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Growth (or refusal to grow) is what turns a character into a human being. By the end of the story, they should be different — even if that difference is heartbreakingly small.
Growth (or refusal to grow) is what turns a character into a human being. By the end of the story, they should be different — even if that difference is heartbreakingly small.
You don’t need to dump a backstory on the reader, but you should know it. The way someone walks into a room, reacts to rejection, or shows love — it all comes from somewhere.
You don’t need to dump a backstory on the reader, but you should know it. The way someone walks into a room, reacts to rejection, or shows love — it all comes from somewhere.
Dialogue is more than words; it’s rhythm, silence, and subtext. Pay attention to how your characters speak — their vocabulary, what they avoid saying, and what slips out when they’re tired or emotional.
Dialogue is more than words; it’s rhythm, silence, and subtext. Pay attention to how your characters speak — their vocabulary, what they avoid saying, and what slips out when they’re tired or emotional.
Every decision a person makes is a tug-of-war between desire and fear. A believable character has both, and those forces drive the story far more than external events do.
Every decision a person makes is a tug-of-war between desire and fear. A believable character has both, and those forces drive the story far more than external events do.
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