That might be intentional, contrasting his small conspiratorial mode of resistance with the larger rebellion, though the show doesn't do much to really explore that contrast (which is IMO one of the big failings of the second half of season 2)

It gets worse - mixer taps were common in the UK in the 70s, but at some point people intentionally went back to the two separate ones

I'm old enough to remember when the cultural consensus on Sinatra was that he was a mediocre hack whose success came from embodying a regressive form of masculinity, and I would like it if we could return to those days

A sad sign of the decline of the internet that @adamkotsko.bsky.social is posting here, and not on a single-user mastodon instance called The Microblog