vaughanwilliamsfoundation.org
🎵 Monday, January 5, 2026 (for work taking place from April 2026 onwards)
🎵 Friday, May 1, 2026
🎵 Thursday, September 3, 2026
Each funding round is for projects to be delivered a minimum of three months after that deadline.
🎵 Monday, January 5, 2026 (for work taking place from April 2026 onwards)
🎵 Friday, May 1, 2026
🎵 Thursday, September 3, 2026
Each funding round is for projects to be delivered a minimum of three months after that deadline.
A dive into the life and work of the 'quintessential British composer' by the London Symphony Orchestra here 👇
www.lso.co.uk/what-you-sho...
A dive into the life and work of the 'quintessential British composer' by the London Symphony Orchestra here 👇
www.lso.co.uk/what-you-sho...
Recorded last month at the Royal Festival Hall, presented by Ian Skelly.
Recorded last month at the Royal Festival Hall, presented by Ian Skelly.
Our principal aims are to honour RVW’s desire to support his fellow composers through funding for performances and recordings, and to help make his own work widely accessible.
Our principal aims are to honour RVW’s desire to support his fellow composers through funding for performances and recordings, and to help make his own work widely accessible.
Explore it here: www.alternativeclassical.co.uk/classical-mu...
Explore it here: www.alternativeclassical.co.uk/classical-mu...
Find it here: www.classical-music.com/features/wor...
Find it here: www.classical-music.com/features/wor...
Mark Elder conducts the London Philharmonic Choir and Orchestra in a sea-themed concert including Vaughan Williams's mighty Sea Symphony with soloists Masabane Cecilia Rangwanasha and David Stout.
Recorded at the Royal Festival Hall.
Mark Elder conducts the London Philharmonic Choir and Orchestra in a sea-themed concert including Vaughan Williams's mighty Sea Symphony with soloists Masabane Cecilia Rangwanasha and David Stout.
Recorded at the Royal Festival Hall.
He saw the horror of the war firsthand, and his experiences haunted the music he created subsequently.
He saw the horror of the war firsthand, and his experiences haunted the music he created subsequently.
Shortlisted works span orchestral, choral, chamber and community composition, showcasing a range of contemporary voices and perspectives.
We are delighted that many VWF-funded projects are included! 👏
Shortlisted works span orchestral, choral, chamber and community composition, showcasing a range of contemporary voices and perspectives.
We are delighted that many VWF-funded projects are included! 👏
#BonfireNight
#BonfireNight
Our grant-giving is funded by the royalties earned from RVW’s music.
Our grant-giving is funded by the royalties earned from RVW’s music.
In this short, folksy piece the harmonica plays a sweet, flowing melody over a lush string orchestra.
In this short, folksy piece the harmonica plays a sweet, flowing melody over a lush string orchestra.
This #WorldOperaDay why not explore them?
This #WorldOperaDay why not explore them?
After the premiere of his opera The Pilgrim's Progress in 1951, Vaughan Williams said: "They won’t like it. They don’t want an opera with no heroine and no love duets – and I don’t care. It’s what I meant, and there it is."
After the premiere of his opera The Pilgrim's Progress in 1951, Vaughan Williams said: "They won’t like it. They don’t want an opera with no heroine and no love duets – and I don’t care. It’s what I meant, and there it is."