I like the new photo bottom right - credit?

Shipping containers present as unwelcoming. Good inexpensive architecture should be an expression of use and should add to a sense of belonging in streetscape. Containers do the opposite.

Once shipping containers have been adapted, there can be little cost benefit over developing a factory-produced small span component-based building in the style of Hopkins' SSSALU or Gullichsen & Pallasmaa Moduli 225. Containers have limitations and are architecturally uninspiring.

Well-recorded - the all to familiar story of The Potteries' heritage. I don't recognise the bottom right image?

A "Pottery Trail" around the Six Towns could take in The Leopard. Such tours would guarantee a level of business - making renovation worthwhile.

Architects are Foster & Partners

It's a fabulous design - What AI can do must be very worrying to aspiring designers. Good luck with the book.

It might be AI because the strut supporting the seat on the far side isn't crisp - and in true perspective, it would be shorter than the nearside one - whereas it appears longer. That design is a winner AI or not.

Is the chair AI? If not and it's real, please let us know who designed it? It's a perfect composition.

There's something compelling about a backdrop of pine trees - Onkel Toms Hütte housing estate in Berlin, Bruno Taut 1926-32. Does it suggest a permanence due to its location in a well-established neighbourhood?

No interaction for the residents with the outside world? - balcony design has become crucial - otherwise the prison identity might realise an unintended consequence.

1958 for football, but engineer Oscar Faber had pioneered the cantilever stand at Northolt Park Racetrack from as early as 1929. His solution was to clad a steel structure to make it look like concrete.

The bio-domes here won't be as extensive as the originals at the Eden Project.

Although this possibly wasn't built as a pub - see bricked up first floor window - it is absurd to remove a familiar landmark by making it nondescript.

In those days, concrete was seen as a poor man's masonry. Hence the joint patterning which suggests it was masonry-built.

The towers were the last to go. As they were made from in-situ concrete, they couldn't be taken down brick by brick and relocated - a shame.

It’s an interesting story. Owen Williams was the engineer, Maxwell Ayrton the architect. Ayrton’s classicism, formality and symmetry was engineered in ferroconcrete by Williams - using fake columns where none was needed structurally. Later Williams designed the Empire Pool opposite to his style.

Art Deco was named after a French exhibition in 1925 two years after Wembley 1923 was completed, but more generally the interwar period is used as the timeframe from 1919. Take your pick.