@stefaniehessler.bsky.social
Ayoung Kim’s Body^n for Performa uses live motion capture to explore doppelgängers, body doubles in dance, invisible digital and delivery labor, and intimacy between women, set in a virtual game-engine world the artist has been building for years.
December 25, 2025 at 6:41 AM
Ayoung Kim’s Body^n for Performa uses live motion capture to explore doppelgängers, body doubles in dance, invisible digital and delivery labor, and intimacy between women, set in a virtual game-engine world the artist has been building for years.
Ayoung Kim’s Body^n for Performa uses live motion capture to explore doppelgängers, body doubles in dance, invisible digital and delivery labor, and intimacy between women, set in a virtual game-engine world the artist has been building for years.
December 25, 2025 at 6:40 AM
Ayoung Kim’s Body^n for Performa uses live motion capture to explore doppelgängers, body doubles in dance, invisible digital and delivery labor, and intimacy between women, set in a virtual game-engine world the artist has been building for years.
Counterpublic Scheming
December 24, 2025 at 3:25 PM
Counterpublic Scheming
Beautiful Suzanne Jackson exhibition What Is Love? at SFMOMA, highlighting her belief in the interconnectedness of human and natural worlds and her continually experimental practice across painting, collage, installation, and artist support through Gallery 32.
December 22, 2025 at 12:06 PM
Beautiful Suzanne Jackson exhibition What Is Love? at SFMOMA, highlighting her belief in the interconnectedness of human and natural worlds and her continually experimental practice across painting, collage, installation, and artist support through Gallery 32.
Minjung Kim is a leading contemporary abstractionist working with traditional Korean Hanji paper. Through burning, singeing, ink, and layered paper, she creates meditative, ritual spaces. Phasing (2021) evokes musical rhythm as layered Hanji shifts over black ink.
December 18, 2025 at 1:52 AM
Minjung Kim is a leading contemporary abstractionist working with traditional Korean Hanji paper. Through burning, singeing, ink, and layered paper, she creates meditative, ritual spaces. Phasing (2021) evokes musical rhythm as layered Hanji shifts over black ink.
Jacob Kassay’s abstraction extends minimalism through phenomenology and perception. Co. (2024) pairs a smooth monochrome surface with a warped edge, revealing its making and creating tension between material fact and portal-like space.
December 17, 2025 at 3:55 PM
Jacob Kassay’s abstraction extends minimalism through phenomenology and perception. Co. (2024) pairs a smooth monochrome surface with a warped edge, revealing its making and creating tension between material fact and portal-like space.
Raymond Pettibon’s No Title (Swiss Cheese.) (2025) shows figures in a dark, cave-like space, paired with the ironic handwritten phrase “SWISS CHEESE.” The misalignment of text and image reflects Pettibon’s dark humor and playful embrace of mystery and the unknown.
December 17, 2025 at 7:40 AM
Raymond Pettibon’s No Title (Swiss Cheese.) (2025) shows figures in a dark, cave-like space, paired with the ironic handwritten phrase “SWISS CHEESE.” The misalignment of text and image reflects Pettibon’s dark humor and playful embrace of mystery and the unknown.
Bagus Pandega creates modular electronic-natural systems via a DIY hacker ethos; Mona Filleul turns Swiss Institute into Sissy Institute, reclaiming effeminacy as gender dissidence; Costanza Candeloro with Licit Illicit Bookshop curates radical, rare texts on surveilled knowledge.
December 17, 2025 at 3:26 AM
Bagus Pandega creates modular electronic-natural systems via a DIY hacker ethos; Mona Filleul turns Swiss Institute into Sissy Institute, reclaiming effeminacy as gender dissidence; Costanza Candeloro with Licit Illicit Bookshop curates radical, rare texts on surveilled knowledge.
New season at LUMA Arles features a new Ho Tzu Nyuen commission using AI to reedit an unfinished film, alongside works by Wael Shawky, Koo Jeong A, Fujiko Nakaya, and historic cybernetic pieces by Haacke and Tsai, plus material from E.A.T. exploring art, technology, and myth.
December 16, 2025 at 9:39 AM
New season at LUMA Arles features a new Ho Tzu Nyuen commission using AI to reedit an unfinished film, alongside works by Wael Shawky, Koo Jeong A, Fujiko Nakaya, and historic cybernetic pieces by Haacke and Tsai, plus material from E.A.T. exploring art, technology, and myth.
Louise Bonnet & Elizabeth King: De Anima brings together painting, sculpture, and animation to probe the boundary between life and nonlife. Exploring animacy, AI, biopower, and gender, the exhibition reflects on how bodies, technologies, and semblances of life are shaped today.
December 15, 2025 at 5:18 PM
Louise Bonnet & Elizabeth King: De Anima brings together painting, sculpture, and animation to probe the boundary between life and nonlife. Exploring animacy, AI, biopower, and gender, the exhibition reflects on how bodies, technologies, and semblances of life are shaped today.
Andro Wekua’s Untitled weaves fragmented personal and collective memory through a language shifting between figuration and abstraction. Gestural color on aluminum and a hazy figure evoke liminal, spectral spaces beyond official history, more elegy than portrait.
December 15, 2025 at 4:57 PM
Andro Wekua’s Untitled weaves fragmented personal and collective memory through a language shifting between figuration and abstraction. Gestural color on aluminum and a hazy figure evoke liminal, spectral spaces beyond official history, more elegy than portrait.
Just me and my miniature horse (or donkey?)
December 15, 2025 at 11:50 AM
Just me and my miniature horse (or donkey?)
Along Clarastrasse, Finnegan Shannon’s benches offer rest while questioning “natural” accessibility in public space. Inscribed with wry phrases, they frame access as relational. Seven clocks showing days, not hours, challenge linear time and productivity.
December 15, 2025 at 9:23 AM
Along Clarastrasse, Finnegan Shannon’s benches offer rest while questioning “natural” accessibility in public space. Inscribed with wry phrases, they frame access as relational. Seven clocks showing days, not hours, challenge linear time and productivity.
Agnieszka Kurant explores human, nonhuman, and collective intelligence through sculpture, film, and research. Using AI models, uncomputable processes, and materials like minerals and liquid glass, her work blurs boundaries between digital, biological, and inorganic life.
December 15, 2025 at 8:35 AM
Agnieszka Kurant explores human, nonhuman, and collective intelligence through sculpture, film, and research. Using AI models, uncomputable processes, and materials like minerals and liquid glass, her work blurs boundaries between digital, biological, and inorganic life.
Sophie Calle' Overshare at the Walker Art Center, probing authenticity, intimacy, surveillance, and boundaries of all sorts. Curated by Henriette Huldisch with Erin McNeil and Brandon Eng
December 15, 2025 at 7:35 AM
Sophie Calle' Overshare at the Walker Art Center, probing authenticity, intimacy, surveillance, and boundaries of all sorts. Curated by Henriette Huldisch with Erin McNeil and Brandon Eng
Artist Jenna Sutela will represent Finland at the 61st Venice Biennale in 2026. Curated by Stefanie Hessler, the Pavilion of Finland will present new work commissioned by Frame, supported by the Finnish Ministry of Education and Culture, with Oulu2026 as main partner.
December 15, 2025 at 6:42 AM
Artist Jenna Sutela will represent Finland at the 61st Venice Biennale in 2026. Curated by Stefanie Hessler, the Pavilion of Finland will present new work commissioned by Frame, supported by the Finnish Ministry of Education and Culture, with Oulu2026 as main partner.