Tom Spanbauer - In the City of Shy Hunters
Tom Spanbauer - In the City of Shy Hunters
UNPACK CONCEPTUAL LANGUAGE – Most often Latinate language and adverbs, it can be UNPACKED into simpler, more anglo-saxon language. Doing so will collapse that distance CONCEPTUAL LANGUAGE places between the readers and the page.
UNPACK CONCEPTUAL LANGUAGE – Most often Latinate language and adverbs, it can be UNPACKED into simpler, more anglo-saxon language. Doing so will collapse that distance CONCEPTUAL LANGUAGE places between the readers and the page.
CONCEPTUAL LANGUAGE - Language that is of the mind rather than of the body. Language that describes without giving a picture of the physical world.
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CONCEPTUAL LANGUAGE - Language that is of the mind rather than of the body. Language that describes without giving a picture of the physical world.
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ON THE BODY (OTB) – Giving your characters a physical presence on the page, including their perception of the physical presence of other characters. May be done through gesture, posture, sensory detail, or other inventions of the writer.
ON THE BODY (OTB) – Giving your characters a physical presence on the page, including their perception of the physical presence of other characters. May be done through gesture, posture, sensory detail, or other inventions of the writer.
HORSES – Lietmotivs or repeated elements which pull the reader through the story. They may be variations on a theme, objects, related images, or any repetitive element.
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HORSES – Lietmotivs or repeated elements which pull the reader through the story. They may be variations on a theme, objects, related images, or any repetitive element.
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