First Steamboat on the Clyde
John Knox
c1820; oil on canvas
From Dalnottar Hill we see Henry Bell’s ‘Comet’ steaming down the Clyde, passing the Kilpatrick Hills. The distant mountains form part of the Argyll Highlands.
@artukdotorg.bsky.social Glasgow Museums
First Steamboat on the Clyde
John Knox
c1820; oil on canvas
From Dalnottar Hill we see Henry Bell’s ‘Comet’ steaming down the Clyde, passing the Kilpatrick Hills. The distant mountains form part of the Argyll Highlands.
@artukdotorg.bsky.social Glasgow Museums
Head of the Holy Loch
George Henry
1882; oil on canvas
Swooping seagulls form the focal point in the centre of this expansive view of the Holy Loch, a sea loch in Argyll and Bute.
@artukdotorg.bsky.social GlasgowMuseums, Kelvingrove Art Gallery & Museum
Head of the Holy Loch
George Henry
1882; oil on canvas
Swooping seagulls form the focal point in the centre of this expansive view of the Holy Loch, a sea loch in Argyll and Bute.
@artukdotorg.bsky.social GlasgowMuseums, Kelvingrove Art Gallery & Museum
Skaters on a Frozen River
Pieter Bout (after)
c1671-180; oil on copper
Memories of winter cold ❄️ 🥶 Keeping warm and having fun by sledging and skating. Centre front, the curlers are busy!
@artukdotorg.bsky.social
Glasgow Museums
Skaters on a Frozen River
Pieter Bout (after)
c1671-180; oil on copper
Memories of winter cold ❄️ 🥶 Keeping warm and having fun by sledging and skating. Centre front, the curlers are busy!
@artukdotorg.bsky.social
Glasgow Museums
#FabulousFashion
The height of toddler fashion in 1871! Wonderful Parisian tartan style silk dress, worn by Charles Louis Spencer (1870–1948), age one. The Spencers lived at 165 Hill Street, Garnethill, Glasgow.
@artukdotorg.bsky.social Glasgow Museums
#FabulousFashion
The height of toddler fashion in 1871! Wonderful Parisian tartan style silk dress, worn by Charles Louis Spencer (1870–1948), age one. The Spencers lived at 165 Hill Street, Garnethill, Glasgow.
@artukdotorg.bsky.social Glasgow Museums
Virgin and Child
Southern Netherlands, now Belgium
c1510; wood, ground, polychromy, gilding, gemstones
Sweet statuettes like this were a speciailty of the workshops of Mechelen/Malines.
@artukdotorg.bsky.social
GlasgowMuseums, Burrell Collection
Virgin and Child
Southern Netherlands, now Belgium
c1510; wood, ground, polychromy, gilding, gemstones
Sweet statuettes like this were a speciailty of the workshops of Mechelen/Malines.
@artukdotorg.bsky.social
GlasgowMuseums, Burrell Collection
Sunset, Herblay, Opus 206
Paul Signac
1889; oil on canvas
Using the complementary colours blue and orange, Signac captures the soft, gentle glow of sunset light at Herblay, a village on the river Seine.
@artukdotorg.bsky.social Glasgow Museums
Sunset, Herblay, Opus 206
Paul Signac
1889; oil on canvas
Using the complementary colours blue and orange, Signac captures the soft, gentle glow of sunset light at Herblay, a village on the river Seine.
@artukdotorg.bsky.social Glasgow Museums
The Blute-Fin Windmill, Montmartre
Vincent van Gogh
1886; oil on canvas
Two windmills in one scene - the Moulin à Poivre is on the left horizon. The Blute-Fin windmill offered amazing views of Paris.
@artukdotorg.bsky.social
Glasgow Museums; Kelvingrove
The Blute-Fin Windmill, Montmartre
Vincent van Gogh
1886; oil on canvas
Two windmills in one scene - the Moulin à Poivre is on the left horizon. The Blute-Fin windmill offered amazing views of Paris.
