Thanks, Leslie!

As the WPHP comes to a bittersweet close this summer (😭), we're releasing one last Spotlight series to celebrate! Join our team down memory lane in our "Research in Reflection Spotlight Series" which will be published throughout the rest of August: womensprinthistoryproject.com/blog/post/148.

We were so excited (and a little starstruck!) to get a chance to talk to them about how things have changed for women’s book history since they began their careers (and how they haven’t). (3/3)

Since beginning this podcast, we have spent a lot of time thinking and talking about the researchers who have made the Women’s Print History Project possible, whether through the projects they have created or the critiques they have levied. (2/3)

And the anonymously authored The Happy Family; or, Winter Evenings' Employment. Consisting of Reading and Conversations, in seven parts, which features passages by Hannah More: womensprinthistoryproject.com/title/17534.

The pseudonymous Rachel Revel’s Winter Evening Pastimes; or, the Merry-Makers Companion which claims to promote “harmless mirth and innocent amusement:” womensprinthistoryproject.com/title/21890;

Some highlights include Isabella Jane Towers’s The Children's Fire-side: Being a Series of Tales for Winter Evenings: womensprinthistoryproject.com/title/10444;

Check out the series here: womensprinthistoryproject.com/blog/post/112.

This series includes spotlights on early 18th century printer Anne Dodd, the rivalries of the women in the Farley family, Scottish Royal Printer Agnes Campbell, American printer Jane Aitkin, and obscured London bookseller and printer Ann Vernor.