the goggles are currently clean on OPSEC
@thegogglesdonowt.bsky.social
Mostly harmless
Almost there
November 28, 2025 at 12:56 AM
Almost there
Next Dem administration pays Greenland to build and run a MAGA CECOT / Gitmo on Cape Morris Jesup
November 21, 2025 at 12:03 AM
Next Dem administration pays Greenland to build and run a MAGA CECOT / Gitmo on Cape Morris Jesup
"My pants have become tighter and smaller!"
There are tens of millions of criminal illegals in our country.
"My ex-wife says I was underwhelming in bed!"
There are tens of millions of criminal illegals in our country.
"My kids always make excuses why they can't come to visit!"
There are...
There are tens of millions of criminal illegals in our country.
"My ex-wife says I was underwhelming in bed!"
There are tens of millions of criminal illegals in our country.
"My kids always make excuses why they can't come to visit!"
There are...
November 20, 2025 at 6:09 PM
"My pants have become tighter and smaller!"
There are tens of millions of criminal illegals in our country.
"My ex-wife says I was underwhelming in bed!"
There are tens of millions of criminal illegals in our country.
"My kids always make excuses why they can't come to visit!"
There are...
There are tens of millions of criminal illegals in our country.
"My ex-wife says I was underwhelming in bed!"
There are tens of millions of criminal illegals in our country.
"My kids always make excuses why they can't come to visit!"
There are...
This is one of the least awful parts of a catalogue of shame and lawlessness from Trump's DOJ, but the sheer naked corruption of selling pardons might end up having the most resonance with the voting public.
November 17, 2025 at 9:14 PM
This is one of the least awful parts of a catalogue of shame and lawlessness from Trump's DOJ, but the sheer naked corruption of selling pardons might end up having the most resonance with the voting public.
A swing and a miss despite all the makings of a scabrous romp Chaucer would've enjoyed. Could've been The Crucible tripping balls in the throes of an ergot frenzy, but the storytelling falls flat and all you're really left with are the visuals. Ambitious, though, and to be commended for that.
November 11, 2025 at 12:09 AM
A swing and a miss despite all the makings of a scabrous romp Chaucer would've enjoyed. Could've been The Crucible tripping balls in the throes of an ergot frenzy, but the storytelling falls flat and all you're really left with are the visuals. Ambitious, though, and to be commended for that.
The perfect metaphor for this dumbest of timelines doesn't exi...
November 10, 2025 at 11:03 PM
The perfect metaphor for this dumbest of timelines doesn't exi...
Linklater clearly had *a lot* of fun crafting this love letter to Godard and his New Wave contemporaries and it's infectious. The film zips along and Marbeck plays the asshole / auteur to perfection. Go see it.
November 9, 2025 at 11:20 PM
Linklater clearly had *a lot* of fun crafting this love letter to Godard and his New Wave contemporaries and it's infectious. The film zips along and Marbeck plays the asshole / auteur to perfection. Go see it.
A gentle delight and a paean to those kind but awkward souls ploughing their sometimes lonely and often misunderstood furrows through life. Impossible not to root for Madec's Blandine as she navigates the chaos of Paris 2024 and reconnecting with a half-interested half-sister. Go see it.
November 9, 2025 at 1:28 AM
A gentle delight and a paean to those kind but awkward souls ploughing their sometimes lonely and often misunderstood furrows through life. Impossible not to root for Madec's Blandine as she navigates the chaos of Paris 2024 and reconnecting with a half-interested half-sister. Go see it.
A film about family, filmmaking, art and acting and the tradeoffs and damage caused when some of those are pursued at the expense of others. Sounds a qualified but deserved note of sympathy for all the selfish driven devils who sacrifice so much to achieve greatness. Often beautiful. Go see it.
November 8, 2025 at 6:02 PM
A film about family, filmmaking, art and acting and the tradeoffs and damage caused when some of those are pursued at the expense of others. Sounds a qualified but deserved note of sympathy for all the selfish driven devils who sacrifice so much to achieve greatness. Often beautiful. Go see it.
Sketches its near-future fascism lightly but effectively. The elderly are the outgroup and are corralled in the "Colony" beyond a certain age. What begins as a last hurrah for Weinberg's heroine turns into an increasingly tripped-out search for escape. Engaging, but doesn't quite stick the landing.
