The Box LA
@theboxla.bsky.social
Temporarily Closed to the Public
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805 Traction Ave, Los Angeles, California 90013
Wednesday - Saturday 11am - 6pm
Sign up for our newsletter to be notified about our next opening !
805 Traction Ave, Los Angeles, California 90013
Wednesday - Saturday 11am - 6pm
Image: “Small Santa Butt Plug,” Paul McCarthy. 2022. Photo: Fredrik Nilsen Studio @fns.bsky.social
July 3, 2025 at 6:31 PM
Image: “Small Santa Butt Plug,” Paul McCarthy. 2022. Photo: Fredrik Nilsen Studio @fns.bsky.social
Photo: Fredrick Nilsen Studio @fns.bsky.social
June 21, 2025 at 11:53 PM
Photo: Fredrick Nilsen Studio @fns.bsky.social
A slide show conversation about art and reproduction (with a photocopy machine).
In conjunction with the MAF Library exhibition “Barbara T. Smith: Xerox 914”, curated by Jenelle Porter.
Tickets $20 - Link in Bio
In conjunction with the MAF Library exhibition “Barbara T. Smith: Xerox 914”, curated by Jenelle Porter.
Tickets $20 - Link in Bio
June 6, 2025 at 8:28 PM
A slide show conversation about art and reproduction (with a photocopy machine).
In conjunction with the MAF Library exhibition “Barbara T. Smith: Xerox 914”, curated by Jenelle Porter.
Tickets $20 - Link in Bio
In conjunction with the MAF Library exhibition “Barbara T. Smith: Xerox 914”, curated by Jenelle Porter.
Tickets $20 - Link in Bio
Opening Reception
Saturday, May 17 5-8pm
805 Traction Ave
Artist Talk
Saturday, June 28 2pm
Saturday, May 17 5-8pm
805 Traction Ave
Artist Talk
Saturday, June 28 2pm
May 3, 2025 at 5:09 PM
Opening Reception
Saturday, May 17 5-8pm
805 Traction Ave
Artist Talk
Saturday, June 28 2pm
Saturday, May 17 5-8pm
805 Traction Ave
Artist Talk
Saturday, June 28 2pm
Image: Laura Soto, “concentrate, consecrate” 2022-2024.
Photo: Frederick Nilsen Studio @fns.bsky.social
Photo: Frederick Nilsen Studio @fns.bsky.social
April 10, 2025 at 5:45 PM
Image: Laura Soto, “concentrate, consecrate” 2022-2024.
Photo: Frederick Nilsen Studio @fns.bsky.social
Photo: Frederick Nilsen Studio @fns.bsky.social
Images:
1: Laura Soto, “the cave,” 2024. Photo: Fredrick Nilsen Studio
2: “Our Externalized Frieze Booth,” 2025, installation view.
1: Laura Soto, “the cave,” 2024. Photo: Fredrick Nilsen Studio
2: “Our Externalized Frieze Booth,” 2025, installation view.
March 26, 2025 at 6:00 PM
Images:
1: Laura Soto, “the cave,” 2024. Photo: Fredrick Nilsen Studio
2: “Our Externalized Frieze Booth,” 2025, installation view.
1: Laura Soto, “the cave,” 2024. Photo: Fredrick Nilsen Studio
2: “Our Externalized Frieze Booth,” 2025, installation view.
Stan VanDerBeek’s experimental illuminations, including one watercolor with sorbet oranges and pinks announcing ‘A World of Two Dimension Love.’ I loved it.”
- Andrew Berardini for Artforum
- Andrew Berardini for Artforum
March 26, 2025 at 6:00 PM
Stan VanDerBeek’s experimental illuminations, including one watercolor with sorbet oranges and pinks announcing ‘A World of Two Dimension Love.’ I loved it.”
- Andrew Berardini for Artforum
- Andrew Berardini for Artforum
OUR EXTERNALIZED FRIEZE BOOTH
“The magical post-Fluxus noise and color of Ursula Reuter Christiansen, the black-and-white (and sometimes red) sculptural majesty of Sarah Conaway’s photographs (in which a cat seemed to wander and fall asleep amid the serious artmaking), ...
“The magical post-Fluxus noise and color of Ursula Reuter Christiansen, the black-and-white (and sometimes red) sculptural majesty of Sarah Conaway’s photographs (in which a cat seemed to wander and fall asleep amid the serious artmaking), ...
March 26, 2025 at 6:00 PM
OUR EXTERNALIZED FRIEZE BOOTH
“The magical post-Fluxus noise and color of Ursula Reuter Christiansen, the black-and-white (and sometimes red) sculptural majesty of Sarah Conaway’s photographs (in which a cat seemed to wander and fall asleep amid the serious artmaking), ...
“The magical post-Fluxus noise and color of Ursula Reuter Christiansen, the black-and-white (and sometimes red) sculptural majesty of Sarah Conaway’s photographs (in which a cat seemed to wander and fall asleep amid the serious artmaking), ...
LAURA SOTO - FIXATION : PROCESS : RITUAL
“Creatures from Laura’s hands seem to never cease moving and changing. Her challenge is to shape what does not have a final
shape and in so doing produces an enchantment hard to resist.”
- Rosanna Albertini for the kite
“Creatures from Laura’s hands seem to never cease moving and changing. Her challenge is to shape what does not have a final
shape and in so doing produces an enchantment hard to resist.”
- Rosanna Albertini for the kite
March 26, 2025 at 6:00 PM
LAURA SOTO - FIXATION : PROCESS : RITUAL
“Creatures from Laura’s hands seem to never cease moving and changing. Her challenge is to shape what does not have a final
shape and in so doing produces an enchantment hard to resist.”
- Rosanna Albertini for the kite
“Creatures from Laura’s hands seem to never cease moving and changing. Her challenge is to shape what does not have a final
shape and in so doing produces an enchantment hard to resist.”
- Rosanna Albertini for the kite
get your copy here!
I Am Abandoned
I Am Abandoned documents a little-known, but visionary performance by Barbara T. Smith. Taking place in 1976, it featured a conversation in real time between two psychoanalytic computer programs (know...
primaryinformation.org
March 19, 2025 at 5:30 PM
get your copy here!
Image: Laura Soto, “December 2024,” 2024, acrylics, oils, glues, resins, wax, silicone, paper, plastic, plaster, pigments, mirror fragments on acrylic panel.
Photo: Fredrik Nilsen Studio
@fns.bsky.social
Photo: Fredrik Nilsen Studio
@fns.bsky.social
March 5, 2025 at 7:51 PM
Image: Laura Soto, “December 2024,” 2024, acrylics, oils, glues, resins, wax, silicone, paper, plastic, plaster, pigments, mirror fragments on acrylic panel.
Photo: Fredrik Nilsen Studio
@fns.bsky.social
Photo: Fredrik Nilsen Studio
@fns.bsky.social