@artukdotorg.bsky.social
Glasgow Museums; Kelvingrove
Owl and Bees
Joseph Crawhall
c1900-1904; watercolour & bodycolour on linen
Two creatures we don't expect to see together. If you have an owl box you'll know bees love hives in owl nests! 🐝🐝🐝🦉
@artukdotorg.bsky.social
Glasgow Museums, Burrell Collection
Owl and Bees
Joseph Crawhall
c1900-1904; watercolour & bodycolour on linen
Two creatures we don't expect to see together. If you have an owl box you'll know bees love hives in owl nests! 🐝🐝🐝🦉
@artukdotorg.bsky.social
Glasgow Museums, Burrell Collection
#Spring 🌱
Spring Flowers
Ignace Henri Jean Théodore Fantin-Latour
1878; oil on canvas
Whistler on Fantin Latour -
"... grace is wedded to dignity, how strength enhances sweetness, that elegance shall be the result."
@artukdotorg.bsky.social
Glasgow Museums, Burrell Collection
#Spring 🌱
Spring Flowers
Ignace Henri Jean Théodore Fantin-Latour
1878; oil on canvas
Whistler on Fantin Latour -
"... grace is wedded to dignity, how strength enhances sweetness, that elegance shall be the result."
@artukdotorg.bsky.social
Glasgow Museums, Burrell Collection
#WomensHistoryMonth
L'implorante
Camille Claudel
c1898; bronze
The inspiration for this affecting sculpture was intensely personal to the sculptor, Camille Claudel.
@artukdotorg.bsky.social
GlasgowMuseums, Burrell Collection
#WomensHistoryMonth
L'implorante
Camille Claudel
c1898; bronze
The inspiration for this affecting sculpture was intensely personal to the sculptor, Camille Claudel.
@artukdotorg.bsky.social
GlasgowMuseums, Burrell Collection
The Clouded Moon
Julius Olsson
c1910; oil on canvas
Moonlight partially obscured by clouds casts its dappled light over sea and waves to create glorious sparkling and rippling colours.
@artukdotorg.bsky.social
Glasgow Museums
The Clouded Moon
Julius Olsson
c1910; oil on canvas
Moonlight partially obscured by clouds casts its dappled light over sea and waves to create glorious sparkling and rippling colours.
@artukdotorg.bsky.social
Glasgow Museums
Bannockburn
John Hassall
1914-15; oil on canvas
Warriors for Robert the Bruce, King of Scots, pray before battling the army of King Edward II of England. Stirling Castle looms in the distance.
@artukdotorg.bsky.social
Glasgow Museums
Bannockburn
John Hassall
1914-15; oil on canvas
Warriors for Robert the Bruce, King of Scots, pray before battling the army of King Edward II of England. Stirling Castle looms in the distance.
@artukdotorg.bsky.social
Glasgow Museums
#fashion 📸
A Lady
Andrew Geddes
c1818; oil on canvas
Looking very fine in her white cotton Pelisse dress and a cap beneath her leghorn straw bonnet, this lady - identity unknown - holds us in her steady gaze.
@artukdotorg.bsky.social
GlasgowMuseums
#fashion 📸
A Lady
Andrew Geddes
c1818; oil on canvas
Looking very fine in her white cotton Pelisse dress and a cap beneath her leghorn straw bonnet, this lady - identity unknown - holds us in her steady gaze.
