Robert James Sutton
@robertjamessutton.bsky.social
Art historian: postwar British modernism & public art. Research Associate at the Patrick Heron Trust.
robertjamessutton at gmail dot com
he/him
robertjamessutton at gmail dot com
he/him
Just six short years after contributing to the conference that preceded this special collection, I'm very happy to finally see my ideas on Moore's Family Group in print via @openlibhums.bsky.social
olh.openlibhums.org/article/id/1...
olh.openlibhums.org/article/id/1...
Henry Moore: Neo-Working-Classicist
With his Family Group of 1948–49, Henry Moore seemed to have reneged upon his early-career commitment to modernist experimentation, pivoting towards a more representational style for this large ...
olh.openlibhums.org
May 23, 2024 at 11:50 AM
Just six short years after contributing to the conference that preceded this special collection, I'm very happy to finally see my ideas on Moore's Family Group in print via @openlibhums.bsky.social
olh.openlibhums.org/article/id/1...
olh.openlibhums.org/article/id/1...
I also saw a load of war memorials. Too many for one day really, and collectively they left me pretty raw. The Käthe Kollwitz at the Neue Wache was the one that will probably stay with me longest, although perhaps in good part as a result of the extraordinary light during my visit.
January 21, 2024 at 10:53 AM
I also saw a load of war memorials. Too many for one day really, and collectively they left me pretty raw. The Käthe Kollwitz at the Neue Wache was the one that will probably stay with me longest, although perhaps in good part as a result of the extraordinary light during my visit.
The expo of Peter Peri’s work soon to end at Kunsthaus Dahlem is an absolute revelation. So glad to have made it Berlin to see it despite the insanity of attempting a day return in mid-winter. Peri’s explorations of sculptural space and form are so much more interesting than he is given credit for.
January 21, 2024 at 10:48 AM
The expo of Peter Peri’s work soon to end at Kunsthaus Dahlem is an absolute revelation. So glad to have made it Berlin to see it despite the insanity of attempting a day return in mid-winter. Peri’s explorations of sculptural space and form are so much more interesting than he is given credit for.