■ 5. After "That-Has-Been"
- skirletart.exposure.co
In the post-photographic rupture, simulacra replace indexical truth. Artificiality becomes ethical strategy, critiquing desire without recruiting vulnerable bodies. Emptiness as viewing practice releases projection, returning to fold and light.

■ 4. Digital Baroque
- skirletart.exposure.co
Digital Baroque drapery makes fabric protagonist. The fold exceeds social function as material thought. Through prompt-based choreography, code invents chiaroscuro and tactile texture, blurring cloth and computation.

■ 3. Uniform, Gaze, and Discipline
- skirletart.exposure.co
The uniform is an institutional score that disciplines gender. Within it, my figures refuse the shame-script and the transactional gaze, sometimes withholding, sometimes returning it, insisting on opacity and dignity.

■ 2. The Underlayer as Sanctuary
- skirletart.exposure.co
A protective underlayer is a threshold, sanctuary not transgression. It creates aesthetic distance and shifts attention from what is shown to how it moves, inviting haptic looking instead of possession.

■ 1. Kinetic Sculpture
- skirletart.exposure.co
Skirts sculpt air. From Loïe Fuller’s fabric-as-light to algorithmic wind, the flip becomes authored form, not accident. AI freezes the kinetic instant into a still crystal of time without exposure.

■ Introduction
- skirletart.exposure.co
I turn the skirt-flip from voyeuristic reveal into choreography of fold, light, mass, and motion. Fetish and shame are attachments in the gaze; seeing cloth as cloth loosens them. AI enables critique without exposure.