A challenging lunar rescue mission where cooler heads prevail. There are sketches of personalities and backstories but really it's about solving (stressful) technical problems. Overall quite satisfying. Just ignore the bit where Clarke solves* reconciliation.
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A challenging lunar rescue mission where cooler heads prevail. There are sketches of personalities and backstories but really it's about solving (stressful) technical problems. Overall quite satisfying. Just ignore the bit where Clarke solves* reconciliation.
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I haven't read Borne. On its own, without context, this feels rather experimental. A bioengineered (?), birdlike creature crosses a post-apocalyptic world, gets captured, and generally doesn't seem to have much agency. Some interesting horror elements though.
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I haven't read Borne. On its own, without context, this feels rather experimental. A bioengineered (?), birdlike creature crosses a post-apocalyptic world, gets captured, and generally doesn't seem to have much agency. Some interesting horror elements though.
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I had a good feeling about this one! People who love bugs tend to be wonderfully enthusiastic about it. This little book describes the biology of a common, solitary bee and teaches you how to make your yard a friendlier place for them. Incredibly charming.
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I had a good feeling about this one! People who love bugs tend to be wonderfully enthusiastic about it. This little book describes the biology of a common, solitary bee and teaches you how to make your yard a friendlier place for them. Incredibly charming.
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A save-the-girl isekai with the gimmick of a protagonist stuck as a dragon. An enjoyable (meandering) ride, but don't think too much about whether medieval England + magical creatures makes sense. It's not quite as good the second time.
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A save-the-girl isekai with the gimmick of a protagonist stuck as a dragon. An enjoyable (meandering) ride, but don't think too much about whether medieval England + magical creatures makes sense. It's not quite as good the second time.
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zero stars
zero stars
1984 for kids. (Not really, but there are striking parallels.) Orwell definitely isn't subtle in portraying the slow rot of ideals when revolutionaries become dictators. Some knowledge of Soviet history is useful; the references are pretty obvious. Classic dystopia.
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1984 for kids. (Not really, but there are striking parallels.) Orwell definitely isn't subtle in portraying the slow rot of ideals when revolutionaries become dictators. Some knowledge of Soviet history is useful; the references are pretty obvious. Classic dystopia.
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Jinian shows up in Wizards Eleven and this is her backstory up to that point in the series. No shapeshifting (boo). The wizard magic feels oddly out of place. It's fine; well written but rather aimless, and breaks my rule about characters wanting to be there.
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Jinian shows up in Wizards Eleven and this is her backstory up to that point in the series. No shapeshifting (boo). The wizard magic feels oddly out of place. It's fine; well written but rather aimless, and breaks my rule about characters wanting to be there.
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Four more-or-less-okay stories of mild horror connected only by their references to a sinister play ("The King in Yellow"). As a concept it's pretty neat; clearly an inspiration of Lovecraft's mythos. Not much to say beyond it filling a literary blank for me.
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Four more-or-less-okay stories of mild horror connected only by their references to a sinister play ("The King in Yellow"). As a concept it's pretty neat; clearly an inspiration of Lovecraft's mythos. Not much to say beyond it filling a literary blank for me.
⭐⭐⭐
A self-aware fairy tale in the tradition of The Princess Bride. Various quests and existential threats to the kingdom. It's clever and unpredictable, dark but hopeful. Absolutely wonderful cover art. A real hidden gem; possibly my book of the year.
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A self-aware fairy tale in the tradition of The Princess Bride. Various quests and existential threats to the kingdom. It's clever and unpredictable, dark but hopeful. Absolutely wonderful cover art. A real hidden gem; possibly my book of the year.
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In which Sheldrake makes a convincing case that fungi are incredible (I knew this, but now I know more). Impeccable writing. It meanders, of course; there's a bit of memoir and a bit of musing. Ninety pages of notes and citations! Wonderful in the wonder sense.
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In which Sheldrake makes a convincing case that fungi are incredible (I knew this, but now I know more). Impeccable writing. It meanders, of course; there's a bit of memoir and a bit of musing. Ninety pages of notes and citations! Wonderful in the wonder sense.
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Mutual healing for a young girl and a farmhand in 1960s Saskatchewan—with all the bigotry of the era intact. It leans more prose than poetry but it's a book for kids and therefore needs to be accessible. A sweet story and a good introduction to the literary form.
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Mutual healing for a young girl and a farmhand in 1960s Saskatchewan—with all the bigotry of the era intact. It leans more prose than poetry but it's a book for kids and therefore needs to be accessible. A sweet story and a good introduction to the literary form.
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