Recreating *the* Tomorrow Never Dies shot in honour of @licencetoqueer.com’s fifth annual #jimfanningfriday in aid of Prostate Cancer UK

t.co/JF645GZTi5

Really enjoyed rewatching Conclave at the Tyneside, introduced by screenwriter (and Gateshead’s own) Peter Straughan. If this doesn’t win Oscars, it’s some serious Tedesco shit

At the Tyneside Cinema for their 9pm screening of Eraserhead - really looking forward to seeing a midnight movie classic at a rare late-night cinema screening!

Restoring Shirley Bassey's vocals to the recent alternate Moonraker instrumental main titles from @lalalandrecords.bsky.social - personally far prefer it to what was used, and it really suits the vibe of the film

Particularly love the use of the Flight into Space motif!

“Hi Mike Pence, I’m Donald Trump. Hi Mike Pence, pleased to meet you. Hi Mr. Pence, pleased to meet you - Hi, I’m Mike Pence, pleased to meet you”
“No, I’m Mike Pence”

me when they finally release a complete Moonraker score after I've said for years that the tapes won't have actually been lost

Inspired by the brilliant new @calvindyson.bsky.social review of The World is Not Enough, here's a small edit downplaying Pierce's memeworthy "HUH?!" realisation.
I think Calvin is right, and a more subtle reaction helps to sell the moment much more

This shot from Batman (1989) is one of my favourite script to screen translations, with the addition of that great expressionistic shadow:

Same elevator, two Bonds, 26 years apart - Licence to Kill (1989) and Spectre (2015, my recolour):

The first DVD I ever owned was Freddy vs Jason and I regret multiple factors.