Ryoko Hakubii
@ryokohakubii.bsky.social
Space pirate, historian, museum studies, VRC.
The Lowrider of course being in part a response to exclusionary practices in art and museum spaces common at the time (and arguably today). A moving canvas.
The last image (1983) is by Gilbert Luján one of my favorite examples of this subject matter.
The last image (1983) is by Gilbert Luján one of my favorite examples of this subject matter.
November 5, 2025 at 10:54 PM
The Lowrider of course being in part a response to exclusionary practices in art and museum spaces common at the time (and arguably today). A moving canvas.
The last image (1983) is by Gilbert Luján one of my favorite examples of this subject matter.
The last image (1983) is by Gilbert Luján one of my favorite examples of this subject matter.
From the New Mexico Museum of Art in Santa Fe.
I felt it (despite Baumann not being a Latine artist) indirectly complements the visual narrative aesthetic of "returning to Aztlán" that is expressed on some Lowrider artistic compositions.
I felt it (despite Baumann not being a Latine artist) indirectly complements the visual narrative aesthetic of "returning to Aztlán" that is expressed on some Lowrider artistic compositions.
November 5, 2025 at 10:53 PM
From the New Mexico Museum of Art in Santa Fe.
I felt it (despite Baumann not being a Latine artist) indirectly complements the visual narrative aesthetic of "returning to Aztlán" that is expressed on some Lowrider artistic compositions.
I felt it (despite Baumann not being a Latine artist) indirectly complements the visual narrative aesthetic of "returning to Aztlán" that is expressed on some Lowrider artistic compositions.