a fat old monk,
the old monk said.
I'm the real thing.
him drumming the garbage can,
the poet said about
the old monk's poems.
him drumming the garbage can,
the poet said about
the old monk's poems.
with no one
knowing everything
is God,
the old monk said.
with no one
knowing everything
is God,
the old monk said.
with your reds and your blues,
the artist told the old monk.
with your reds and your blues,
the artist told the old monk.
have to tell them
what to see --
let them imagine it,
the old monk told
the poet.
have to tell them
what to see --
let them imagine it,
the old monk told
the poet.
is the best thing
you can offer,
the old monk said.
is the best thing
you can offer,
the old monk said.
as a minor note
is to a flatted
seventh,
the old monk on bass
told the band
about two chords.
B-flat is where both
Gm and C
want to meet.
as a minor note
is to a flatted
seventh,
the old monk on bass
told the band
about two chords.
B-flat is where both
Gm and C
want to meet.
write them, or
do you want to
publish them?
Which kind of
poet are you,
the old monk asked.
write them, or
do you want to
publish them?
Which kind of
poet are you,
the old monk asked.
when you want to write
and nothing comes,
the old monk said.
when you want to write
and nothing comes,
the old monk said.
is that what you're saying,
the poet finally
asked the old monk.
is that what you're saying,
the poet finally
asked the old monk.
what I want to make
but often it does it
itself,
the old monk told
the poet.
what I want to make
but often it does it
itself,
the old monk told
the poet.
pounds his drum late
into the light,
the poet reported.
pounds his drum late
into the light,
the poet reported.
right there on the page,
the old monk told the poet.
right there on the page,
the old monk told the poet.
he started to study himself,
the poet admitted.
he started to study himself,
the poet admitted.
a limit you want to test,
the old monk said.
a limit you want to test,
the old monk said.
is not always
a question,
the old monk
noticed.
is not always
a question,
the old monk
noticed.
the poet said
about the old monk --
if he doesn't
run out of pens,
he won't
run out of notebooks.
the poet said
about the old monk --
if he doesn't
run out of pens,
he won't
run out of notebooks.
That's going to be
a hard story to sell,
the old monk told
the writer.
That's going to be
a hard story to sell,
the old monk told
the writer.
I don't want anyone
just walking around,
the old monk insisted.
I don't want anyone
just walking around,
the old monk insisted.
dashes
better than other
punctuation,
the old monk admitted.
dashes
better than other
punctuation,
the old monk admitted.
to sound like speech
and finally that's
what his poems were,
plain speech,
the poet said about
the old monk's work.
to sound like speech
and finally that's
what his poems were,
plain speech,
the poet said about
the old monk's work.
these years, I can hear
the drummer drumming,
the old monk said.
these years, I can hear
the drummer drumming,
the old monk said.
like it's a movie
where not everyone
knows their lines,
the old monk told
the poet.
like it's a movie
where not everyone
knows their lines,
the old monk told
the poet.
these days --
crossing over his
crossing out,
the poet said
about the old monk.
these days --
crossing over his
crossing out,
the poet said
about the old monk.
think about it too much
or you won't be able
to write it,
the old monk said.
think about it too much
or you won't be able
to write it,
the old monk said.
collide and don't
come apart,
the old monk told
the poet.
collide and don't
come apart,
the old monk told
the poet.