Benjamin Hendricks
@recapitations.bsky.social
Visual Effects Supervisor at Sony Imageworks. VFX Supe on Kpop: Demon Hunters, etc on Ghostbusters 2024, Spider-verses, Sea Beast, Vivo, Mulan.
I’m not talking de-aging stuff. This is basic “lighting conditions don’t match between the two source photos”. Don’t make some poor Comper or intern try to fix your laziness. If you’re going to feature this photo, go shoot it!
February 1, 2025 at 2:47 AM
I’m not talking de-aging stuff. This is basic “lighting conditions don’t match between the two source photos”. Don’t make some poor Comper or intern try to fix your laziness. If you’re going to feature this photo, go shoot it!
Reposted by Benjamin Hendricks
The same angle repeats later in the sequence, again to clearly establish the geography and the relationships between the characters. This is how directors like Spielberg help the audience understand the action and never get spatially confused.
January 11, 2025 at 11:19 PM
The same angle repeats later in the sequence, again to clearly establish the geography and the relationships between the characters. This is how directors like Spielberg help the audience understand the action and never get spatially confused.
Reposted by Benjamin Hendricks
With this blocking, Spielberg quickly sets up the geography of the scene, the physical goals of the characters, and even allows for full-body physical comedy to happen within the frame. Other directors would shoot this scene as a wide+closeups, then intercut “to increase tension”.
January 11, 2025 at 11:17 PM
With this blocking, Spielberg quickly sets up the geography of the scene, the physical goals of the characters, and even allows for full-body physical comedy to happen within the frame. Other directors would shoot this scene as a wide+closeups, then intercut “to increase tension”.