#lovemail
#spiritualpractice
#lovemail
#spiritualpractice
Hallelujah, Happy Christmas, and thanks to everyone who joined my passionate journey through #CarolsAndSongs!
(7/fin)
www.youtube.com/watch?v=KUZA...
Hallelujah, Happy Christmas, and thanks to everyone who joined my passionate journey through #CarolsAndSongs!
(7/fin)
www.youtube.com/watch?v=KUZA...
(6/7)
(6/7)
17 years after its debut, Handel attended a Messiah performance in London. He died a week later; his most acclaimed work may have been the last piece of music he heard.
(5/7)
17 years after its debut, Handel attended a Messiah performance in London. He died a week later; his most acclaimed work may have been the last piece of music he heard.
(5/7)
It was controversial that Handel and Jennens chose theaters—not churches—for Messiah performances;
(4/7)
It was controversial that Handel and Jennens chose theaters—not churches—for Messiah performances;
(4/7)
Two things changed musical history: Handel received funding from Dublin charities to write a new work, and received a libretto, from scholar Charles Jensen, focusing on the life of Jesus.
2/7
Two things changed musical history: Handel received funding from Dublin charities to write a new work, and received a libretto, from scholar Charles Jensen, focusing on the life of Jesus.
2/7
Tomorrow: #CarolsAndSongs concludes!
(12/fin)
Tomorrow: #CarolsAndSongs concludes!
(12/fin)
(11/12)
www.youtube.com/watch?v=u5Pg...
(11/12)
www.youtube.com/watch?v=u5Pg...
(10/12)
www.youtube.com/watch?v=7AP5...
(10/12)
www.youtube.com/watch?v=7AP5...
(9/12)
(9/12)
Given its tune name, Past Three O’Clock seems to have been part of the London waites’ repertoire. The refrain was published as early as the 17th century—though the words were redrafted by G.R. Woodward, in the late 19th century to fit a rescoring by Charles Wood.
(8/12)
Given its tune name, Past Three O’Clock seems to have been part of the London waites’ repertoire. The refrain was published as early as the 17th century—though the words were redrafted by G.R. Woodward, in the late 19th century to fit a rescoring by Charles Wood.
(8/12)
(7/12)
(7/12)
(6/12)
(6/12)
“Even the sound of the Waits, rude as may be their minstrelsy, breaks upon the mid-watches of the winter night with the effect of perfect harmony. As I have been awakened by them in that still and solemn hour…
“Even the sound of the Waits, rude as may be their minstrelsy, breaks upon the mid-watches of the winter night with the effect of perfect harmony. As I have been awakened by them in that still and solemn hour…
(4/12)
(4/12)
(3/12)
(3/12)