Jonathan Bailey

The oner is effective when there’s a ton of highly choreographed activity moving in and out of the frame. In Adolescence, you’re watching some grim cop refill their coffee and then walk down a drab hallway to their desk. It saps the tension rather than creating it.

I saw it in a theater and I wouldn’t call myself a hater but I didn’t like it much.

I knew for sure the architecture critics and architects would hate it!

Losing my mind at this exchange

People are being awfully quick to judge on this one.

It’s listed at the Common exclusively for now (with a prerecorded cast Q&A for some reason)?

“Dry January,” or how to market your $14 mocktail menu to people who can’t go to sleep without gummies