Outland Art
@outland.bsky.social
Outland is a platform dedicated to fostering critical conversations around emerging digital technologies and their connections to contemporary art.
“Dorian Generatives (Lime),” 2020
by ROBNESS. In the collection of the Centre Pompidou.
outland.art/centre-pompi...
by ROBNESS. In the collection of the Centre Pompidou.
outland.art/centre-pompi...
April 10, 2024 at 4:45 PM
“Dorian Generatives (Lime),” 2020
by ROBNESS. In the collection of the Centre Pompidou.
outland.art/centre-pompi...
by ROBNESS. In the collection of the Centre Pompidou.
outland.art/centre-pompi...
𝗖𝗼𝗻𝘃𝗲𝗿𝘀𝗮𝘁𝗶𝗼𝗻𝘀 | 𝗠𝗢𝗟𝗟𝗬 𝗦𝗢𝗗𝗔
A few weeks ago we sat down for a virtual studio visit with the 'girl from the internet', herself—Molly Soda!
The artist discusses her urge to archive the constantly changing ways that we represent ourselves on the internet, watch now ~
📺: outland.art/molly-soda/
A few weeks ago we sat down for a virtual studio visit with the 'girl from the internet', herself—Molly Soda!
The artist discusses her urge to archive the constantly changing ways that we represent ourselves on the internet, watch now ~
📺: outland.art/molly-soda/
April 9, 2024 at 4:33 PM
𝗖𝗼𝗻𝘃𝗲𝗿𝘀𝗮𝘁𝗶𝗼𝗻𝘀 | 𝗠𝗢𝗟𝗟𝗬 𝗦𝗢𝗗𝗔
A few weeks ago we sat down for a virtual studio visit with the 'girl from the internet', herself—Molly Soda!
The artist discusses her urge to archive the constantly changing ways that we represent ourselves on the internet, watch now ~
📺: outland.art/molly-soda/
A few weeks ago we sat down for a virtual studio visit with the 'girl from the internet', herself—Molly Soda!
The artist discusses her urge to archive the constantly changing ways that we represent ourselves on the internet, watch now ~
📺: outland.art/molly-soda/
Thinking about the Utah teapot today 🫖☕️
April 8, 2024 at 11:47 PM
Thinking about the Utah teapot today 🫖☕️
“y2k love,” 2021
@katecursed.bsky.social
❤️📞❤️
watch our virtual studio visit: outland.art/kate-the-cur...
@katecursed.bsky.social
❤️📞❤️
watch our virtual studio visit: outland.art/kate-the-cur...
April 8, 2024 at 7:52 PM
“y2k love,” 2021
@katecursed.bsky.social
❤️📞❤️
watch our virtual studio visit: outland.art/kate-the-cur...
@katecursed.bsky.social
❤️📞❤️
watch our virtual studio visit: outland.art/kate-the-cur...
In 2021, Lauren Lee McCarthy minted ‘Good Night,’ a NFT performance work in which the artist sends a text to the token’s holder every night before she goes to bed.
What do you think it’s like to hold a work like this? To participate in a performance with no end date?
outland.art/good-night-p...
What do you think it’s like to hold a work like this? To participate in a performance with no end date?
outland.art/good-night-p...
April 8, 2024 at 1:31 AM
In 2021, Lauren Lee McCarthy minted ‘Good Night,’ a NFT performance work in which the artist sends a text to the token’s holder every night before she goes to bed.
What do you think it’s like to hold a work like this? To participate in a performance with no end date?
outland.art/good-night-p...
What do you think it’s like to hold a work like this? To participate in a performance with no end date?
outland.art/good-night-p...
“There is a looming question here: do the blockchain and NFTs have an intuitive use case outside of commerce? Since museums are unlikely to display a project with a financial aspect, NFTs as digital postcards for exhibitions could remain the dominant manifestation.”
Tom Mouna on Gabriel Massan~
🔗👇
Tom Mouna on Gabriel Massan~
🔗👇
August 19, 2023 at 11:43 PM
“There is a looming question here: do the blockchain and NFTs have an intuitive use case outside of commerce? Since museums are unlikely to display a project with a financial aspect, NFTs as digital postcards for exhibitions could remain the dominant manifestation.”
