Reposted by Stew
Mnemonic Trains — Nick Piombino & Laura Kerr
Published by Penteract Press
Only six copies left.
This collaboration changed the course of my practice. Working with Nick was a true highlight—his brilliance on the page and in conversation shaped this book in ways I’ll always value.
Published by Penteract Press
Only six copies left.
This collaboration changed the course of my practice. Working with Nick was a true highlight—his brilliance on the page and in conversation shaped this book in ways I’ll always value.
December 11, 2025 at 6:59 PM
Mnemonic Trains — Nick Piombino & Laura Kerr
Published by Penteract Press
Only six copies left.
This collaboration changed the course of my practice. Working with Nick was a true highlight—his brilliance on the page and in conversation shaped this book in ways I’ll always value.
Published by Penteract Press
Only six copies left.
This collaboration changed the course of my practice. Working with Nick was a true highlight—his brilliance on the page and in conversation shaped this book in ways I’ll always value.
Reposted by Stew
📣 THE VERSE ENGINE
Open call: Forensic Visual Poetry
Treat the algorithm as evidence.
Manual labor as testimony.
2 works | Jan 26, 2026
sedserio.com/theverseengine
‘Leaf Margins’
Open call: Forensic Visual Poetry
Treat the algorithm as evidence.
Manual labor as testimony.
2 works | Jan 26, 2026
sedserio.com/theverseengine
‘Leaf Margins’
December 11, 2025 at 4:04 PM
📣 THE VERSE ENGINE
Open call: Forensic Visual Poetry
Treat the algorithm as evidence.
Manual labor as testimony.
2 works | Jan 26, 2026
sedserio.com/theverseengine
‘Leaf Margins’
Open call: Forensic Visual Poetry
Treat the algorithm as evidence.
Manual labor as testimony.
2 works | Jan 26, 2026
sedserio.com/theverseengine
‘Leaf Margins’
Reposted by Stew
In the poem I found not a flower,
but a vertical idea.
but a vertical idea.
December 8, 2025 at 9:18 PM
In the poem I found not a flower,
but a vertical idea.
but a vertical idea.
Reposted by Stew
Reposted by Stew
From my Everlasting Rendering Garden
Once,
gladiolus climbed—
scaled the fence,
cell by cell,
rung by rung—
ascending past the reach
of any sun,
and still
not one
could come undone.
Destiny’s Fable
#forensicPoetry
Once,
gladiolus climbed—
scaled the fence,
cell by cell,
rung by rung—
ascending past the reach
of any sun,
and still
not one
could come undone.
Destiny’s Fable
#forensicPoetry
December 7, 2025 at 5:12 PM
From my Everlasting Rendering Garden
Once,
gladiolus climbed—
scaled the fence,
cell by cell,
rung by rung—
ascending past the reach
of any sun,
and still
not one
could come undone.
Destiny’s Fable
#forensicPoetry
Once,
gladiolus climbed—
scaled the fence,
cell by cell,
rung by rung—
ascending past the reach
of any sun,
and still
not one
could come undone.
Destiny’s Fable
#forensicPoetry
Reposted by Stew
Game 6 by @jmeirose.bsky.social
A book that obliterates the conventional notion of the novel. Bending and transmogrifying language into a shape all its own.
Print: www.lulu.com/shop/jim-mei...
pdf: submersiblepress.wordpress.com/wp-content/u...
A book that obliterates the conventional notion of the novel. Bending and transmogrifying language into a shape all its own.
Print: www.lulu.com/shop/jim-mei...
pdf: submersiblepress.wordpress.com/wp-content/u...
September 25, 2025 at 1:34 AM
Game 6 by @jmeirose.bsky.social
A book that obliterates the conventional notion of the novel. Bending and transmogrifying language into a shape all its own.
Print: www.lulu.com/shop/jim-mei...
pdf: submersiblepress.wordpress.com/wp-content/u...
A book that obliterates the conventional notion of the novel. Bending and transmogrifying language into a shape all its own.
Print: www.lulu.com/shop/jim-mei...
pdf: submersiblepress.wordpress.com/wp-content/u...
