Lightnews — Scholar-powered news

Christine Druid

@puckgoddess.bsky.social

October 19, 2025 at 6:57 PM

Christine Druid

@puckgoddess.bsky.social

A customer review mentions a Mary Moriarty

October 19, 2025 at 6:56 PM

Christine Druid

@puckgoddess.bsky.social

Pretty sure she works here: that sure looks
Like her in the back, middle, and a customer review from 2020 mentions a Mary Moriarty.

October 19, 2025 at 6:55 PM

Christine Druid

@puckgoddess.bsky.social

September 4, 2025 at 10:19 PM

Christine Druid

@puckgoddess.bsky.social

This helps

September 4, 2025 at 10:18 PM

Christine Druid

@puckgoddess.bsky.social

Thank you, @propublica.org for the unintended humor I read in my inbox. 🤣 please expand the image. My inner child is SCREAMING.

The image is a screenshot of a condensed email sent by ProPublica, and amazing news organization. The two headlines appeared to the viewer to read “Elon’s Pitch to build….” Followed by the next headline, “the leader of Trump’s ass….” So read together they read Elon’s pitch to build the leader of Trump’s ass. It’s childishly amusing.

August 28, 2025 at 7:04 PM

Christine Druid

@puckgoddess.bsky.social

It’s all how it’s framed and who has the longest reach.

June 11, 2025 at 2:49 PM

Christine Druid

@puckgoddess.bsky.social

To be clear: this person and those who think like she owes the world:

May 31, 2025 at 7:37 PM

Christine Druid

@puckgoddess.bsky.social

There is no difference between them.

February 16, 2025 at 2:07 PM

Christine Druid

@puckgoddess.bsky.social

A striking stage performance featuring Kendrick Lamar, who stands at the center of a grand, multi-level platform surrounded by a formation of dancers dressed in symbolic red, white, and blue outfits. The performers are arranged in a meticulously choreographed pattern, bowing in unison, visually representing the American flag. This imagery suggests themes of national identity, conformity, power structures, and protest. Given Kendrick Lamar’s history of politically and socially conscious performances, the scene likely conveys a deeper message about America, systemic issues, and revolution.

The dramatic lighting and fog enhance the intensity of the moment, making the performance feel almost cinematic. Above the scene, bold white text reads, “The revolution is about to be televised, you picked the right time, but the wrong guy,” attributed to Kendrick Lamar. This statement alludes to themes of change, resistance, and perhaps a critique of misplaced leadership or false prophets in social movements. The performance, both visually and thematically, serves as a powerful artistic statement about the ongoing fight for justice and the complexities of revolution in modern society.

February 10, 2025 at 8:51 PM

Christine Druid

@puckgoddess.bsky.social

Choose 20 albums that have stayed with you or influenced you. One album per day for 20 days, in no particular order. No explanations, no reviews, just covers.
#musicsky
#musicchallenge
#20albums20days

12/20

The album art for Kenny Loggins’ Return to Pooh Corner radiates nostalgia and warmth, as if drawn from the pages of a beloved storybook. A tranquil woodland scene takes center stage, bathed in the soft glow of twilight. Towering trees with sprawling branches form a gentle canopy, their leaves kissed by golden light. Nestled among the roots, a whimsical scene unfolds: a small, childlike figure sits cross-legged, cradling a guitar, as though serenading the forest creatures gathered around in hushed attention. A plush bear, unmistakably reminiscent of Winnie the Pooh, leans against the figure’s side, a symbol of comfort and timeless friendship.

The atmosphere is dreamlike, with soft pastel hues blending seamlessly—deep greens of the forest floor merging with the pinks and purples of the twilight sky. A river winds through the background, glimmering faintly as it reflects the setting sun. The title “Return to Pooh Corner” is elegantly inscribed in a handwritten, storybook-style font, evoking both the simplicity of childhood and the timelessness of its memories. This art captures the essence of innocence, reflection, and the tender bond between music and childhood wonder.

January 27, 2025 at 5:01 PM

Christine Druid

@puckgoddess.bsky.social

Choose 20 albums that have stayed with you or influenced you. One album per day for 20 days, in no particular order. No explanations, no reviews, just covers.
#musicsky
#musicchallenge
#20albums20days

11/20

$The album cover for Quadrophenia by The Who is an iconic and evocative piece of visual storytelling that perfectly captures the spirit of rebellion, identity, and isolation woven throughout the album. The cover features a moody black-and-white photograph of a young mod named Jimmy Cooper, the protagonist of the album’s narrative. He stands with his back to the camera, clad in a dark parka that’s adorned with patches and a target emblem — a hallmark of the mod subculture. His silhouette is framed by his reflection in the gleaming chrome mirrors of his scooter, which flare out on both sides like wings. The scooter, a Vespa or Lambretta, is a totem of youthful freedom and defiance, its mirrors multiplying endlessly in a hypnotic pattern that suggests fractured identities and perspectives. Behind Jimmy, the scene is drenched in atmosphere. A misty seaside horizon stretches into infinity, evoking the windswept cliffs of Brighton — the battleground of mods and rockers, and a setting central to the album’s themes. The turbulent sea reflects the emotional tempest within Jimmy’s mind, while the grayscale palette emphasizes the stark contrasts of his internal conflict: hope and despair, unity and alienation. The image is simple yet monumental, a timeless symbol of youthful angst and the search for self amidst the crashing waves of societal expectation. It stands as both a reflection of the mod era and a universal meditation on the struggle for identity, making it as powerful and iconic as the music within.$