Tom Mouna on Gabriel Massan~
🔗👇
Tom Mouna on Gabriel Massan~
🔗👇
𝗖𝗿𝗶𝘁𝗶𝗰𝗶𝘀𝗺 | 𝗣𝗢𝗦𝗧𝗖𝗔𝗥𝗗𝗦 𝗙𝗥𝗢𝗠 𝗧𝗛𝗘 𝗚𝗔𝗠𝗘𝗪𝗢𝗥𝗟𝗗
What role will NFTs and the blockchain find within the established art world?
Serpentine Galleries are testing the waters w/ a new show by Gabriel Massan.
Tom Mouna reviews new video game artwork ~
🗞️: https://outland.art/gabriel-massan-serpentine/
What role will NFTs and the blockchain find within the established art world?
Serpentine Galleries are testing the waters w/ a new show by Gabriel Massan.
Tom Mouna reviews new video game artwork ~
🗞️: https://outland.art/gabriel-massan-serpentine/
August 19, 2023 at 11:40 PM
𝗖𝗿𝗶𝘁𝗶𝗰𝗶𝘀𝗺 | 𝗣𝗢𝗦𝗧𝗖𝗔𝗥𝗗𝗦 𝗙𝗥𝗢𝗠 𝗧𝗛𝗘 𝗚𝗔𝗠𝗘𝗪𝗢𝗥𝗟𝗗
What role will NFTs and the blockchain find within the established art world?
Serpentine Galleries are testing the waters w/ a new show by Gabriel Massan.
Tom Mouna reviews new video game artwork ~
🗞️: https://outland.art/gabriel-massan-serpentine/
What role will NFTs and the blockchain find within the established art world?
Serpentine Galleries are testing the waters w/ a new show by Gabriel Massan.
Tom Mouna reviews new video game artwork ~
🗞️: https://outland.art/gabriel-massan-serpentine/
𝗖𝗿𝗶𝘁𝗶𝗰𝗶𝘀𝗺 | 𝗧𝗛𝗘 𝗢𝗨𝗧𝗟𝗔𝗡𝗗 𝗥𝗘𝗩𝗜𝗘𝗪, 𝗩𝗢𝗟. 𝟮
The Outland Review is back! 🎉
Volume Two features:
📍Jonah Goldman Kay on @ertdfgcvb.xyz & Sidi Vanetti
📍Gabrielle Schwartz on @feralfile's “N=12” exhibition cur. by Aaron Penne
📍Benoit Palop on Takakura Kazuki
📍Jason Isolini on Mark Fingerhut
📰🔗👇
The Outland Review is back! 🎉
Volume Two features:
📍Jonah Goldman Kay on @ertdfgcvb.xyz & Sidi Vanetti
📍Gabrielle Schwartz on @feralfile's “N=12” exhibition cur. by Aaron Penne
📍Benoit Palop on Takakura Kazuki
📍Jason Isolini on Mark Fingerhut
📰🔗👇
August 4, 2023 at 6:38 PM
𝗖𝗿𝗶𝘁𝗶𝗰𝗶𝘀𝗺 | 𝗧𝗛𝗘 𝗢𝗨𝗧𝗟𝗔𝗡𝗗 𝗥𝗘𝗩𝗜𝗘𝗪, 𝗩𝗢𝗟. 𝟮
The Outland Review is back! 🎉
Volume Two features:
📍Jonah Goldman Kay on @ertdfgcvb.xyz & Sidi Vanetti
📍Gabrielle Schwartz on @feralfile's “N=12” exhibition cur. by Aaron Penne
📍Benoit Palop on Takakura Kazuki
📍Jason Isolini on Mark Fingerhut
📰🔗👇
The Outland Review is back! 🎉
Volume Two features:
📍Jonah Goldman Kay on @ertdfgcvb.xyz & Sidi Vanetti
📍Gabrielle Schwartz on @feralfile's “N=12” exhibition cur. by Aaron Penne
📍Benoit Palop on Takakura Kazuki
📍Jason Isolini on Mark Fingerhut
📰🔗👇
According to Denson, Anadol collapses both of Kant's notions of 'dynamical' sublime and the 'mathematical' sublime: not only does the work physically overwhelm the viewer, but also presents the "unfathomable operations of superfast algorithms--mathematics itself."
July 28, 2023 at 5:49 PM
According to Denson, Anadol collapses both of Kant's notions of 'dynamical' sublime and the 'mathematical' sublime: not only does the work physically overwhelm the viewer, but also presents the "unfathomable operations of superfast algorithms--mathematics itself."
