Raised on Blackpool postcards and Benny Hill, religious nut, Film Nerddom's Jake LaMotta, Japan WW2 apologist, loyal adherent to the disco movement, Deplorable. I block headshrinkers.
The denouement of the relationship … or rather, what led to it and how it did (not) … is perfect. But … we gotta have a happy-ending coda that left me wanting to spit.
February 15, 2026 at 12:40 AM
The denouement of the relationship … or rather, what led to it and how it did (not) … is perfect. But … we gotta have a happy-ending coda that left me wanting to spit.
It’s important to note that the parents are legitimately “not that there’s anything wrong with that” types. “What does you do?” is a fair thing to ask and only a cunt wouldn’t answer. However, the film promptly flees from the “mother-in-law” thread barely one scene later.
February 15, 2026 at 12:40 AM
It’s important to note that the parents are legitimately “not that there’s anything wrong with that” types. “What does you do?” is a fair thing to ask and only a cunt wouldn’t answer. However, the film promptly flees from the “mother-in-law” thread barely one scene later.
The best scene was the two lovers with the sub’s cooperative parents and how the mother went off on the dom. The dynamic at that table was fascinating, trying to normalize a kink/fetish “relationship” around the normies and … well, the kinds of matters that just ARE normal.
February 15, 2026 at 12:37 AM
The best scene was the two lovers with the sub’s cooperative parents and how the mother went off on the dom. The dynamic at that table was fascinating, trying to normalize a kink/fetish “relationship” around the normies and … well, the kinds of matters that just ARE normal.
Skarsgard is sensationally good at embodying easy privilege ina way that is uncomfortably true (the whole point of “privilege” is that there is no need to assert it), even though the camera lingers on Melling.
February 15, 2026 at 12:36 AM
Skarsgard is sensationally good at embodying easy privilege ina way that is uncomfortably true (the whole point of “privilege” is that there is no need to assert it), even though the camera lingers on Melling.
The key to the film’s (eventually faux 😥) radicalism is that it both plays with the conventions of the romcom but puts them in a context where the egalitarianism of both love and our current society is unthinkable.
February 15, 2026 at 12:34 AM
The key to the film’s (eventually faux 😥) radicalism is that it both plays with the conventions of the romcom but puts them in a context where the egalitarianism of both love and our current society is unthinkable.
Imagine CRUISING as a conventional romcom … or rather an anti-romcom, a film about how a relationship’s premises define its bounds. Milqutoast Harry Melling plays the sub and alpha Alexander Skarsgard the dom (for some reason, he has a tattoo of three women’s names on his gut) in S&M biker romance.
February 15, 2026 at 12:34 AM
Imagine CRUISING as a conventional romcom … or rather an anti-romcom, a film about how a relationship’s premises define its bounds. Milqutoast Harry Melling plays the sub and alpha Alexander Skarsgard the dom (for some reason, he has a tattoo of three women’s names on his gut) in S&M biker romance.
A friend noted on Letterboxd (I think @russellhfilm.bsky.social) how easy and no-downside it would be to actually produce a Yuniochi-free cut. Which may make it even worse.
February 14, 2026 at 9:48 PM
A friend noted on Letterboxd (I think @russellhfilm.bsky.social) how easy and no-downside it would be to actually produce a Yuniochi-free cut. Which may make it even worse.
More “seriously,” I thought I remembered the Egg McMuffin being introduced too, but what I must’ve remembered (1978-79) was the local franchises introducing breakfast at all in the area.
February 13, 2026 at 8:31 PM
More “seriously,” I thought I remembered the Egg McMuffin being introduced too, but what I must’ve remembered (1978-79) was the local franchises introducing breakfast at all in the area.