Tim Bano
@timbano.bsky.social
Arts journalist and audio producer. Read me in The Standard, Independent, FT, The Stage and other places. Listen on BBC Radio 4. Contact me at timbano.com
Reposted by Tim Bano
Gary Oldman and Stephen Rae are both currently starring in two different productions of Krapp's Last Tape
Via the medium of voicenote, @timbano.bsky.social and @hollywilliams.bsky.social compare the shows and reflect on aging, memory, and looking back at your own life
Via the medium of voicenote, @timbano.bsky.social and @hollywilliams.bsky.social compare the shows and reflect on aging, memory, and looking back at your own life
Krapp's Last Voicenote
Gary Oldman and Stephen Rae are both performing Beckett's solo show, Krapp's Last Tape. Tim Bano and Holly Williams compare them, via voicenote
exeuntmagazine.substack.com
May 2, 2025 at 12:18 PM
Gary Oldman and Stephen Rae are both currently starring in two different productions of Krapp's Last Tape
Via the medium of voicenote, @timbano.bsky.social and @hollywilliams.bsky.social compare the shows and reflect on aging, memory, and looking back at your own life
Via the medium of voicenote, @timbano.bsky.social and @hollywilliams.bsky.social compare the shows and reflect on aging, memory, and looking back at your own life
⭐️⭐️⭐️⭐️⭐️!!!!! www.standard.co.uk/culture/thea...
The Seagull at the Barbican review: is Cate Blanchett's performance the year's best?
Blanchett delivers an highly skillful performance in director Thomas Ostermeier’s meta production of the Chekhov class
www.standard.co.uk
March 7, 2025 at 1:33 PM
⭐️⭐️⭐️⭐️⭐️!!!!! www.standard.co.uk/culture/thea...
Reposted by Tim Bano
Our second piece! @timbano.bsky.social delivers a deep dive on Robert Icke's Greek tragedies, his formula for “making theatre cool again”, and why we're compelled to return to these stories about sex and death
Things you can't unsee: Robert Icke, Greek tragedy, and theatrical formula
How I Met My Mother
substack.com
November 22, 2024 at 12:29 PM
Our second piece! @timbano.bsky.social delivers a deep dive on Robert Icke's Greek tragedies, his formula for “making theatre cool again”, and why we're compelled to return to these stories about sex and death