Reposted by Stew
We have a SPECIAL SALE this week: Dec 4 to 9th, 2025
Buy this week & shipping is free. 💐
We are gifting by email an exclusive PDF of a new poem/art collaboration "For Love, We Attempt Another Ars Poetica" @vikkicwrites.bsky.social & @rfredekenter.bsky.social
icefloepress.net/in-the-bluep...
Buy this week & shipping is free. 💐
We are gifting by email an exclusive PDF of a new poem/art collaboration "For Love, We Attempt Another Ars Poetica" @vikkicwrites.bsky.social & @rfredekenter.bsky.social
icefloepress.net/in-the-bluep...
In The Blueprint of Her Iris – A Collaboration. Vikki C. (Poems) Robert Frede Kenter (Images)
Now Available ! FOR ONE WEEK ONLY!DEC. 4th to DEC 9th., 2025, WE ARE OFFERING A SPECIAL SALE PRICE & A GIFT FOR PURCHASERS: Every purchase of IN THE BLUEPRINT OF HER IRIS will include FREE SHIP…
icefloepress.net
December 4, 2025 at 3:24 PM
We have a SPECIAL SALE this week: Dec 4 to 9th, 2025
Buy this week & shipping is free. 💐
We are gifting by email an exclusive PDF of a new poem/art collaboration "For Love, We Attempt Another Ars Poetica" @vikkicwrites.bsky.social & @rfredekenter.bsky.social
icefloepress.net/in-the-bluep...
Buy this week & shipping is free. 💐
We are gifting by email an exclusive PDF of a new poem/art collaboration "For Love, We Attempt Another Ars Poetica" @vikkicwrites.bsky.social & @rfredekenter.bsky.social
icefloepress.net/in-the-bluep...
Reposted by Stew
A poem generated by its material surface.
November 27, 2025 at 4:41 PM
A poem generated by its material surface.
Reposted by Stew
Collapse of the Typewriter Field
(Resolves)
(Resolves)
November 30, 2025 at 3:27 PM
Collapse of the Typewriter Field
(Resolves)
(Resolves)
Reposted by Stew
Blank Interval- a poem occupies
the space between
the space between
December 2, 2025 at 3:44 PM
Blank Interval- a poem occupies
the space between
the space between
Reposted by Stew
This void isn’t darkness applied.
It’s surface interrupting itself—
a poem relinquishing its “wallness.”
I become the wall.
Not absence, but a sharpening:
the material denies me any direction
except itself.
I want that.
It’s surface interrupting itself—
a poem relinquishing its “wallness.”
I become the wall.
Not absence, but a sharpening:
the material denies me any direction
except itself.
I want that.
December 2, 2025 at 10:23 PM
This void isn’t darkness applied.
It’s surface interrupting itself—
a poem relinquishing its “wallness.”
I become the wall.
Not absence, but a sharpening:
the material denies me any direction
except itself.
I want that.
It’s surface interrupting itself—
a poem relinquishing its “wallness.”
I become the wall.
Not absence, but a sharpening:
the material denies me any direction
except itself.
I want that.
Reposted by Stew
December 3, 2025 at 3:40 AM
Reposted by Stew
Tale Cells (Halftone Corruption Study)
December 3, 2025 at 9:31 AM
Tale Cells (Halftone Corruption Study)
Reposted by Stew
Where the Algorithms Leave Their Body
December 4, 2025 at 1:56 PM
Where the Algorithms Leave Their Body
Reposted by Stew
Check out my Experimental Poetry Criticism 🙏 🌹🍃periodicityjournal.blogspot.com
newly posted: Laura Kerr @sedserio.com : Wanting / Silence
periodicityjournal.blogspot.com/2025/12/laur...
periodicityjournal.blogspot.com/2025/12/laur...
Laura Kerr : Wanting / Silence
Wanting / Silence Wanting is the first mark. Not the line, but the tension that precedes it—the quiet pressure gathering in the hand...
periodicityjournal.blogspot.com
December 4, 2025 at 2:30 PM
Check out my Experimental Poetry Criticism 🙏 🌹🍃periodicityjournal.blogspot.com
Reposted by Stew
I never imagined poetry would become my way into AI, yet it’s the most exact medium for exposing how these systems move.
I wrote my first play with an AI voice in the 1970s, and now—nearly ten years into this forensic work—the investigation only widens.
HAL opened the door.
