes In one of the final scenes, we sa Pyo Jae Hyun (표재현) take his own life, having come to the realisation that living a life not of his choosing was unbearable. Perhaps he was consumed by regret or too prideful to admit defeat. A few years later, in Switzerland, Jang Gyo Jin (장교진) arrived at Hong Tae Ra (홍태라)’s home ahead of the others. As he was changing to fresh clothes, it was revealedd that Gyo Jin had the sasme distinctive lightning marks as Jae Hyun. The camera then pans to hiss face, and it was the face of Jae Hyun. ## Seven possible explanations ### Option #1: Identity Switch In the scene where Jae Hyun wakes up, it initially appears that he simply left after attempting to attack Gyo Jin. However, it’s plausible that Jae Hyun returned and launched a surprise attack on Gyo Jin, who was attempting to wake up his mother. Jae Hyun used this opportunity to implant false memories and new commands in Gyo Jin’s mind. There is also a possibility that Gyo Jin was in the process of creating a new face to conceal his burned skin. Jae Hyun saw it, and created his own face which he then placed on the unconscious Gyo Jin. When Jang Do Jin (장도진) arrived later, the person sitting there was actually Jae Hyun wearing the face of Gyo Jin. Also noticed how Gyo Jin’s mother was supposedly taken by her assistant and was never heard from again? It might be posssible Jae Hyun hid her body and told a fake story toDo Jin. ### Option #2: Early programming This option takes us back to when Gyo Jin was first brought into Hatch’s laboratory. It is possible that Jae Hyun implanted commands into Gyo Jin’s brain, which would only be triggered by specific words spoken by Jae Hyun. Jae Hyun was established as a character who was always several steps ahead of everyone else, making him a formidable opponent. It is quite possible then, that when he woke up in Gyo Jin’s hideout, he spoke the trigger words which caused the false memories and new commands he had implanted to take hold of Gyo Jin mind. ### Option #3: Hong Tae Ra never woke up It is possible that Hong Tae Ra (홍태라) is still asleep and dreaming, much like ho they trapped Jae Hyun in an endless dream. However, this could only have occurred when Tae Ra was first captured. In this scenario, everything we witnessed from that episode until the last was simply the dreams she was having, as the story was from Tae Ra vantage point. ### Option #4: They were all implanted by a chip Unbeknownst to them, all of them had been implanted with a chip by Jae Hyun at some point. This chip allowed him to manipulate their memories, issue commands, and even alter their perception of people’s faces. Similar to the previous possibile twists, the person who committed suicide was actually Gyo Jin, who had been reprogrammed by Jae Hyun. The rest of them at the scene were only seeing an illusion of Jae Hyun’s face. Years later, Jae Hyun visited Tae Ra at her home in Switzerland, and the sight of his lightning scars caused Tae Ra’s memories to correct itself, revealing Jae Hyun’s true identity. ### Option #5: Jang Gyo Jin is the real mastermind In this scenario, Gyo Jin has been assuming the identity of Jae Hyun by using implanted chips to manipulate people’s memories, appearance, and actions. He went as far as to murder Tae Ra fake sister and was struck by lightning as a result. When Tae Ra later saw the lightning marks on Gyo Jin’s back, it triggered the false face that was implanted in her mind, causing her to perceive Gyo Jin as Jae Hyun once again. While the chip was supposedly already removed, both true and false memories are already a part of her. ### Option #6: Hong Tae Ra is a test subject The entire story of Pandora: Beneath the Paradise (판도라: 조작된 낙원) appeared to be a collection of memories or a dream by test subject Hong Tae Ra (홍태라). In the final scene where Tae Ra saw the lightning marks, it was only a programming designed to test how the human brain would react to something unexplainable. ### Option #7: Hong Tae Ra was in a virtual world Have you watched the movie “Total Recall”? It is possible that Tae Ra was simply playing a game, testing a military technology, or even on a vacation here she chose to play the role of a former assassin. Perhaps Tae Ra was simply experiencing her own version of a memory implant or a simulated reality. ## In closing Personally, I am not a fan of dream-like endings, but this story employs advanced technology to make it possible. The ending is definitive, and there are no alternate versions. The character who committed suicide stays dead. What we are left wondering is what actually transpired between the firsst scene of episode 1 and the final scene of episode 16. We may never know the answer, but it is worth noting that the literal translation of the Korean title is Pandora: A Fabricated Paradise which itself provides us with hints. 1. Hong Tae Ra (홍태라) embodies the modern version of Pandora. 2. Pandora’s box represents the chip and mind manipulation technologies used in the show. 3. The show’s depiction of the horrific consequences that arise from opening Pandora’s box highlights the potential for such technologies to be abused to control people. 4. The notion of a fabricated paradise suggests that Hong Tae Ra (홍태라)’s life was a fabrication. If this last item is the case, then it is highly likely that either Option #6 or Option #7 represents what actually occurred. What do you think? Which scenario likely actually occurred? Or, maybe, you have a different idea? * * * ・ Cover image: The cover image used in this article is Copyrighted to tvN.
