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Sonsbeeksingel 117, Arnhem
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"His fascination with intriguing themes like voyeurism, innocence and clichés leads him to construct fictive collections of images that are of extremely uncertain origin, subject and significance."
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"His fascination with intriguing themes like voyeurism, innocence and clichés leads him to construct fictive collections of images that are of extremely uncertain origin, subject and significance."
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Farewell to Bosnia covers a period of almost six months during 1993, focusing primarily on the areas of Tuzla, central Bosnia, Mostar and Sarajevo.
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Farewell to Bosnia covers a period of almost six months during 1993, focusing primarily on the areas of Tuzla, central Bosnia, Mostar and Sarajevo.
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At Night Gardens Grow is an elegy to a queer world that rests between the personal landscapes of home, and the ubiquitous terrains of identity.
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At Night Gardens Grow is an elegy to a queer world that rests between the personal landscapes of home, and the ubiquitous terrains of identity.
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The photographs in Americans Seen were made between 1979 and 1986, when Sage Sohier was a young photographer living in Boston.
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The photographs in Americans Seen were made between 1979 and 1986, when Sage Sohier was a young photographer living in Boston.
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With this book Baltz took his place near the center of the New Topographics movement, a newly coined term emblematic of a cool, distanced, yet critical view of the emerging man-altered landscape.
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With this book Baltz took his place near the center of the New Topographics movement, a newly coined term emblematic of a cool, distanced, yet critical view of the emerging man-altered landscape.
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Fascinated by the cultural changes in contemporary China, Bertien van Manen produced a personal reportage on China as she saw it: a world of contradictions, a mingling of urban and rural culture, against a communist background.
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Fascinated by the cultural changes in contemporary China, Bertien van Manen produced a personal reportage on China as she saw it: a world of contradictions, a mingling of urban and rural culture, against a communist background.
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“I had this notion of what I called a democratic way of looking around, that nothing was more or less important (...)”
— William Eggleston
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“I had this notion of what I called a democratic way of looking around, that nothing was more or less important (...)”
— William Eggleston
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15/02/2025 — 16.00-20.00
15/02/2025 — 16.00-20.00