"The impassivity of the viewer, dwarfed by the gargantuan scale of the display, serves as a kind of visual foil to heighten the tension. That nameless spectator thus provides the moorings for my own point of view, dynamizing my vision in contrast to her grounded stance."
— Shane Denson
— Shane Denson
July 28, 2023 at 5:48 PM
"The impassivity of the viewer, dwarfed by the gargantuan scale of the display, serves as a kind of visual foil to heighten the tension. That nameless spectator thus provides the moorings for my own point of view, dynamizing my vision in contrast to her grounded stance."
— Shane Denson
— Shane Denson
"Embedded architecturally into the built environment, they become environments of their own, transforming exteriors & interiors into porous gateways to a world of incessant change & transformation."
– Shane Denson
– Shane Denson
July 28, 2023 at 5:47 PM
"Embedded architecturally into the built environment, they become environments of their own, transforming exteriors & interiors into porous gateways to a world of incessant change & transformation."
– Shane Denson
– Shane Denson
"The true object of sublime wonder has shifted to the infrastructural conditions of sensation, and in particular to the invisible filtering operations of AI."
Shane Denson considers the tactile power of Refik Anadol’s large-scale, AI-driven installations.
A thread...🧵👇
Shane Denson considers the tactile power of Refik Anadol’s large-scale, AI-driven installations.
A thread...🧵👇
July 28, 2023 at 5:46 PM
"The true object of sublime wonder has shifted to the infrastructural conditions of sensation, and in particular to the invisible filtering operations of AI."
Shane Denson considers the tactile power of Refik Anadol’s large-scale, AI-driven installations.
A thread...🧵👇
Shane Denson considers the tactile power of Refik Anadol’s large-scale, AI-driven installations.
A thread...🧵👇
𝗖𝗿𝗶𝘁𝗶𝗰𝗶𝘀𝗺 | 𝗛𝗢𝗪 𝗗𝗢𝗘𝗦 𝗜𝗧 𝗠𝗔𝗞𝗘 𝗬𝗢𝗨 𝗙𝗘𝗘𝗟?
We're not quite ready to leave our bodies behind.
AI art leaves much obscured; when algorithms are invisible, our senses perceive their outputs. 👁️
Shane Denson (author of “Discorrelated Images,” 2020) argues for a phenomenological perspective~
🗞️🔗👇
We're not quite ready to leave our bodies behind.
AI art leaves much obscured; when algorithms are invisible, our senses perceive their outputs. 👁️
Shane Denson (author of “Discorrelated Images,” 2020) argues for a phenomenological perspective~
🗞️🔗👇
July 26, 2023 at 9:44 PM
𝗖𝗿𝗶𝘁𝗶𝗰𝗶𝘀𝗺 | 𝗛𝗢𝗪 𝗗𝗢𝗘𝗦 𝗜𝗧 𝗠𝗔𝗞𝗘 𝗬𝗢𝗨 𝗙𝗘𝗘𝗟?
We're not quite ready to leave our bodies behind.
AI art leaves much obscured; when algorithms are invisible, our senses perceive their outputs. 👁️
Shane Denson (author of “Discorrelated Images,” 2020) argues for a phenomenological perspective~
🗞️🔗👇
We're not quite ready to leave our bodies behind.
AI art leaves much obscured; when algorithms are invisible, our senses perceive their outputs. 👁️
Shane Denson (author of “Discorrelated Images,” 2020) argues for a phenomenological perspective~
🗞️🔗👇
𝗖𝗿𝗶𝘁𝗶𝗰𝗶𝘀𝗺 | 𝗙𝗟𝗢𝗪𝗘𝗥 𝗣𝗢𝗪𝗘𝗥
Alexandra Daisy Ginsberg’s algorithmically designed gardens 🌸 cater to the needs of insects & plants, rather than preferences of humans—💪 but we still have a role to play.
🌱Gabrielle Schwarz reporting in from the garden ~
🗞️: https://outland.art/alexandra-daisy-ginsberg/
Alexandra Daisy Ginsberg’s algorithmically designed gardens 🌸 cater to the needs of insects & plants, rather than preferences of humans—💪 but we still have a role to play.
🌱Gabrielle Schwarz reporting in from the garden ~
🗞️: https://outland.art/alexandra-daisy-ginsberg/
July 25, 2023 at 4:27 PM
𝗖𝗿𝗶𝘁𝗶𝗰𝗶𝘀𝗺 | 𝗙𝗟𝗢𝗪𝗘𝗥 𝗣𝗢𝗪𝗘𝗥
Alexandra Daisy Ginsberg’s algorithmically designed gardens 🌸 cater to the needs of insects & plants, rather than preferences of humans—💪 but we still have a role to play.
