En realidad el pobre estaba intentando hacer una referencia a un clásico de los 80, panda de hinkultos:

www.youtube.com/watch?v=Mnil...

...I've read this sentence four times and I'm still not 100% sure I understand the situation described.

A mí "Extraños Eones" de Emilio Bueso me gustó bastante.

adjudicados a la señorita punqi de la 223.

@dandastur.bsky.social @andresito.bsky.social vosotros que conocéis más gente que le van lo de los jueguicos, igual sabéis de alguien al que le interese (o bueno, igual por si os habían llamado la atención de antes a vosotros)

"políticamente incorecto" 🤦‍♂️

Ohhh, I didn't realize Phenomeman was played by the one and only Grog Strongjaw!

The Phenomeman ad at the beginning of episode 2 is bloody hilarious.

al final del día son absolutamente inútiles.

Ese es mi "problema" con safety tools, reglamentos GMless y sesiones cero: que su uso siempre se puede pervertir por mesas cabronías y usuarios a mala fe. Si no se parte de una comunicación sana y de una mentalidad sólidad de que aquí estamos porque queremos y no le debemos nuestra presencia a nadie

Knew it! His style is sort of unmistakable, isn't it?

Albert Pyun?

you know, I used to believe that old saying, "there are things money can't buy" was kinda bullshit, until I saw this guy. He *obviosuly* wishes to be loved and admired *so hard*, and he believes if he has *enough* millions he will get it, but he's unaware it just simply... doesn't work that way.

Above all, it feels *real*, not something concocted to satisfy the four quadrants in a marketing committee.

This also expresses in words why I like writers like Clive Barker or Gretchen Felker-Martin. In their books, queer desire is never commercialized; it can be wild, obsesssive, ugly, uplifting, transforming, raw, flithy, and many other things. It can be uncomfortable to read, but always fascinating.