Reposted by Priya Elan
"BREAKING GLASS always makes me fake nostalgic for a particular vision of London. In its ghoulish, pre-gentrified state, late-70s London becomes its own grizzled, peeling-at-the-edges character." @priyaelan.bsky.social for @theguardian.com. tinyurl.com/3t5h3b8k
‘A blast of gritty, unvarnished relief’: why Breaking Glass is my feelgood movie
The latest in our ongoing series of writers highlighting their most rewatched comfort movies is a trip back to 1980s London and the predatory music industry
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November 18, 2025 at 5:34 PM
"BREAKING GLASS always makes me fake nostalgic for a particular vision of London. In its ghoulish, pre-gentrified state, late-70s London becomes its own grizzled, peeling-at-the-edges character." @priyaelan.bsky.social for @theguardian.com. tinyurl.com/3t5h3b8k
I wrote about Looking For Mr Goodbar and the wonder of Diane Keaton for @theguardian.com www.theguardian.com/film/2025/oc...
‘The most spontaneous person I’ve ever met’: Guardian writers remember Diane Keaton
From Annie Hall to The First Wives Club, Keaton’s performances redefined what it meant to be funny, stylish and unapologetically oneself. Our writers pay tribute to a one-off star who made eccentricit...
www.theguardian.com
October 13, 2025 at 1:46 PM
I wrote about Looking For Mr Goodbar and the wonder of Diane Keaton for @theguardian.com www.theguardian.com/film/2025/oc...
I wrote about Basquiat for @theguardian.com www.theguardian.com/artanddesign...
Bath mats, candles and underpants: would Basquiat have loved or hated all the merch?
New book The Making of an Icon examines artist whose works have become almost ubiquitous
www.theguardian.com
October 11, 2025 at 3:08 PM
I wrote about Basquiat for @theguardian.com www.theguardian.com/artanddesign...