Guy Dickinson
@tracing-silence.bsky.social
architect / wanderer
www.tracingsilence.com
https://tracingsilence.bigcartel.com/products
www.johnpawson.com
www.tracingsilence.com
https://tracingsilence.bigcartel.com/products
www.johnpawson.com
Reposted by Guy Dickinson
The most recent stunning work from @tracing-silence.bsky.social (and as appreciated by Mister Alexander). I can't believe there are still some copies left.
#blackandwhitephotography #blackandwhite #bnw #bnwphotography #classicmono #NaturePhotography #ThePhotoHour
#blackandwhitephotography #blackandwhite #bnw #bnwphotography #classicmono #NaturePhotography #ThePhotoHour
November 23, 2025 at 12:31 PM
The most recent stunning work from @tracing-silence.bsky.social (and as appreciated by Mister Alexander). I can't believe there are still some copies left.
#blackandwhitephotography #blackandwhite #bnw #bnwphotography #classicmono #NaturePhotography #ThePhotoHour
#blackandwhitephotography #blackandwhite #bnw #bnwphotography #classicmono #NaturePhotography #ThePhotoHour
10 copies left…
If you’ve been kind enough to pick a book up this year you’ll be in the midwinter print draw….
tracingsilence.bigcartel.com
If you’ve been kind enough to pick a book up this year you’ll be in the midwinter print draw….
tracingsilence.bigcartel.com
November 23, 2025 at 11:48 AM
10 copies left…
If you’ve been kind enough to pick a book up this year you’ll be in the midwinter print draw….
tracingsilence.bigcartel.com
If you’ve been kind enough to pick a book up this year you’ll be in the midwinter print draw….
tracingsilence.bigcartel.com
Tarn’s, Time & Tributaries
November 12, 2025 at 8:42 PM
Tarn’s, Time & Tributaries
Each fracture
holds its echo,
a map
of what endured.
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2025
holds its echo,
a map
of what endured.
.
.
2025
November 11, 2025 at 6:24 AM
Each fracture
holds its echo,
a map
of what endured.
.
.
2025
holds its echo,
a map
of what endured.
.
.
2025
November 9, 2025 at 6:05 PM
I’m showing two works at this years Annual Open at Southwark Park Gallery, London. Preview tomorrow at 1pm.
Both are available to buy, 700mm on long edge, Hahnemuhle photo rag mounted on archival board, framed and ready to hang (edition of 3)…
southwarkparkgalleries.org
Both are available to buy, 700mm on long edge, Hahnemuhle photo rag mounted on archival board, framed and ready to hang (edition of 3)…
southwarkparkgalleries.org
November 7, 2025 at 2:05 PM
I’m showing two works at this years Annual Open at Southwark Park Gallery, London. Preview tomorrow at 1pm.
Both are available to buy, 700mm on long edge, Hahnemuhle photo rag mounted on archival board, framed and ready to hang (edition of 3)…
southwarkparkgalleries.org
Both are available to buy, 700mm on long edge, Hahnemuhle photo rag mounted on archival board, framed and ready to hang (edition of 3)…
southwarkparkgalleries.org
Frithsden Beeches, 2025
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Maps codify the miracle of existence.
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Nicholas Crane, Mercator: The Man Who Mapped the Planet, 2002
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Maps codify the miracle of existence.
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Nicholas Crane, Mercator: The Man Who Mapped the Planet, 2002
October 4, 2025 at 7:57 AM
Frithsden Beeches, 2025
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Maps codify the miracle of existence.
.
.
Nicholas Crane, Mercator: The Man Who Mapped the Planet, 2002
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Maps codify the miracle of existence.
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.
Nicholas Crane, Mercator: The Man Who Mapped the Planet, 2002
NY176011
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The depth lies in the valleys where we seek her, and not upon the mountain-tops where she is found.
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Edgar Allan Poe, The Murders in the Rue Morgue, 1841
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The depth lies in the valleys where we seek her, and not upon the mountain-tops where she is found.
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Edgar Allan Poe, The Murders in the Rue Morgue, 1841
September 10, 2025 at 5:56 AM
NY176011
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.
.
.
.
.
The depth lies in the valleys where we seek her, and not upon the mountain-tops where she is found.
.
.
Edgar Allan Poe, The Murders in the Rue Morgue, 1841
.
.
.
.
.
.
The depth lies in the valleys where we seek her, and not upon the mountain-tops where she is found.
.
.
Edgar Allan Poe, The Murders in the Rue Morgue, 1841
SP975135
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We shall not cease from exploration,
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.
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T. S. Eliot, Little Gidding (Four Quartets), 1942
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We shall not cease from exploration,
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.
.
.
T. S. Eliot, Little Gidding (Four Quartets), 1942
September 6, 2025 at 7:16 AM
SP975135
.
.
We shall not cease from exploration,
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.
.
.
T. S. Eliot, Little Gidding (Four Quartets), 1942
.
.
We shall not cease from exploration,
And the end of all our exploring
Will be to arrive where we started
And know the place for the first time.
.
.
T. S. Eliot, Little Gidding (Four Quartets), 1942
September 2, 2025 at 5:57 AM