I wrote my first play with an AI voice in the 1970s, and now—nearly ten years into this forensic work—the investigation only widens.
HAL opened the door.
December 5, 2025 at 3:43 PM
I never imagined poetry would become my way into AI, yet it’s the most exact medium for exposing how these systems move.
I wrote my first play with an AI voice in the 1970s, and now—nearly ten years into this forensic work—the investigation only widens.
HAL opened the door.
I wrote my first play with an AI voice in the 1970s, and now—nearly ten years into this forensic work—the investigation only widens.
HAL opened the door.
Reposted by Stew
newly posted at @periodicities.bsky.social : Laura Kerr @sedserio.com : Wanting / Silence
periodicityjournal.blogspot.com/2025/12/laur...
periodicityjournal.blogspot.com/2025/12/laur...
Laura Kerr : Wanting / Silence
Wanting / Silence Wanting is the first mark. Not the line, but the tension that precedes it—the quiet pressure gathering in the hand...
periodicityjournal.blogspot.com
December 4, 2025 at 2:09 PM
newly posted at @periodicities.bsky.social : Laura Kerr @sedserio.com : Wanting / Silence
periodicityjournal.blogspot.com/2025/12/laur...
periodicityjournal.blogspot.com/2025/12/laur...
Reposted by Stew
This image creates resistance, requires energy, generates thermal signatures that will outlast me.
October 1, 2025 at 8:11 PM
This image creates resistance, requires energy, generates thermal signatures that will outlast me.
Reposted by Stew
For current AI poetry, we should be asking:
What does this language do that other poetic methods cannot—or does it simply repackage familiar moves?
Is limitless generation the same as poetic vitality, or only the illusion of abundance?
What does this language do that other poetic methods cannot—or does it simply repackage familiar moves?
Is limitless generation the same as poetic vitality, or only the illusion of abundance?
November 26, 2025 at 3:17 PM
For current AI poetry, we should be asking:
What does this language do that other poetic methods cannot—or does it simply repackage familiar moves?
Is limitless generation the same as poetic vitality, or only the illusion of abundance?
What does this language do that other poetic methods cannot—or does it simply repackage familiar moves?
Is limitless generation the same as poetic vitality, or only the illusion of abundance?
Reposted by Stew
Reposted by Stew
╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋┫┫┫┫┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋┫┫┫┫┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻
November 19, 2025 at 8:00 AM
╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋┫┫┫┫┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋╋┫┫┫┫┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┣┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┳┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻┻
Reposted by Stew
To talk about paintings is not only difficult but perhaps pointless too. You can only express in words what words are capable of expressing-- what language can communicate. Painting has nothing to do with that.
Gerhard Richter
Gerhard Richter
November 22, 2025 at 2:22 PM
To talk about paintings is not only difficult but perhaps pointless too. You can only express in words what words are capable of expressing-- what language can communicate. Painting has nothing to do with that.
Gerhard Richter
Gerhard Richter
Reposted by Stew
The current art market has perfected its performance of itself.
Artists must not only make the work, but become its ongoing explanation:
the panelist, the sponsored traveler, the social proof.
We now circulate meanings as much as objects.
Artists must not only make the work, but become its ongoing explanation:
the panelist, the sponsored traveler, the social proof.
We now circulate meanings as much as objects.
November 22, 2025 at 2:46 PM
The current art market has perfected its performance of itself.
Artists must not only make the work, but become its ongoing explanation:
the panelist, the sponsored traveler, the social proof.
We now circulate meanings as much as objects.
Artists must not only make the work, but become its ongoing explanation:
the panelist, the sponsored traveler, the social proof.
We now circulate meanings as much as objects.
Reposted by Stew
I have completed
A Poem-Play for Three Agencies
— human, machinic, and linguistic —
each speaking across the fault lines of time and memory.
Coming very soon.
A Poem-Play for Three Agencies
— human, machinic, and linguistic —
each speaking across the fault lines of time and memory.
Coming very soon.
November 12, 2025 at 10:15 PM
I have completed
A Poem-Play for Three Agencies
— human, machinic, and linguistic —
each speaking across the fault lines of time and memory.
Coming very soon.
A Poem-Play for Three Agencies
— human, machinic, and linguistic —
each speaking across the fault lines of time and memory.
Coming very soon.