im.youronly.one
January 28, 2025 at 4:36 AM
The federated SNS timeline (a fediverse history)
In a fast-paced world like what we have today, recording events is often forgotten. This is especially true in the digital era, wherein we assume that every piece of information will remain available indefinitely, and archived somewhere. Unfortunately, that is not the case at all. Sites, portals, databases, even software repositories, all come and go. If no one kept a copy, the information is gone forever. It proved this when I started this project. There were countless information which are now gone forever, and in an age where words of individuals no longer hold any weight—unless they are a personality—a source is often expected, if not demanded. My desire to change that resulted in the creation of "The Federated SNS Timeline". A list of the Federated Social Network history, gathered on this page, with links to sources scattered everywhere. * * * UPDATE 2024-09-05: The most up-to-date version is located at the DDFON, Open Social Web, Fediverse, Mycelial Web SNS Historical Timeline repository. * * * ## The Fediverse Historical Timeline The Federated SNS (social network service/system) timeline is a simple list of its history. To put it another way, it is a record of how the Fediverse came to be. This is only one part of the larger Federated Social Web. For this list, we defined SNS as services meant for posting updates (microblogging, macro-blogging, blogging), uploading images, leaving comments, re-sharing, and liking; or simply, the Fediverse. Protocols and services like XMPP and Matrix are part of the Federated Chat grouping. While there is an overlap with the XMPP protocol when it comes to SNS, these platforms/software were not (yet) included (e.g. Juick, Movim, Buddycloud, Jappix, and OneSocialWeb). ### Focus The focus of this list is on information with sources. If the original sources are no longer available, there should be an archive via archive.org or archive.ph. For example. There is some information I remember about the Federated Social Web. However, since this information is no longer available (sites went offline and there are no archives elsewhere), I did not include these in the timeline. There are also no personal opinions on this list, and no endorsements. This list is a plain record of dates with a link to sources. ### License Creative Commons-Attribution-ShareAlike (CC-BY-SA) 4.0 International License * Feel free to translate this work. Please share the link of your translation in the comments. * Feel free to build upon this work. Share the link to your derivates in the comments! As long as the conditions of CC-BY-SA 4.0 International License are met. * * * UPDATE 2024-09-05: The most up-to-date version is located at the DDFON, Open Social Web, Fediverse, Mycelial Web SNS Historical Timeline repository. * * * Without further ado, here is the timeline for the Federated SNS. Enjoy! ## Timeline ### 2008 * 2008-05-18 * First post in the Fediverse was made by Evan Prodromou: “This is my first post.” 1 2 * 2008-07-02 * Protocol: OpenMicroBlogging 3 4 * Software: _Laconica_ was released by Evan Prodromou 5 6 7 * Protocol (first release): OpenMicroBlogging * Instance: _Identi.ca_ 5 6 7 * Software: _Laconica_ * 2008 sometime * Instance: _The TWiT Army Canteen_ * Software: _Laconica_ * Software: _OpenMicroBlogger_ was released 8 * Protocol (first release): OpenMicroBlogging * Instance: _OpenMicroBlogger.com_ * Software: _OpenMicroBlogger_ ### 2009 * 2009-08-28 * _Laconica_ software was renamed to _StatusNet_ 9 ### 2010 * 2010-02-22 * Instance: _Mozilla_ was launched 10 * Software: _StatusNet_ * 2010-03-04 * OStatus protocol replaced the OpenMicroBlogging protocol 11 12 4 * _StatusNet_ 0.9.0 switched to OStatus protocol 13 * 2010-03-09 * StatusNet Cloud Service was released in beta. The first managed instance service. 14 * 2010-03-14 * “identiverse” first coined by Luke Slater 15 16 * 2010-07-02 * Protocol: DFRN (Distributed Friends and Relations Network) 17 18 * Software: _Mistpark_ was released by Mike Macgirvin 17 18 * Protocol (first release): DFRN * 2010-08-17 * _Mistpark_ added DFRN protocol federation 17 19 * 2010-09-09 * _Mistpark_ added OpenMicroBlogging protocol federation 17 20 * 2010-10-13 * _Mistpark_ added OStatus protocol federation 21 22 * 2010-11-03 * _Mistpark_ was renamed to _Friendika_ 23 * 2010-11-23 * Protocol: Diaspora Federation * Network name: The Federation * Software: _diaspora*_ was released by Dan Grippi, Ilya Zhitomirskiy, Raphael Sofaer, and Maxwell Salzberg 24 * Protocol (first release): Diaspora Federation * Instance: _joindiaspora.com_ * Software: _diaspora*_ ### 2011 * 2011-03-19 * _Friendika_ added Diaspora Federation protocol support 25 26 22 * 2011-05-01 * _Mozilla_ instance was renamed to _Social@Mozilla_ 10 * 2011-11-12 * _Friendika_ was renamed to _Friendica_ 27 ### 2012 * 2012-05-25 * “fediverse” was first coined by Mark Eckenwiler 28 29 * 2012-07 * Protocol: Zot 17 * First decentralised and identity-aware (Nomadic identity) protocol 17 * Software: _red_ | _Redmatrix_ was released by Mike Macgirvin 17 * Protocol (first release): Zot, Diaspora Federation 22 * 2012-08-27 * _diaspora*_ becomes a community-managed project 30 * 2012-10-04 * Protocol: ActivityPump 31 4 * Software: _pump.io_ was released by Evan Prodromou 32 * Protocol (first release): ActivityPump ### 2013 * 2013-01-24 * “fediverse” second (archived) usage by Marjolein Katsma 33 29 * no other archived copies found before 2013-01-24 other than 2012-05-25 (see above) * 2013-06-08 * _StatusNet_ and _Free Social_ were merged with _GNU Social_ 34 22 4 * _GNU Social_ is the surviving software name. * 2013-07-12 * _Identi.ca_ switched from _StatusNet_ to _pump.io_ software. 6 4 * 2013-11-20 * _Social@Mozilla_ instance was shutdown 10 ### 2014 * 2014-09-06 * W3C work on ActivityPub started 35 * Based on the ActivityPump protocol. ### 2015 * 2015 early * _Redmatrix_ was renamed _Hubzilla_ 17 * Protocol (first release): Zot, Diaspora Federation ### 2016 * 2016-03-16 * Software: _Mastodon_ was released by Eugen Rochko 36 * Protocol (first release): OStatus 22 * 2016-08-16 * Diaspora Federation protocol becomes available as a Ruby library 30 37 * 2016-10-26 * Software: _Pleroma_ was released by Lain 38 39 * Protocol (first release): OStatus ### 2017 * 2017-07-18 * _Hubzilla_ added ActivityPub protocol federation 40 41 * 2017-07-27 * Software: _Socialhome_ was released by Jason Robinson 42 * Protocol (first release): Diaspora Federation 22 * 2017-09-03 * _Mastodon_ added ActivityPub protocol federation 43 22 ### 2018 * 2018-01-23 * ActivityPub became an official W3C Recommendation (web standard) 44 * 2018-03-20 * Software: _PeerTube_ was released by Chocobozzz 45 * Protocol (first release): ActivityPub * 2018-04-19 * Software: _Misskey_ was released by Syuilo 46 * Protocol (first release): ActivityPub * 2018-08-17 * Protocol: Zot6 47 48 * Software: _Zap_ was released by Mike Macgirvin 47 48 * Protocol (first release): Zot6 * 2018-08-23 * Software: _Osada_ was released by Mike Macgirvin 49 50 * Protocol (first release): Zot6, ActivityPub * 2018-11-03 * Software: _PixelFed_ was released by Daniel Supernault 51 * Protocol (first release): ActivityPub * 2018-11-10 * Software: _WriteFreely_ was released by Matt Baer 52 * Protocol (first release): ActivityPub * 2018-11-18 * _Friendica_ added ActivityPub protocol federation 53 22 ### 2019 * 2019-02-20 * _Hubzilla_ upgraded Zot to Zot6 protocol 54 * 2019-05-06 * Software: _Lemmy_ was released 55 * Protocol (first release): ActivityPub * 2019-08-20 * Software: _Hometown_ was released by Darius Kazemi 56 * Protocol (first release): ActivityPub * 2019-09-22 * _Osada_ was discontinued 57 * 2019-09-22 * _Zap_ added ActivityPub protocol federation 58 * 2019-10-04 * _Mastodon_ dropped OStatus protocol federation 59 * 2019-10-06 * _Socialhome_ added ActivityPub protocol federation 60 ### 2020 * 2020-03-08 * _Pleroma_ dropped OStatus protocol federation 61 * 2020-12-31 * Software: _BookWyrm_ was released by Mouse Reeve 62 * Protocol (first release): ActivityPub ### 2021 * 2021-05-11 * Software: _Rebased_ was released by Alex Gleason 63 * Protocol (first release): ActivityPub * 2021-07-18 * _GNU Social_ added ActivityPub protocol federation 64 * 2021-11-07 * Software: _Guppe Groups_ was released Will Murphy 65 * Protocol (first release): ActivityPub ### 2022 * 2022-01-29 * Software: _Akkoma_ was released by floatingghost 66 * Protocol (first release): ActivityPub * 2022-07-19 * Software: _Firefish_ (f. _Calckey_) was released by Kainoa Kanter 67 * Protocol (first release): ActivityPub * 2022-08-05 * Software: _Foundkey_ was released by Norm 68 * Protocol (first release): ActivityPub * 2022-10-30 * Software: _Kbin_ initial release by Ernest Wiśniewski 69 70 * Protocol (first release): ActivityPub * 2022-11-13 * Instance: _Vivaldi Social_ was launched 71 * Software: _Mastodon_ * 2022-11-21 * Software: _AP Groups_ was released by Michael Puckett 72 * Protocol (first release): ActivityPub * 2022-11-24 * Software: _Takahē_ was released Andrew Godwin 73 * Protocol (first release): ActivityPub * 2022-12-03 * Software: _Streams_ was released by Mike Macgirvin 74 * Protocol (first release): Nomad Communications, ActivityPub 75 ### 2023 * 2023-05-04 * Instance: _Mozilla.social_ entered private beta 76 77 * Software: _Mastodon_ ## On updates This is a living project. I will update it depending on the new information and my available time. If you have information available, kindly provide the relevant links for verification. If I can verify (rel=me; keyoxide; GPG; and other ways to verify your identity) that you are the developer of a protocol, standard, platform/software, a link is no longer needed (though still preferable). Corrections would have to be clarified. Like, how is the correction more accurate than the currently sourced information? Or, how can we reconcile the correction with the currently sourced information? Of course, if you are the developer, and I can verify your identity, your information holds more