At the heart of the exhibition are a series of collaborative works beginning from a shared prompt: a written description of a place with personal significance given by a collaborator but unknown to the artists. From here each artist interprets the text, Kate through painting & Emma through 3D form.

the exhibition traces how one form can fold into another, and how memory, space, and language shift in the process.

TWO-FOLD
Appleton & Proudman
19 – 30 November 2025

Like the building in the Roses if you’ve seen it!!

Shards of glass everywhere

inner tension. Using a diverse range of media, Judith investigates the tension between control & spontaneity, structure & dissolution. Each piece invites viewers to contemplate the complexities of identity & presence, revealing the figure not as a static form, but as a shifting, emotional landscape.

Living Lines is a solo exhibition that explores the expressive potential of the human figure through a collection of abstract paintings and drawings. Blurring the boundary between body & emotion, the works reinterpret the figure in fragmented, gestural forms that evoke movement, vulnerability & …

inner tension. Using a diverse range of media, Judith investigates the tension between control & spontaneity, structure & dissolution. Each piece invites viewers to contemplate the complexities of identity & presence, revealing the figure not as a static form, but as a shifting, emotional landscape.

Living Lines is a solo exhibition that explores the expressive potential of the human figure through a collection of abstract paintings and drawings. Blurring the boundary between body & emotion, the works reinterpret the figure in fragmented, gestural forms that evoke movement, vulnerability & …

Faridge is a pathetic spineless weasel (sorry to weasels everywhere)