🌱Gabrielle Schwarz reporting in from the garden ~
🗞️: https://outland.art/alexandra-daisy-ginsberg/
Alexandra Daisy Ginsberg’s algorithmically designed gardens 🌸 cater to the needs of insects & plants, rather than preferences of humans—💪 but we still have a role to play.
🌱Gabrielle Schwarz reporting in from the garden ~
🗞️: https://outland.art/alexandra-daisy-ginsberg/
𝗖𝗼𝗻𝘃𝗲𝗿𝘀𝗮𝘁𝗶𝗼𝗻𝘀 | 𝗖𝗢𝗡𝗡𝗜𝗘 𝗕𝗔𝗞𝗦𝗛𝗜
Did you know that @connie.bsky.social was trained as a biomedical engineer?
#ICYMI: last week we visited the 'digital shaman' & artist experimenting with AI.
New technologies meet ancient mythologies ~
Watch now 👇 📺
Did you know that @connie.bsky.social was trained as a biomedical engineer?
#ICYMI: last week we visited the 'digital shaman' & artist experimenting with AI.
New technologies meet ancient mythologies ~
Watch now 👇 📺
July 25, 2023 at 4:10 PM
𝗖𝗼𝗻𝘃𝗲𝗿𝘀𝗮𝘁𝗶𝗼𝗻𝘀 | 𝗖𝗢𝗡𝗡𝗜𝗘 𝗕𝗔𝗞𝗦𝗛𝗜
Did you know that @connie.bsky.social was trained as a biomedical engineer?
#ICYMI: last week we visited the 'digital shaman' & artist experimenting with AI.
New technologies meet ancient mythologies ~
Watch now 👇 📺
Did you know that @connie.bsky.social was trained as a biomedical engineer?
#ICYMI: last week we visited the 'digital shaman' & artist experimenting with AI.
New technologies meet ancient mythologies ~
Watch now 👇 📺
The piece is illustrated by artworks by @ganbrood.bsky.social 💖 whole worlds within ‘technical images’ to fall into…
July 24, 2023 at 7:53 PM
The piece is illustrated by artworks by @ganbrood.bsky.social 💖 whole worlds within ‘technical images’ to fall into…
𝗖𝗼𝗺𝗺𝗲𝗻𝘁𝗮𝗿𝘆 | 𝗧𝗛𝗘 𝗧𝗥𝗘𝗔𝗖𝗛𝗘𝗥𝗬 𝗢𝗙 𝗜𝗠𝗔𝗚𝗘𝗦
Images have always tempted people to produce more of them.
According to Ruby Justice Thelot, generative AI ushers in the ultimate freedom of the image from human agency.
Now online in the magazine ~
📰: https://outland.art/generative-ai-and-technical-images/
Images have always tempted people to produce more of them.
According to Ruby Justice Thelot, generative AI ushers in the ultimate freedom of the image from human agency.
Now online in the magazine ~
📰: https://outland.art/generative-ai-and-technical-images/
July 24, 2023 at 7:45 PM
𝗖𝗼𝗺𝗺𝗲𝗻𝘁𝗮𝗿𝘆 | 𝗧𝗛𝗘 𝗧𝗥𝗘𝗔𝗖𝗛𝗘𝗥𝗬 𝗢𝗙 𝗜𝗠𝗔𝗚𝗘𝗦
Images have always tempted people to produce more of them.
According to Ruby Justice Thelot, generative AI ushers in the ultimate freedom of the image from human agency.
Now online in the magazine ~
📰: https://outland.art/generative-ai-and-technical-images/
Images have always tempted people to produce more of them.
According to Ruby Justice Thelot, generative AI ushers in the ultimate freedom of the image from human agency.
Now online in the magazine ~
📰: https://outland.art/generative-ai-and-technical-images/
𝗦𝘁𝘂𝗱𝗶𝗼 𝗩𝗶𝘀𝗶𝘁 | 𝗖𝗢𝗡𝗡𝗜𝗘 𝗕𝗔𝗞𝗦𝗛𝗜
She’s a self-described “digital shaman,” exploring posthuman identity narratives through tech, lore, and ritual 🔮✨.
