mentioned by name in the Wikipedia article for the sport of tennis itself. I just love how their tunnel vision prevents them from complimenting a player they don't like.

What Wario is to Mario, Nuzzi is to Peach.

Sounds about right (my dad used to work at a company that sold livestock and one of their products was porcine semen).

It's on the Criterion Channel until the end of the month.

Once you believe you have a grasp on it, it catches you by surprise and turns into something different. It draws from the riches of Vertigo and Persona, while also carving the way forward for Mulholland Drive and May December. Shelley Duvall was never better and Spacek shows such a range.

I work in Clinical Data Management and at my previous work a colleague called a trial that lasted for seven years a "cadaver". In my current work I have a trial that started back when I was in high school and whose data was originally sent via a fax. I pray I won't be the one to close it out. 😅

A "producer" is a very spacious term. It can range from someone doing genuine work, essentially running a project's production as a workplace to an acknoledgment that you used to be a star of the previous iteration of the project.

To be fair, in case of issues such as the war in the Ukraine "dangling keys" is probably the best option there is to ensure this conflict does not end with a document that somehow manages to be even worse and short-sighted than the Treaty of Versailles.

I mean, these are VERY solid picks. I was actually thinking not that long ago how much of food staples, such as potatoes or sunflowers, were domesticated first in the Americas.

That man bun is saving him. If he would be listening to Andrew Tate, he'd probably have a skin fade.

from the talkative postman to the newly-minted Polish citizen from Syria and contains plenty of thought-provoking observations on topics ranging from the psychology of Polish racism to why the director, Arjun Talwar, actually decided to stay in Poland. Absolutely worth checking out.

Wilcza street is a great subject - despite being in Warsaw's center it has remained relatively intact following the post-Warsaw Uprising annihilation of the city, so it remembers a lot of the city's history, especially because it is not yet gentrified. The movie is full of memorable characters...,

Wilcza street in central Warsaw with an interlude in Pułtusk, a town to the north of Warsaw, it both documents what does living in modern-day Warsaw feels like, when you move away from the glitz of the new high-rises in Wola, and what it feels like to be "other" in Poland's capital.