isabela/dela
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theisabela.bsky.social
isabela/dela
@theisabela.bsky.social
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theisabela.bsky.social
o delas de 2022 é incrível, sempre pensava em te recomendar, que bom que cê conheceu :)
print do álbum "Jota de morir" da banda Marala, no app Spotify. a capa do álbum é branca e luminosa, com um anzol dourado de três pontas no meio.
January 7, 2026 at 7:21 AM
theisabela.bsky.social
o ocean vuong tocou nisso :
In college a professor once insisted, during a digression from a lecture on Othello, that, to him, gay men are inherently narcissistic, and that overt narcissism might even be a sign of homosexuality in men who have not yet accepted their “tendencies.” Even as I fumed in my seat, the thought wouldn’t stop burrowing into me. Could it be that, all those years ago, I had followed Gramoz in the schoolyard simply because he was a boy, and therefore a mirror of myself? But if so—why not? Maybe we look into mirrors not merely to seek beauty, regardless how illusive, but to make sure, despite the facts, that we are still here. That the hunted body we move in has not yet been annihilated, scraped out. To see yourself still yourself is a refuge men who have not been denied cannot know. I read that beauty has historically demanded replication. We make more of anything we find aesthetically pleasing, whether it’s a vase, a painting, a chalice, a poem. We reproduce it in order to keep it, extend it through space and time. To gaze at what pleases—a fresco, a peach-red mountain range, a boy, the mole on his jaw—is, in itself, replication—the image prolonged in the eye, making more of it, making it last. Staring into the mirror, I replicate myself into a future where I might not exist. And yes, it was not pizza bagels, all those years ago, that I wanted from Gramoz, but replication. Because his offering extended me into something worthy of generosity, and therefore seen. It was that very moreness that I wanted to prolong, to return to.
October 10, 2025 at 7:08 PM