You guessed it—our next virtual visit is with @connie.bsky.social !
🗣️ Tomorrow, 7/18, 11AM PT/2PM ET ~ on the bird app 🐦⬛!
She’s a self-described “digital shaman,” exploring posthuman identity narratives through tech, lore, and ritual 🔮✨.
You guessed it—our next virtual visit is with @connie.bsky.social !
🗣️ Tomorrow, 7/18, 11AM PT/2PM ET ~ on the bird app 🐦⬛!
July 17, 2023 at 9:14 PM
𝗦𝘁𝘂𝗱𝗶𝗼 𝗩𝗶𝘀𝗶𝘁 | 𝗖𝗢𝗡𝗡𝗜𝗘 𝗕𝗔𝗞𝗦𝗛𝗜
She’s a self-described “digital shaman,” exploring posthuman identity narratives through tech, lore, and ritual 🔮✨.
You guessed it—our next virtual visit is with @connie.bsky.social !
🗣️ Tomorrow, 7/18, 11AM PT/2PM ET ~ on the bird app 🐦⬛!
She’s a self-described “digital shaman,” exploring posthuman identity narratives through tech, lore, and ritual 🔮✨.
You guessed it—our next virtual visit is with @connie.bsky.social !
🗣️ Tomorrow, 7/18, 11AM PT/2PM ET ~ on the bird app 🐦⬛!
𝗖𝗼𝗺𝗺𝗲𝗻𝘁𝗮𝗿𝘆 | 𝗗𝗘𝗖𝗢𝗡𝗦𝗧𝗥𝗨𝗖𝗧𝗜𝗢𝗡 𝗧𝗢 𝗧𝗛𝗘 𝗥𝗘𝗦𝗖𝗨𝗘
Crits of large language models like ChatGPT rely on a logocentric metaphysics of presence—a worldview debunked by poststructuralist theories of language. Why is that?
David Gunkel investigates: https://outland.art/chatgpt-post-structuralism/
Crits of large language models like ChatGPT rely on a logocentric metaphysics of presence—a worldview debunked by poststructuralist theories of language. Why is that?
David Gunkel investigates: https://outland.art/chatgpt-post-structuralism/
July 13, 2023 at 5:25 PM
𝗖𝗼𝗺𝗺𝗲𝗻𝘁𝗮𝗿𝘆 | 𝗗𝗘𝗖𝗢𝗡𝗦𝗧𝗥𝗨𝗖𝗧𝗜𝗢𝗡 𝗧𝗢 𝗧𝗛𝗘 𝗥𝗘𝗦𝗖𝗨𝗘
Crits of large language models like ChatGPT rely on a logocentric metaphysics of presence—a worldview debunked by poststructuralist theories of language. Why is that?
David Gunkel investigates: https://outland.art/chatgpt-post-structuralism/
Crits of large language models like ChatGPT rely on a logocentric metaphysics of presence—a worldview debunked by poststructuralist theories of language. Why is that?
David Gunkel investigates: https://outland.art/chatgpt-post-structuralism/
𝗖𝗼𝗺𝗺𝗲𝗻𝘁𝗮𝗿𝘆 | 𝗙𝗜𝗖𝗧𝗜𝗢𝗡𝗔𝗟 𝗗𝗘𝗩𝗜𝗖𝗘𝗦
🤖 From guest editor Mark Amerika for our special issue on AI:
Science fiction has been anticipating (& imagining) the death of the author lfor quite some time.
✍️ Matthew Kirschenbaum investigates ~
📰: https://outland.art/ai-writing-science-fiction/
🤖 From guest editor Mark Amerika for our special issue on AI:
Science fiction has been anticipating (& imagining) the death of the author lfor quite some time.
✍️ Matthew Kirschenbaum investigates ~
📰: https://outland.art/ai-writing-science-fiction/
July 11, 2023 at 5:41 PM
𝗖𝗼𝗺𝗺𝗲𝗻𝘁𝗮𝗿𝘆 | 𝗙𝗜𝗖𝗧𝗜𝗢𝗡𝗔𝗟 𝗗𝗘𝗩𝗜𝗖𝗘𝗦
🤖 From guest editor Mark Amerika for our special issue on AI:
Science fiction has been anticipating (& imagining) the death of the author lfor quite some time.
