Simon L
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Simon L
@simonl.bsky.social
Brussels-based Brit
linktr.ee/simonlitton
I was confused by the film's vision of the future. Is it 2025 (drones, deepfakes), or is it 1985 (video cassettes, prime time gameshows on live broadcast TV)?
November 20, 2025 at 4:10 PM
Reposted by Simon L
I remember when there was a discussion on Twitter about Shein's manufacturing practices and some apologists invented all sorts of fantastical machinery and technology to avoid facing the more horrifying truth. Reminds me of this comedian's joke.

IG bscomedian
November 20, 2025 at 12:07 AM
Yeah, I'm not sure what it would achieve placed at the start, tbh.
November 19, 2025 at 10:54 AM
Fun fact, projectionists were given the freedom to place that shot either at the start or end of the film, as they saw fit.
silentlondon.co.uk/2017/04/26/t...
The Great Train Robbery’s parting shot
Jean-Luc Godard felt film-makers should be free to rearrange the beginning, middle and end of their scenarios. In 1903, Edwin S Porter left it to the projectionist. Scene 14 of his The Great Train …
silentlondon.co.uk
November 19, 2025 at 9:14 AM
Genuine hotel corridor carpet I saw in France once. I think it contains the souls of former guests.
November 18, 2025 at 8:05 AM
I saw the same sign once at the entrance to a hockey pitch.
November 17, 2025 at 8:20 AM
Extra Two-rrestrial
November 13, 2025 at 7:51 PM
A local hat shop might be more convenient.
November 13, 2025 at 12:48 PM
"Y'know, the thing about a shark, he's got lifeless eyes, black eyes, like a doll's eyes"
November 12, 2025 at 4:03 PM
Wow, that's *very* BoC, isn't it? Nice though.
November 12, 2025 at 1:22 PM
I think some of Fanning's banter was trying a bit too hard, but mostly I had a lot of fun. Cool fight scenes and seamless effects. And a surprisingly expressive performance by the Predator.
November 11, 2025 at 6:30 PM
Where can I buy?
November 11, 2025 at 10:59 AM
I hate the word iconic too, but I can think of a couple of counter examples to your second point.
November 10, 2025 at 8:30 PM