Let’s move engagement upstream and make it mean something.
Not just for the public, but for the design itself.
Let’s move engagement upstream and make it mean something.
Not just for the public, but for the design itself.
Great designers translate story into place.
Great designers translate story into place.
From the Vietnam Memorial to the High Line, it’s story that turns places into something that matters.
From the Vietnam Memorial to the High Line, it’s story that turns places into something that matters.
It’s beautiful and intuitive.
That’s what public engagement should be—clear, human, accessible.
It’s beautiful and intuitive.
That’s what public engagement should be—clear, human, accessible.
Because space shapes meaning. And meaning comes from the people who live in a space they've made into a place.
Because space shapes meaning. And meaning comes from the people who live in a space they've made into a place.
Instead of performative consultation, let’s root design in something more real: story.
magazine.frontier.is/engaged-by-d...
Instead of performative consultation, let’s root design in something more real: story.
magazine.frontier.is/engaged-by-d...
magazine.frontier.is/im-a-designer/
magazine.frontier.is/im-a-designer/
Not after the deck is done.
Not as an afterthought.
As a way of inventing new futures.
Not after the deck is done.
Not as an afterthought.
As a way of inventing new futures.
He reframed the Golden Globes.
He designed a new context.
Someone said: “He’s just a comedian.”
Both things can be true.
He reframed the Golden Globes.
He designed a new context.
Someone said: “He’s just a comedian.”
Both things can be true.
We ask better questions.
We reframe problems.
We imagine what could be.
We ask better questions.
We reframe problems.
We imagine what could be.
Not decorate.
To define intention.
Not decorate.
To define intention.
Not just polish — but possibility.
Not just aesthetics — but strategy.
Not just polish — but possibility.
Not just aesthetics — but strategy.