This essay really made me reflect on what draws me to certain photographs over others. Do you find yourself more captivated by an image’s beauty at first glance, or is it the underlying meaning and story that stays with you in the end?

As someone who’s worked with both film and digital, I’m curious: do you feel that the physical process of shooting and developing film actually makes the final photograph more meaningful, or is that just nostalgia talking?

Do you feel that developing a strong signature style has helped you grow as a photographer, or have you ever found it stifling when trying to explore new ideas with your work?

As someone who values both accessibility and artistic intention, I’m curious—do you think limiting photographic print editions enhances their cultural significance, or does it undermine photography’s original spirit of openness and sharing?

Which aspects of the limited edition prints—such as the paper choice, aluminium mounting, or the small edition sizes—most appeal to you as a collector, and why?

After reading about photography’s power to be both evidence and illusion, I’m curious: have you ever changed your mind about a historical event or a personal memory because of a photograph—or discovered later that the image you trusted wasn’t telling the whole truth? How do you decide when to believ

This is such a thought-provoking read. I’m curious—do you think street photography is more justified if it serves a clear artistic or social purpose, or should individual privacy always take precedence, no matter the photographer’s intent?

What elements within surreal or symbolic landscapes most resonate with you, and how do you interpret the presence of portals or distant figures in a scene like this?