Phil Hoad
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phlode.bsky.social
Phil Hoad
@phlode.bsky.social
Reporter, features writer and critic based in Montpellier, France.
If nothing else, ONE BATTLE AFTER ANOTHER confirms Leo as the great dressing-gown actor of our times
September 29, 2025 at 8:18 AM
I'm serialising my non-fiction book about a great Hollywood rivalry, BEEF: SCHWARZENEGGER v STALLONE, here: beef-schwarzenegger-v-stallone.ghost.io.

A true story of biceps, bulging paychecks and insanely toxic masculinity.

Please consider becoming a paid subscriber so I can get to finish it
July 29, 2025 at 3:54 PM
This observation of Jen Lynch's about her dad hit a chord
April 18, 2025 at 1:46 PM
Is Ubisoft being French the reason why the apple of Eden looks like a pétanque ball in the ASSASSIN'S CREED movie ?
April 7, 2025 at 9:40 AM
This is the most perceptive take I've read on the Neil Gaiman affair - and the whole art-by-monsters conundrum
January 16, 2025 at 11:32 AM
What is it with Paul Thomas Anderson and the world of mattress salesmanship?
January 15, 2025 at 10:17 AM
Found a copy of Marcel Carné's HOTEL DU NORD on DVD in our holiday home last night. Apparently RATATOUILLE's Anton Ego was modelled on Louis Jouvet
December 26, 2024 at 4:29 PM
Tom Cruise beat Timothy Chalamet to the punch, in VANILLA SKY, on the Dylan front
December 9, 2024 at 12:39 PM
Mopping up some unseen Claire Denis. S'EN FOUT LA MORT is like a cockfighting MEAN STREETS. Alex Descas is incredible in his final scene. And it has the coolest poster
November 17, 2024 at 8:35 AM
Never would have guessed this (from Ridley Scott)
November 7, 2024 at 2:56 PM
Not sure if ASTEROID CITY is borderline experimental, or a bit of a stilted mess. But I did dig Jason Schwartzman's Kubrick impression
October 15, 2024 at 9:00 AM
Paid homage to "Queen of Swords" Cheng Pei-pei, and her fabulous array of hats bit.ly/3ydCxpn
August 2, 2024 at 7:57 AM
So how come Paul Thomas Anderson didn't get hauled over the coals for this pothead heresy?
July 31, 2024 at 8:32 AM
DVD Deep Cut #8 - UNITED 93 (2006): A masterclass in how to build a coherent narrative through experiential fragments. But some questions to be asked - cf the Haneke/Holocaustsploitation qualms - what the narrative beats are seeking to do
June 11, 2024 at 8:09 AM
DVD Deep Cut #7 - TRUE GRIT (1969): Never seen the Coens version, which I will remedy. But I dug this one, thought it had an excellent start - though it degraded a bit into generic western runaround. Manifestly scripted by a woman (the one-time blacklisted Marguerite Roberts)
March 18, 2024 at 9:04 AM
DVD Deep Cut #6 - 4 (2004): One of my favourite opening shots in cinema (my favourite closing one is BEAU TRAVAIL). A really important film, not only because of the DAU madness Ilya Khrzhanovsky went on to, but also for its brutal, hallucinatory, prophetic statement about Russia
February 20, 2024 at 4:50 PM
DVD Deep Cut #5 - BREAKING NEWS (2004): Great self-reflexive concept - action movie as media display - but heavy-handed in the details. As always with Johnnie To, though, so much surface to admire, like the incredible opening take, and the hilarious lunch interlude
February 1, 2024 at 12:59 PM
DVD Deep Cut #4 - COMING HOME (1978): Finally pushed myself to watch this because of re-reading Easy Riders, Raging Bulls, and what a movie ! Avant-garde editing pushing a communitarian ethic - and beautiful lucid acting, Jon Voight especially
January 23, 2024 at 7:40 PM
DVD Deep Cut #3 - THE EXILES (1961): Pulling an all-nighter with Los Angeles' Native American community. Dreaming and desolation in equal measure, filtering through an inky-black Bunker Hill
January 9, 2024 at 7:46 PM
DVD Deep Cut #2 - COMEDY OF POWER (2006): Chabrol's third to last film. High-powered corporate corruption thriller with all the suspense removed and a smiling cynicism injected in its place. I shouldn't still be amazed at how good Isabelle Huppert is, but I was once again
January 5, 2024 at 5:07 PM