weight (e.g. you prefer your software’s release date to be later than the current information). Submit your information in the issues section. * * * UPDATE 2024-09-05: The most up-to-date version is located at the DDFON, Open Social Web, Fediverse, Mycelial Web SNS Historical Timeline repository. * * * * * * ・ Cover image: Fediverse-high tech(denoised)(signed) by Eukombos is licensed under Creative Commons-Attribution-ShareAlike 4.0 International. * * * 1. Laconica: Evan Prodromou, “This is my first post.” (published: 2008-05-18) (archived: 1) ↩︎ 2. Pump.io: Even Prodromou, “This is my first post.” (published: 2008-05-18) (archived: 1 2) ↩︎ 3. Wikipedia: OpenMicroBlogging ↩︎ 4. Disintermedia: A Brief History of the GNU Social Fediverse and ‘The Federation’ (published: 2017-04-01) (archived: 1 2 3) ↩︎ ↩︎ ↩︎ ↩︎ ↩︎ 5. Ross Mayfield’s Weblog: Identi.ca Launches, an Open Source Twitter (published: 2008-07-02) (archived: 1 2) ↩︎ ↩︎ 6. Wikipedia: identi.ca ↩︎ ↩︎ ↩︎ 7. louisgray.com: Identi.ca and the Power of Microbranded Communities (published: 2008-08-12) (archived: 1 2 3) ↩︎ ↩︎ 8. W3C: OpenMicroBlogging (published: 2008-09; 2008-11-20) (archived: 1 2) ↩︎ 9. status.net: Laconica is now StatusNet (published: 2009-08-28) (archived: 1 2) ↩︎ 10. DDFON: Ticket #3 ↩︎ ↩︎ ↩︎ 11. ostatus.org: It’s started! (published: 2010-03-04) (archived: 1 2) ↩︎ 12. status.net: Understanding OStatus (published: 2010-03-07) (archived: 1 2) ↩︎ 13. status.net: StatusNet 0.9.0 Released (published: 2010-03-04) (archived: 1 2) ↩︎ 14. Black Web: StatusNet Cloud Service Opens To The Public (published: 2010-03-09) (archived: 1) ↩︎ 15. Luke Slater: Time for bed. Goodnight Identiverse. Thank you for existing! (published: 2010-03-14) (archived: 1) ↩︎ 16. identi.ca: Notices tagged with identiverse (archived: 1) ↩︎ 17. talkplus: The history of Hubzilla (published: 2016-10) (archived: 1 2) ↩︎ ↩︎ ↩︎ ↩︎ ↩︎ ↩︎ ↩︎ ↩︎ 18. Mistpark: Initial checkin (published: 2010-07-02) (archived: 1 2) ↩︎ ↩︎ 19. Mistpark: prepare for federation (published: 2010-08-17) (archived: 1 2) ↩︎ 20. Mistpark: mistpark 2.0 infrastructure lands (published: 2010-09-09) (archived: 1 2) ↩︎ 21. Mistpark: Provide the ability to subscribe to our user from other federated sites (published: 2010-10-13) (archived: 1 2) ↩︎ 22. Sean Tilley: A quick guide to The Free Network (published: 2017-09-24) (archived: 1 2) ↩︎ ↩︎ ↩︎ ↩︎ ↩︎ ↩︎ ↩︎ ↩︎ 23. Mistpark: project rename (published: 2010-11-03) (archived: 1 2) ↩︎ 24. Diaspora*: Private Alpha Invites Going Out Today (published: 2010-11-23) (archived: 1) ↩︎ 25. Friendika: stuff to make connecting to diaspora profiles easier (published: 2011-03-19) (archived: 1 2) ↩︎ 26. Friendika: pull in new ‘writable’ dfrn flag (published: 2011-04-11) (archived: 1) ↩︎ 27. Friendica: rename (published: 2011-11-12) (archived: 1 2) ↩︎ 28. Mark Eckenwiler: Fully accessible from my part of the fediverse (published: 2012-05-25) (archived: 1 2) ↩︎ 29. Twitter search: (fediverse) until:2013-01-31 since:2006-01-01 (archived: 1 2) ↩︎ ↩︎ 30. Diaspora developer: Fla (published: 2022-12-13) (archived: 1 2) ↩︎ ↩︎ 31. pump.io repo: v0.1.0 (published: 2012-10-04) (archived: 1 2) ↩︎ 32. pump.io site: Version 0.1.0 (published: 2012-10-04) (archived: 1) ↩︎ 33. Marjolein Katsma: good morning / #tzag #identiverse / fediverse :) (published: 2013-01-24) (archived: 1) ↩︎ 34. GNU.org: Merge (published: 2013-06-08) (archived: 1 2) ↩︎ 35. W3C: First draft (published: 2014-09-06) (archived: 1 2) ↩︎ 36. Mastodon repo: v0.1.0 (published: 2016-03-16) (archived: 1 2) ↩︎ 37. Diaspora Federation protocol: Ruby library (archived: 1 2) ↩︎ 38. Pleroma repo: pleroma_fe (published: 2016-10-26) (archived: 1 2) ↩︎ 39. Pleroma: Pleroma’s First Release! 