This #Heist (though the violent kidnapping blurs this term) exposed a society still marked by conflict and fragile trust.
Maybe it exposes the fault lines of #reconciliation?
#HI6171 📷: Amazon
This #Heist (though the violent kidnapping blurs this term) exposed a society still marked by conflict and fragile trust.
Maybe it exposes the fault lines of #reconciliation?
#HI6171 📷: Amazon
The #HeistHistories we continue to share shape our understanding of ourselves and our relationship with institutions of power.
📷: @claireul2025.bsky.social
#HI6171
The #HeistHistories we continue to share shape our understanding of ourselves and our relationship with institutions of power.
📷: @claireul2025.bsky.social
#HI6171
This #Heist (though the violent kidnapping blurs this term) exposed a society still marked by conflict and fragile trust.
Maybe it exposes the fault lines of #reconciliation?
#HI6171 📷: Amazon
This #Heist (though the violent kidnapping blurs this term) exposed a society still marked by conflict and fragile trust.
Maybe it exposes the fault lines of #reconciliation?
#HI6171 📷: Amazon
The thief? Vincenzo Peruggia, an Italian nationalist who believed she should return home.
For two years the world searched, never imagining she was hidden in his small apartment.
#Heritage, #identity, and #art intertwined.
#HI6171
📷: Louvre
We study them not just for what was stolen, but for what they reveal about us. 📷: Cultural Heritage Informatics Initiative
#HI6171
📷: FBI
#HeistHistories #PublicHistory #Heist #Rembrant #FBI
📷: FBI
#HeistHistories #PublicHistory #Heist #Rembrant #FBI
Silent reminders, waiting for their art to come home.
📷: Gardner Museum
#HI6171
Silent reminders, waiting for their art to come home.
📷: Gardner Museum
#HI6171
In total, 13 works vanished that night, worth an estimated $600 million.
35 years later the museum is offering a $10 million reward.
📷: FBI
In total, 13 works vanished that night, worth an estimated $600 million.
35 years later the museum is offering a $10 million reward.
📷: FBI
Only art historians "in the know" would have realized it had recently been reattributed to his student, Govaert Flinck.
A curious choice for thieves with such discerning taste…
Landscape with an Obelisk, 1638
📷: gardnermuseum.org
Only art historians "in the know" would have realized it had recently been reattributed to his student, Govaert Flinck.
A curious choice for thieves with such discerning taste…
Landscape with an Obelisk, 1638
📷: gardnermuseum.org
A Lady and Gentleman in Black, 1633
📷: gardnermuseum.org
A Lady and Gentleman in Black, 1633
📷: gardnermuseum.org
The thieves’ first target? Rembrandts' only seascape.
They took it down and sliced the canvas from its frame with a sharp blade.
Christ in the Storm on the Sea of Galilee (1633)
📷: gardnermuseum.org
The thieves’ first target? Rembrandts' only seascape.
They took it down and sliced the canvas from its frame with a sharp blade.
Christ in the Storm on the Sea of Galilee (1633)
📷: gardnermuseum.org
Aug 21, 1911, Perugguia strolled into work in his usual white lab coat, removed Mona from her wall& frame, hid her under his coat and waltzed out. #HI6171 👇📷:Wikipedia
Aug 21, 1911, Perugguia strolled into work in his usual white lab coat, removed Mona from her wall& frame, hid her under his coat and waltzed out. #HI6171 👇📷:Wikipedia
#hesithistories #HI6171 📷: Britannica
#hesithistories #HI6171 📷: Britannica
Yesterday we got TIARA-BLE news from the #Louvre.
Inspired by the headlines, let’s look at the greatest #HeistHistories during my week-long student takeover #HI6171 📸: Louvre
Yesterday we got TIARA-BLE news from the #Louvre.
Inspired by the headlines, let’s look at the greatest #HeistHistories during my week-long student takeover #HI6171 📸: Louvre