Have a very vague memory of Junior Vasquez playing this at Sound Factory and a man and woman in Spanish flamenco-ish outfits appearing seemingly out of nowhere and people clearing space on the floor for them to dance together. But after all these years can't guarantee it wasn't a hallucination.

So much for all that "land of the free" stuff.

And one of 80s pop's mysterious disappearing acts, the other that comes to mind is John Wilson of Heaven 17.

It's odd that he was onstage playing keyboard/sampler (including the Lee Perry vocal snippets) but is omitted from the LP credits. When I listen now, strikes me that some of the noises may have been a little irritating :)

My proudest crap claim to fame is that some of the odd synth sound effects on Dub Syndicate Live at the Town & Country are the product of me staying up all night getting stoned and programming/sampling noises from Dave Harrow's Sequential Circuits Pro One. I was made up that he used some.

Only just saw it myself, got completely immersed and loved it. There's an aspect of the ending that may divide opinion, but I don't think it's intended to be taken literally.

Love the part around 41 mins in where Grandmaster Caz describes the power going out during a street party and mimics the effect it had on the record playing.

Second vote for Keith LeBlanc, King of the Beat.

Saw one of his solo shows with the @onusound.bsky.social system and Adrian Sherwood on the mixing desk at a pub venue in Islington mid-80s, extraordinary.