Obligatory shoutout to probably unintentional plural representation which actually gets it right. Shakuyaku and Kagan are also just intensely likeable characters in their own rights. Any further discussion would be spoilers, but… MIZUKAMI, I WILL FIGHT YOU AAAAAAA— ;_;
Obligatory shoutout to probably unintentional plural representation which actually gets it right. Shakuyaku and Kagan are also just intensely likeable characters in their own rights. Any further discussion would be spoilers, but… MIZUKAMI, I WILL FIGHT YOU AAAAAAA— ;_;
Two leads of the "pair, do not separate" variety who I adore mostly for very different reasons, although what they share both in terms of their specific dynamic and in the delicate touch with which each is portrayed is equally important.
Two leads of the "pair, do not separate" variety who I adore mostly for very different reasons, although what they share both in terms of their specific dynamic and in the delicate touch with which each is portrayed is equally important.
A character with whom I identified strongly as a child and perhaps the first to make me question my gender identity. Sometimes it's that simple, by which I mean it really isn't simple at all.
A character with whom I identified strongly as a child and perhaps the first to make me question my gender identity. Sometimes it's that simple, by which I mean it really isn't simple at all.
Dramatic tonal swerve: One of my favourite comics as a child right here. While Hobbes is typically the straight man in his and Calvin’s little manzai routine, he is rarely entirely in the right, being very much his own tiger with his own foibles.
Dramatic tonal swerve: One of my favourite comics as a child right here. While Hobbes is typically the straight man in his and Calvin’s little manzai routine, he is rarely entirely in the right, being very much his own tiger with his own foibles.
Speaking of alarming antagonists: I love when a character’s motivations initially seem cryptic if not completely arbitrary only to come into focus later as something you feel deeply uncomfortable admitting that you entirely understand.
Speaking of alarming antagonists: I love when a character’s motivations initially seem cryptic if not completely arbitrary only to come into focus later as something you feel deeply uncomfortable admitting that you entirely understand.
Specifically from the ’98 adaptation. I liked Stampede fine, but some of its changes worked better than others, and I think this is one place they whiffed. Because this motherfucker right here? Terrifying.
Specifically from the ’98 adaptation. I liked Stampede fine, but some of its changes worked better than others, and I think this is one place they whiffed. Because this motherfucker right here? Terrifying.
This one is very simple: I adore this poor, somewhat put-upon robot girl. I wish her nothing but the best in all things and I would protect her with my life. That's it, send tweet.
This one is very simple: I adore this poor, somewhat put-upon robot girl. I wish her nothing but the best in all things and I would protect her with my life. That's it, send tweet.
As with many of these (particularly Evan Dahm and Cate Wurtz's work), a synecdoche for an excellent cast more generally, but Cosmo in particular gets one of the single best moments in Part One, a true scene-stealer of monstrous potency.
HALLOWEEN! 0w0
As with many of these (particularly Evan Dahm and Cate Wurtz's work), a synecdoche for an excellent cast more generally, but Cosmo in particular gets one of the single best moments in Part One, a true scene-stealer of monstrous potency.
HALLOWEEN! 0w0
Getting into all of the complex identity-related shenanigans and weird memory stuff in Kaiba would spoil a great deal of the "fun" (fascination, pain, etc.) of the series, but even early on, Kaiba is pretty dynamic for an amnesiac blank slate, and later on… hoooo boy.
Getting into all of the complex identity-related shenanigans and weird memory stuff in Kaiba would spoil a great deal of the "fun" (fascination, pain, etc.) of the series, but even early on, Kaiba is pretty dynamic for an amnesiac blank slate, and later on… hoooo boy.
Another quietly sinister unreliable narrator, yet a regretful one, burying himself in layers on layers of denial and self-deception. It is not simply that Peace is about Alden, but that in some sense, these stories *are* him, and what stories!
Another quietly sinister unreliable narrator, yet a regretful one, burying himself in layers on layers of denial and self-deception. It is not simply that Peace is about Alden, but that in some sense, these stories *are* him, and what stories!
People often confuse differences in skills or motivation for a lack of intellect or general laziness. Hotori is a space cadet, but when properly motivated, she absolutely shines. Excellent comedic lead with substantial yet never overstated pathos.
People often confuse differences in skills or motivation for a lack of intellect or general laziness. Hotori is a space cadet, but when properly motivated, she absolutely shines. Excellent comedic lead with substantial yet never overstated pathos.