The announcement recognizes BEITC’s groundbreaking leadership in Indigenous stewardship, Inter-Tribal governance and the collaborative management of Bears Ears National Monument.

His work in horror comes straight from his Kiowa roots, his childhood, and every night spent under Oklahoma skies where something might be moving in the treeline.

We talked about carrying the storytelling torch, making Indigenous horror with no budget, and sheer grit.

The exhibit runs through January 14, 2026, and features five large portraits placed at both ends of Quincy Market, greeting visitors as they enter and leave one of Boston’s most visited historic sites.

On November 15, 2025, the Boston Mayor’s Office of Arts and Culture and Faneuil Hall Marketplace opened Ways of My Ancestors – Imagery: Lighting the Path to Awareness, a photography series by Hassanamisco Nipmuc artist Scott Strong Hawk Foster.

The three Native culture bearers and artists have each curated a section of the exhibition, framing works from the Autry’s collection that originated within their respective communities within one of the three concepts at the heart of the exhibition.

His work in horror comes straight from his Kiowa roots, his childhood, and every night spent under Oklahoma skies where something might be moving in the treeline.

We talked about carrying the storytelling torch, making Indigenous horror with no budget, and sheer grit.

Every gathering, dish, and story is approached with the understanding that food holds the power to teach, heal, and reconnect us to ourselves and our cultures.

Hosted by award-winning chef Pyet DeSpain, a citizen of the Prairie Band Potawatomi Nation and of Mexican heritage, Spirit Plate follows her travels across Native lands, gathering with elders, home cooks, and knowledge holders keeping culture alive through food.

It’s about the stories and relationships that emerge from the meals we share and the cultural knowledge passed on from generation to generation with every bite.

In this interview, Summer talks about responsibility, protection, and the importance of carrying our teachings forward with care.

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In this interview, Daryl Begaye discusses the people and places that inspire him, the shifts he observes in contemporary Native art, and why he believes in creating on his own terms.

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Rachel Beaulieu is actively involved in mentoring and supporting Indigenous filmmakers, serving as an advisor to the Winnipeg Indigenous Filmmakers Collective, and having recently been elected to the Board of Directors for On Screen Manitoba.

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Mike J. Marin has built his career on turning shadows into stories. His work challenges the boundaries of horror and proves that Native filmmaking can be as original, daring, and unsettling as anything else on the screen.

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