This suggests new experimental pathways:

• engineered lattice geometries
• high-density nano-confinement
• geometric “pressure wells”
• fractal / quasi-lower-dimensional traps
• re-evaluating ignition thresholds via d_eff(ρ)

in the original at that point, it goes from the key of F to the key of G with no modulation at all, so I tried to make that a bit smoother.

F Maj -> Dim 7 chord -> D Maj (V of G Maj) ~> G Maj. to me it sounds a bit more harmonically correct than the original. may adjust it further.

I may record these for fun once I've gone through the entire set. I'm only altering / embellishing certain ones and leaving the others untouched.

Number 8 ~ making things a bit more insistent at certain points (similar to a certain Mozart Concerto in rhythm) & altering harmony (D Maj 7th ~> G Maj) at one point.

I have been playing through the School of Velocity & embellishing as I go. Here are my alterations to Number 7.

It seems like more concert pianist are exploring his works. here's a favorite of mine. I also like his Sonatas, Nocturnes, and Toccata a lot. ~ youtu.be/qZRt5hFWW4k?...