All in all though, I love that Who gives writers like Inua a mainstream, BBC One slot to tell stories that are this personal and different and experimental, regardless of whether they always land with me. (2/2)
All in all though, I love that Who gives writers like Inua a mainstream, BBC One slot to tell stories that are this personal and different and experimental, regardless of whether they always land with me. (2/2)
They're also not stupid enough to hire crap writers solely to suit the agenda; maybe these are the stories they liked most of all the pitches they received?
They're also not stupid enough to hire crap writers solely to suit the agenda; maybe these are the stories they liked most of all the pitches they received?