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The photos of those Haitian refugees was his first big break, as they earned him the Robert Capa Gold Medal award, which catapulted his career. But at the moment he took the images, he and the other men on the boat thought they were going to die.

He had this to say about the experience:
Excerpt from Magnum. The text is by Anderson: "“A couple of days into our journey, the boat began to sink. We were doomed and we knew it. We started saying goodbye to one another. Strangely, it was quite calm on the boat. There was not much to do except resign oneself to the inevitability of it all. Up to that point, I had not taken many pictures. Everyone on the boat knew I was a photographer, but it somehow had not felt right. It’s difficult to explain. But as the boat sank, David, the Haitian whom I had followed on this journey, said to me, ‘Chris, you’d better start making pictures. We only have an hour to live.’ And so, without much thought, I began making pictures. We were saved at the last moment by a US coast guard cutter that happened upon us, but that’s another story. Much later on, back home safe, I reflected on this question: why make pictures that no one will ever see? The only explanation for me was that the act of photographing had more to do with the explaining of the world to myself than explaining something to someone else. The pictures were about communicating something about my experience, not about reporting literal information. This would be the single most transformative moment of my photographic life.”"
December 18, 2025 at 2:43 AM