November 8, 2025 at 12:38 AM
Sketches its near-future fascism lightly but effectively. The elderly are the outgroup and are corralled in the "Colony" beyond a certain age. What begins as a last hurrah for Weinberg's heroine turns into an increasingly tripped-out search for escape. Engaging, but doesn't quite stick the landing.
A deliberately uncomfortable & disorienting study of postnatal depression & psychosis. Lawrence shifts effortlessly between relative normality, frustrated longing, coiled fury, blank disassociation & back again. Pattinson is solid as her bewildered & increasingly distant partner. Worth a watch.
November 7, 2025 at 4:49 PM
A deliberately uncomfortable & disorienting study of postnatal depression & psychosis. Lawrence shifts effortlessly between relative normality, frustrated longing, coiled fury, blank disassociation & back again. Pattinson is solid as her bewildered & increasingly distant partner. Worth a watch.
Lampreys, man. Then maybe oil.
November 5, 2025 at 11:14 PM
Lampreys, man. Then maybe oil.
Similar shitty typeface:
November 5, 2025 at 5:34 PM
Similar shitty typeface:
Panahi pulls off a pretty remarkable mix of black comedy, absurdist plot twists, tender interludes and searing political / moral critique of both the Iranian regime and its often fractured and ineffective opposition. A deeply humanitarian work. Go see it.
November 4, 2025 at 11:38 PM
Panahi pulls off a pretty remarkable mix of black comedy, absurdist plot twists, tender interludes and searing political / moral critique of both the Iranian regime and its often fractured and ineffective opposition. A deeply humanitarian work. Go see it.
You can stretch for a generous interpretation: slow-burning horror re. innocents trapped by poor choices and events beyond their control. It's not clear the film deserves this, though, and despite moments of genuine force and power, it's hard to recommend anyone else tries to decide for themselves.
November 3, 2025 at 11:58 PM
You can stretch for a generous interpretation: slow-burning horror re. innocents trapped by poor choices and events beyond their control. It's not clear the film deserves this, though, and despite moments of genuine force and power, it's hard to recommend anyone else tries to decide for themselves.
Another gleefully dark and bonkers treat from Lanthimos. Stone leans into it with her usual fearless relish and Plemons excels in his best leading role to date. Go see it and enjoy the ride!
October 31, 2025 at 10:51 PM
Another gleefully dark and bonkers treat from Lanthimos. Stone leans into it with her usual fearless relish and Plemons excels in his best leading role to date. Go see it and enjoy the ride!
McCarthy conjures a remarkable sense of place in this rich and unsentimental hillbilly elegy. Much closer in tone to Suttree than the outright horror and depravity of Outer Dark or Child of God. Go read it.
October 31, 2025 at 7:52 PM
McCarthy conjures a remarkable sense of place in this rich and unsentimental hillbilly elegy. Much closer in tone to Suttree than the outright horror and depravity of Outer Dark or Child of God. Go read it.
A kindhearted study of dissolution both personal and professional. Linklater has Lorenz Hart talk his way into that good night and Hawke delivers a wry and impassioned commentary on the dying of artistic light, but always with an eye undimmed for beauty and his fascination with humanity intact.
October 31, 2025 at 11:22 AM
A kindhearted study of dissolution both personal and professional. Linklater has Lorenz Hart talk his way into that good night and Hawke delivers a wry and impassioned commentary on the dying of artistic light, but always with an eye undimmed for beauty and his fascination with humanity intact.
GdT blandly frames an overripe production design and frequently insists on lighting it like Peter Jackson at his most mawkish. Elordi saves it, though, and his monster grounds the whole thing with a depth and emotional heft that stops you feeling robbed of the price of admission. Worth a watch.
October 31, 2025 at 12:19 AM
GdT blandly frames an overripe production design and frequently insists on lighting it like Peter Jackson at his most mawkish. Elordi saves it, though, and his monster grounds the whole thing with a depth and emotional heft that stops you feeling robbed of the price of admission. Worth a watch.
Lind Sey Halligan, Super Genius
October 20, 2025 at 10:58 PM
Lind Sey Halligan, Super Genius
What's that thing on Seagal's head?
October 19, 2025 at 4:32 PM
What's that thing on Seagal's head?