0.9.9 (published: 2019-02-22) (archived: 1 2) ↩︎ 40. Hubzilla repo: provide content-type matching ability for activitypub (published: 2017-07-18) (archived: 1 2) ↩︎ 41. Hacker News: zotlabs (published: 2018-03-28) (archived: 1 2) ↩︎ 42. socialhome repo: 0.1.0 (published: 2017-07-27) (archived: 1 2) ↩︎ 43. Mastodon repo: v1.6.0rc1 (published: 2017-03-09) (archived: 1 2) ↩︎ 44. W3C: ActivityPub (published: 2018-01-23) (archived: 1 2) ↩︎ 45. PeerTube: v1.0.0-beta.1 (published: 2018-03-20) (archived: 1 2) ↩︎ 46. Misskey repo: 0.0.5018 (published: 2018-04-19) (archived: 1 2) ↩︎ 47. Zap repo: 57e75d9332 (published: 2018-08-17) (archived: 1 2) ↩︎ ↩︎ 48. Zap repo: 57e75d9332: boot.php (published: 2018-08-17) (archived: 1 2) ↩︎ ↩︎ 49. Osada repo: 9ce94bd414 (published: 2018-08-23) (archived: 1 2) ↩︎ 50. Osada repo: 9ce94bd414: boot.php (published: 2018-08-23) (archived: 1 2) ↩︎ 51. Pixelfed repo: v0.1.9 (published: 2018-11-03) (archived: 1 2) ↩︎ 52. WriteFreely repo: v0.1 (published: 2018-11-10) (archived: 1 2) ↩︎ 53. Friendica: ActivityPub support in Friendica (published: 2018-11-18) (archived: 1 2) ↩︎ 54. Hubzilla: Hubzilla 4.0 (published: 2019-02-20) (archived: 1 2) ↩︎ 55. Lemmy v0.0.5 (published: 2019-05-06) (archived: 1 2) ↩︎ 56. Hometown repo: Hometown v1.0.0 (Mastodon 2.9.3) (published: 2019-08-20) (archived: 1 2) ↩︎ 57. Zotlabs.org: Osada has been discontinued (published: 2019-09-22) (archived: 1 2) ↩︎ 58. Zotlabs.org: Supports Zap and ActivityPub (published: 2019-09-22) (archived: 1 2) ↩︎ 59. Mastodon repo: v3.0.0 (published: 2019-10-04) (archived: 1 2) ↩︎ 60. socialhome repo: 0.10.0 (published: 2019-10-06) (archived: 1 2) ↩︎ 61. Pleroma: Releasing Pleroma 2.0.0 (published: 2020-03-08) (archived: 1 2) ↩︎ 62. PeerTube: v0.0.1 (published: 2020-12-31) (archived: 1 2) ↩︎ 63. Rebased repo: soapbox-v1.0.0: Merge branch ‘release-1.0’ into ‘develop’ (published: 2021-05-11) (archived: 1 2) ↩︎ 64. GNU Social repo: v2.0.0beta (published: 2021-07-18) (archived: 1 2) ↩︎ 65. Guppe Groups repo: First Major Release (published: 2021-11-07) (archived: 1 2) ↩︎ 66. Akkoma repo: akkoma as it was before rebasing onto the fork (published: 2022-01-29) (archived: 1 2) ↩︎ 67. Firefish repo: Firefish release! (published: 2022-07-19) (archived: 1 2) ↩︎ 68. Foundkey repo: 13.0.0-preview1 (published: 2022-08-05) (archived: 1 2) ↩︎ 69. First instance: karab.in (published: 2022-10-30) (archived: 1 2) ↩︎ 70. First instance: karab.in (published: 2022-10-30) (archived: 1 2) ↩︎ 71. DDFON: Ticket #5 ↩︎ 72. AP Groups (first mention): developer update (published: 2022-11-21) (archived: 1 2) ↩︎ 73. Takahē repo: 0.3.0 (published: 2022-11-24) (archived: 1 2) ↩︎ 74. Mike Macgirvin: Streams (published: 2022-12-03) (archived: 1 2) ↩︎ 75. Streams: repo (published: 2022-12-03) (archived: 1 2) ↩︎ 76. Mozilla: @mozilla@mozilla.social (published: 2023-05-04) (archived: 1 2) ↩︎ 77. dist://ed: The internet deserves a better answer to social (published: 2023-05-04) (archived: 1 2) ↩︎
im.youronly.one
January 28, 2025 at 4:35 AM