January 21, 2025 at 8:14 PM

Christine Druid

@puckgoddess.bsky.social

Choose 20 albums that have stayed with you or influenced you. One album per day for 20 days, in no particular order. No explanations, no reviews, just covers.
#musicsky
#musicchallenge
#20albums20days

10/20

The cover for self-titled album, The Violent Femmes, is a haunting tableau that seems plucked from the hazy edges of a forgotten dream. A young girl stands frozen mid-motion, her small, delicate frame peeking into a dusty, weathered windowpane. Her blonde hair cascades like liquid sunlight, offset by the dark, peeling paint of the wooden frame surrounding her. She presses against the glass, her tiny hands outstretched, her face consumed by curiosity, or perhaps longing, as though she is gazing into a world that is both forbidden and mesmerizing.

The setting is raw, almost ominous, with a worn-out aura that speaks of decay and secrecy. Shadows stretch and intertwine, lending the scene a mysterious stillness. The faded sepia tones of the cover juxtapose innocence and grittiness, perfectly mirroring the themes of vulnerability and angst woven into the album’s tracks. It’s an image that lingers in the mind, as enigmatic and unforgettable as the music it represents—a raw and unfiltered portrait of youthful rebellion and yearning.

January 20, 2025 at 2:07 AM

Christine Druid

@puckgoddess.bsky.social

Choose 20 albums that have stayed with you or influenced you. One album per day for 20 days, in no particular order. No explanations, no reviews, just covers.
#musicsky
#musicchallenge
#20albums20days

9/20

The album cover features the Queen of Disco, Donna Summer, depicted sitting on top of a large, vintage-style radio. The design is playful and creative, aligning with the title “On the Radio”. Donna exudes elegance and charm, wearing a glamorous outfit that reflects the glitz of the disco era. Her pose is confident yet approachable, with her legs crossed and a relaxed expression. The backdrop is a mix of soft, moody colors, creating a dreamy atmosphere. The oversized radio beneath her is a central visual element, emphasizing the theme of music and broadcasting. The album title and her name are prominently displayed, using bold, stylized fonts that capture the energy of the disco period.

January 18, 2025 at 2:13 AM

Christine Druid

@puckgoddess.bsky.social

Choose 20 albums that have stayed with you or influenced you. One album per day for 20 days, in no particular order. No explanations, no reviews, just covers.
#musicsky
#musicchallenge
#20albums20days

8/20

January 15, 2025 at 4:13 PM

Christine Druid

@puckgoddess.bsky.social

Choose 20 albums that have stayed with you or influenced you. One album per day for 20 days, in no particular order. No explanations, no reviews, just covers.
#musicsky
#musicchallenge
#20albums20days

7/20

The original Appetite for Destruction album cover looks like something dreamt up during an all-night fever dream fueled by equal parts tequila, existential dread, and a stack of comic books. Imagine a post-apocalyptic scene where a skeletal robot predator has just been caught red-handed (or red-clawed) committing unspeakable acts of mayhem. A vengeful avenging woman—a cyborg hybrid with a serious vendetta and no time for nonsense—descends upon him, fists clenched and ready to dole out justice. The colors scream “chaos!” with garish reds, yellows, and blues that seem to vibrate off the cover like they’re trying to punch you in the face.

If that wasn’t enough, there’s a warped, graffiti-esque energy to the whole thing that perfectly encapsulates the band’s unhinged ethos: raw, loud, and unapologetically provocative. It’s the kind of cover that makes parents squint and mutter, “What is this?” while their rebellious teenager shouts back, “It’s art, Mom!” A fitting visual prelude to the album’s blistering soundtrack of rock ‘n’ roll destruction.

January 15, 2025 at 12:13 AM

Christine Druid

@puckgoddess.bsky.social

Choose 20 albums that have stayed with you or influenced you. One album per day for 20 days, in no particular order. No explanations, no reviews, just covers.
#musicsky
#musicchallenge
#20albums20days

6/20

The album cover for Duran Duran’s Rio is an iconic piece of art that perfectly captures the vibrant spirit and glamorous energy of the 1980s. Designed by the legendary artist Patrick Nagel, the cover features his signature style: a bold, minimalistic portrait of a woman with smooth, geometric contours and sharp, confident features.