✍️ Matthew Kirschenbaum investigates ~
📰: https://outland.art/ai-writing-science-fiction/
🤖 From guest editor Mark Amerika for our special issue on AI:
Science fiction has been anticipating (& imagining) the death of the author lfor quite some time.
✍️ Matthew Kirschenbaum investigates ~
📰: https://outland.art/ai-writing-science-fiction/
GM :)
Mr. Doodle’s take on Da Vinci’s classic—we give you:
“Vitruvian Doodle,” 2019
Mr. Doodle’s take on Da Vinci’s classic—we give you:
“Vitruvian Doodle,” 2019
July 11, 2023 at 5:27 PM
GM :)
Mr. Doodle’s take on Da Vinci’s classic—we give you:
“Vitruvian Doodle,” 2019
Mr. Doodle’s take on Da Vinci’s classic—we give you:
“Vitruvian Doodle,” 2019
Editor-in-Chief @bdroit.bsky.social writes:
“If the classical monument structures the flow of movement through public space, the digital nonmonument mimics and augments this flow.”
-𝗧𝗛𝗘 𝗗𝗜𝗚𝗜𝗧𝗔𝗟 𝗡𝗢𝗡𝗠𝗢𝗡𝗨𝗠𝗘𝗡𝗧-
📰: https://outland.art/the-digital-nonmonument/
“If the classical monument structures the flow of movement through public space, the digital nonmonument mimics and augments this flow.”
-𝗧𝗛𝗘 𝗗𝗜𝗚𝗜𝗧𝗔𝗟 𝗡𝗢𝗡𝗠𝗢𝗡𝗨𝗠𝗘𝗡𝗧-
📰: https://outland.art/the-digital-nonmonument/
July 11, 2023 at 5:32 AM
Editor-in-Chief @bdroit.bsky.social writes:
“If the classical monument structures the flow of movement through public space, the digital nonmonument mimics and augments this flow.”
-𝗧𝗛𝗘 𝗗𝗜𝗚𝗜𝗧𝗔𝗟 𝗡𝗢𝗡𝗠𝗢𝗡𝗨𝗠𝗘𝗡𝗧-
📰: https://outland.art/the-digital-nonmonument/
“If the classical monument structures the flow of movement through public space, the digital nonmonument mimics and augments this flow.”
-𝗧𝗛𝗘 𝗗𝗜𝗚𝗜𝗧𝗔𝗟 𝗡𝗢𝗡𝗠𝗢𝗡𝗨𝗠𝗘𝗡𝗧-
📰: https://outland.art/the-digital-nonmonument/
𝗖𝗼𝗺𝗺𝗲𝗻𝘁𝗮𝗿𝘆 | 𝗧𝗛𝗘 𝗗𝗜𝗚𝗜𝗧𝗔𝗟 𝗡𝗢𝗡𝗠𝗢𝗡𝗨𝗠𝗘𝗡𝗧
Unobstrusive, ephemeral, embedded in rhythms of everyday life—digital art is finding felicitous ways to migrate from personal screens to public space that bypass museums. 🎆
These monuments leave no trace.
📰: https://outland.art/the-digital-nonmonument/
Unobstrusive, ephemeral, embedded in rhythms of everyday life—digital art is finding felicitous ways to migrate from personal screens to public space that bypass museums. 🎆
These monuments leave no trace.
📰: https://outland.art/the-digital-nonmonument/
July 11, 2023 at 5:26 AM
𝗖𝗼𝗺𝗺𝗲𝗻𝘁𝗮𝗿𝘆 | 𝗧𝗛𝗘 𝗗𝗜𝗚𝗜𝗧𝗔𝗟 𝗡𝗢𝗡𝗠𝗢𝗡𝗨𝗠𝗘𝗡𝗧
Unobstrusive, ephemeral, embedded in rhythms of everyday life—digital art is finding felicitous ways to migrate from personal screens to public space that bypass museums. 🎆
These monuments leave no trace.
📰: https://outland.art/the-digital-nonmonument/
Unobstrusive, ephemeral, embedded in rhythms of everyday life—digital art is finding felicitous ways to migrate from personal screens to public space that bypass museums. 🎆
These monuments leave no trace.
📰: https://outland.art/the-digital-nonmonument/
Right now, we’re gearing up for a new collection, it’s called DoodleHeads, and comes from the iconic Mr Doodle!
July 11, 2023 at 1:16 AM
Right now, we’re gearing up for a new collection, it’s called DoodleHeads, and comes from the iconic Mr Doodle!