We're going through a midlife crisis as we watch John De Hart's entry into the black tank top subgenre of vanity projects, as we watch Champagne and Bullets AKA Road to Revenge AKA GetEven on this week's episode.  Join us as we discuss the absolute fear on John De Hart's face, forcing Playboy Playmates to do nude scenes, and the Shimmy Slide. 

This week, we're joining William Shatner as he tries to stop a roving infestation of deadly tarantulas in Kingdom of the Spiders from 1977.  Join us as we discuss the similarities to Arachnophobia, tarantula genocide, and William Shatner's persona on and off screen. 

YouTube video by They Called This a Movie

Happy Halloween! It's our very special Movie of the Month landing right on All Hallow's Eve. And this special episode wouldn't be complete without a guest, so we have Steve from https://open.spotify.com/show/4IGa2WO4Ag3HJyO0gN1GRS?si=3ae31c11cd6b4a63 to help us talk about our October Movie of the Month, Halloween H20: 20 Years Later, as voted on by our Patrons.  Join us as we discuss the many timelines of the Halloween franchise, the diminishing returns of Michael's mask, and compare this movie to the other contemporary slashers of the late 90s.  Want to get in on the fun and help us decide next month's Movie of the Month? Subscribe to our Patreon at Patreon.com/TCTAMPod for only $1. 

This week, we're headed underground to a bunker in Florida to watch George A Romero's third film in his zombie trilogy: the 1985 film Day of the Dead.  Join us as we discuss Tom Savini's special effects, the boring setting, and Joseph Pilato's performance.

We're headed to a sleepy New England village and dealing with some locals, as we watch the underrated zombie movie, Dead & Buried.  Join us as we discuss Stan Winston's effects, Jack Albertson's performance, and the clever ending. 

We continue how month-long celebration of horror movies with one of the most highly regarded sequels in horror history, A Nightmare on Elm Street 3: Dream Warriors.  Join us as we discuss Heather Langenkamp, the movie's corniness, and stop motion skeletons. 

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