The woman on the cover is stunningly stylized, with her porcelain skin contrasting against a vivid magenta background. Her short, jet-black hair is sleek and windswept, creating a sense of motion and allure. Her lips are painted a deep, sensual red, and her enigmatic smile suggests an air of mystery and sophistication. Her piercing eyes, outlined in bold strokes, seem to draw you into the world of Rio, promising adventure and indulgence.

The dynamic interplay of color—electric purples, tropical blues, and radiant pinks—evokes the essence of a neon-soaked, sunlit paradise. The sharp lines and clean simplicity of the design give it a timeless elegance while radiating the energy of a decade defined by excess, style, and innovation. The title Rio sweeps across the artwork in angular, futuristic lettering, as if to remind you that this isn’t just an album—it’s a journey into a world of rhythm, fashion, and exotic fantasy.

It’s a masterpiece of visual and cultural storytelling, encapsulating the very essence of Duran Duran’s sound: sleek, sexy, and unforgettable.

January 13, 2025 at 3:36 PM

Christine Druid

@puckgoddess.bsky.social

Choose 20 albums that have stayed with you or influenced you. One album per day for 20 days, in no particular order. No explanations, no reviews, just covers.
#musicsky
#musicchallenge
#20albums20days

A surreal, dreamlike composition bathed in ethereal hues of deep indigo, muted purples, and icy greens. The cover evokes a sense of melancholy and mystery, with blurred floral motifs floating like ghosts in a dark void. The fragmented, almost decaying imagery echoes themes of fragility and emotional dissolution, while Robert Smith’s cryptic gaze fades into the texture, adding an enigmatic human presence. The hazy typography in delicate white stands stark yet harmonious, as if whispering secrets of love and loss.

January 12, 2025 at 6:58 PM

Christine Druid

@puckgoddess.bsky.social

Choose 20 albums that have stayed with you or influenced you. One album per day for 20 days, in no particular order. No explanations, no reviews, just covers.
#musicsky
#musicchallenge
#20albums20days

4/20

Little Oblivions by Julien Baker is a raw, unflinching masterpiece that delves into the deepest recesses of human vulnerability. Released in 2021, this album marks a seismic shift in Baker’s sound, expanding her signature minimalism into a lush, layered sonic landscape. Guitars crash, drums thunder, and synths pulse, creating a turbulent backdrop for her soul-baring lyricism.

At its core, Little Oblivions is an intimate exploration of self-destruction, addiction, and redemption. Baker’s lyrics are both poetic and piercing, weaving vivid narratives of longing and despair that refuse to shy away from the hardest truths. Tracks like “Faith Healer” and “Hardline” explode with emotional intensity, while moments like “Song in E” strip everything back to expose haunting stillness.

What makes this record truly epic is its paradoxical nature: it feels both enormous and deeply personal. Julien Baker’s voice—aching and resolute—cuts through the sprawling instrumentation, grounding the album in an authenticity that resonates with anyone who has grappled with their own demons. Little Oblivions is not just an album; it’s a cathartic journey, a declaration of resilience in the face of pain, and a testament to Baker’s unparalleled artistry.

January 12, 2025 at 12:56 AM

Christine Druid

@puckgoddess.bsky.social

Choose 20 albums that have stayed with you or influenced you. One album per day for 20 days, in no particular order. No explanations, no reviews, just covers.
#musicsky #musicchallenge
#20albums20days

3/20

Fleetwood Mac’s Rumours album cover is a masterpiece of dramatic minimalism, as if someone handed a Renaissance fair a black-and-white camera and said, “Make it modern.” Stevie Nicks, channeling a gothic fortune teller, drapes herself in a flowing shawl, looking both mystical and vaguely annoyed at the inconvenience of standing still. Mick Fleetwood, meanwhile, looms nearby, dressed like a pirate who just discovered leather pants and decided they were his entire personality.

The pièce de résistance? Two dangling wooden balls hanging conspicuously from Mick’s waist, because nothing screams “multi-platinum breakup album” like a pair of decorative baubles. The whole scene is drenched in an unspoken tension, as if everyone knows they’re about to air their dirtiest laundry in perfect harmony. The empty space around them is as vast as the emotional chasms the band members had to navigate—and, of course, the backdrop is the color of unresolved arguments. It’s iconic, it’s weirdly theatrical, and it’s the most melodramatic invitation to a musical therapy session you’ll ever see.

January 10, 2025 at 3:48 PM

Christine Druid

@puckgoddess.bsky.social

Choose 20 albums that have stayed with you or influenced you. One album per day for 20 days, in no particular order. No explanations, no reviews, just covers.
#musicsky
#musicchallenge
#20albums20days

2/20

The image depicts the album cover for “The Best of Earth, Wind, and Fire, Vol 1”

January 10, 2025 at 4:53 AM

Christine Druid

@puckgoddess.bsky.social

Choose 20 albums that have stayed with you or influenced you. One album per day for 20 days, in no particular order. No explanations, no reviews, just covers.
#musicsky
#musicchallenge
#20albums20days

1/20