Then at 10, it's THE BEST OF ME (Heather Landsman, 2024), an archival documentary about the final days of the man who plotted to kill Björk.

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At 10, it's BAJO EN NICOTINA ("Low in Nicotine," Raúl Artigot, 1984), about an obsessive cinephile who must find a way to deal with the girlfriend and neighbors who dare to impede on his screentime.

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At 10, our Pedro Olea series continues with 1973's IT IS NOT GOOD FOR A MAN TO BE ALONE, a brutal critique of Spanish patriarchy told through the story of a man with a mannequin for a wife.

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At 10, it's one of our biggest hits from last year, the epic Philippine WWII saga ORO PLATA MATA (Peque Gallaga, 1982).

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At 10, it's the last screening of BLUE MOUNTAINS, OR UNBELIEVABLE STORY (Eldar Shengelaia, 1983). Another Soviet film - this one from Georgia - it's a comedy of errors about a writer vainly trying to get his manuscript read.

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At 10, it's your last chance to catch SCRAP VESSEL, Jason Byrne's 16mm chronicle of the final voyage of a coal freighter.

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At 10, it's your last chance to catch HAMBURGER DAD (Kevin Clarke, Wil Long, 2003), a movie about exactly what the title suggests.

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At 7:30, the epic Robert Ashley/The Kitchen seven-part television "comic opera about reincarnation" PERFECT LIVES plays for the final time. The screening is sold out, but walkups might make it in!

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At 5, it's our last Best of Spectacle screening of SYLVIE (Klaus Lemke, 1973), the extremely German fashion model/cab driver love story.

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And at midnight, it's our last screening of SHOWGIRLS 2: PENNY'S FROM HEAVEN, Rena Riffel's new cut of her supremely unconventional (and highly unauthorized) sequel to the Verhoeven classic.

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At 10, the final Best of Spectacle screening of SPIN (Brian Springer, 1995) plays. Your last chance to catch this treatise on politics and the media, putting the 1992 election under the microscope.

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We've partnered with the Childhood Delusions Film Festival to present encores of its first two editions. The Year 1 program plays at 5, then Year 2 is at 7:30. Q&As after each screening with various onetime-juvenile filmmakers!

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