@artukdotorg.bsky.social
GlasgowMuseums
#Valentines & Palentines 💞
Mirror case; valve de miroir
"Attack on the Castle of Love"
French, c1340; ivory, gilt
Rich with imagery of courtship, love, sexual desire! Atop is the God of Love & heart piercing arrow💘
@artukdotorg.bsky.social
GlasgowMuseums, Burrell Collection
#Valentines & Palentines 💞
Mirror case; valve de miroir
"Attack on the Castle of Love"
French, c1340; ivory, gilt
Rich with imagery of courtship, love, sexual desire! Atop is the God of Love & heart piercing arrow💘
@artukdotorg.bsky.social
GlasgowMuseums, Burrell Collection
Collar
Jessie Newbery
c1900; linen, silk, glass
Jessie Rowat Newbery was the creative driving force behind the establishment, in 1900, of the renowned Embroidery Department at the Glasgow School of Art.
@artukdotorg.bsky.social
GlasgowMuseums
Collar
Jessie Newbery
c1900; linen, silk, glass
Jessie Rowat Newbery was the creative driving force behind the establishment, in 1900, of the renowned Embroidery Department at the Glasgow School of Art.
@artukdotorg.bsky.social
GlasgowMuseums
interiors & the home
Interior, The White Sofa
Francis Campbell Boileau Cadell
c1930
oil on board
Two interiors in one! Cadell’s ‘The Red Chair’ - c1922 - is on the floor, leaning against the wall behind the arm of the white sofa.
@artukdotorg.bsky.social
GlasgowMuseums
interiors & the home
Interior, The White Sofa
Francis Campbell Boileau Cadell
c1930
oil on board
Two interiors in one! Cadell’s ‘The Red Chair’ - c1922 - is on the floor, leaning against the wall behind the arm of the white sofa.
@artukdotorg.bsky.social
GlasgowMuseums
celebrating 20c women artists
'Honesty Mirror'
Frances Macdonald
c1896; beaten tin, wood, glass
This extraordinary mirror never lies, ever! 🪞
@artukdotorg.bsky.social GlasgowMuseums Kelvingrove Art Gallery & Museum
celebrating 20c women artists
'Honesty Mirror'
Frances Macdonald
c1896; beaten tin, wood, glass
This extraordinary mirror never lies, ever! 🪞
@artukdotorg.bsky.social GlasgowMuseums Kelvingrove Art Gallery & Museum
"Steamer 'Swift' at Port Dundas"
David Small
1870; watercolour on paper and card
This little steamer worked the Forth & Clyde Canal. Its prow was fitted with a sharp iron scroll to slice through towing rope obstructions!
@artukdotorg.bsky.social Glasgow Museums
"Steamer 'Swift' at Port Dundas"
David Small
1870; watercolour on paper and card
This little steamer worked the Forth & Clyde Canal. Its prow was fitted with a sharp iron scroll to slice through towing rope obstructions!
@artukdotorg.bsky.social Glasgow Museums
🎄🌟🎄⭐🎄✨🎄🪽
Christmas and New Year of 1931
Jessie Marion King
1931; lithograph, watercolour, paper
Angelic season's greetings from the Taylors - Jessie Marion King and Ernest Archibald Taylor 💞🌟🎄
@artukdotorg.bsky.social
GlasgowMuseums
🎄🌟🎄⭐🎄✨🎄🪽
Christmas and New Year of 1931
Jessie Marion King
1931; lithograph, watercolour, paper
Angelic season's greetings from the Taylors - Jessie Marion King and Ernest Archibald Taylor 💞🌟🎄
@artukdotorg.bsky.social
GlasgowMuseums
#Journeys
@artukdotorg.bsky.social
Broadford Pier, Skye
Muirhead Bone
c.1928-1929; oil on canvas
Glasgow Museums
This rare oil by Bone depicts the paddle steamer 'Glencoe' heading out on its daily journey from Portree via Raasay, Broadford and Kyle of Lochalsh to Mallaig.
#Journeys
@artukdotorg.bsky.social
Broadford Pier, Skye
Muirhead Bone
c.1928-1929; oil on canvas
Glasgow Museums
This rare oil by Bone depicts the paddle steamer 'Glencoe' heading out on its daily journey from Portree via Raasay, Broadford and Kyle of Lochalsh to Mallaig.